In presenting the ideal skills, abilities, and qualities of a successful politico, The Capitol Hill Playbook speaks to today’s generation of staffers like no other book before it. Weaving together Renaissance-era political philosophies and contemporary illustrations, Nicholas Balthazar enlists the help of Niccolò Machiavelli, author of the venerable political treatise The Prince, and Baldassare Castiglione, author of The Book of the Courtier—the authoritative account of Renaissance court life—to demonstrate two models of political life and their applicability today. Balthazar offers readers a path between these two methods, exploring the mechanics of working for elected officials but also discussing the philosophies behind contemporary political work. The Capitol Hill Playbook answers all the questions a newly hired staffer might want to ask: • Why do politicians run for office? • Why is devotion so important in politics? • Why must a staffer be a good communicator? • Why are friendships such an essential and elusive part of political life? • How do you win a political knife fight? • Why should a political staffer never wear a bow tie to the office? • And more! A provocative and informative read, The Capitol Hill Playbook will be indispensible to any political aspirant and, with an intriguing look back to the Renaissance, reveals how politics today has both changed and remained the same through the centuries.
The first full-scale biography of one of the most elusive and enigmatic painters of our time -- the self-proclaimed Count Balthus Klossowski de Rola -- whose brilliantly rendered, markedly sexualized portraits, especially of young girls, are among the most memorable images in contemporary art. The story of Balthus's life has been shrouded by contradiction and hearsay, most of it his own invention; over the years he created for himself a persona of mystery, aristocracy, and glamour. Now, in Nicholas Fox Weber's superb biography, Balthus, the man and the artist, stands revealed as never before. He was born in Paris in 1908 to Polish parents. At age twelve he first stepped into the spotlight with the publication of forty of his drawings illustrating a story about a cat by Rainer Maria Rilke, who was then Balthus's mother's lover and a crucial influence on the young boy. From that moment, Balthus has never been out of the public eye. In 1934 his first exhibition, in Paris, stunned the art world. The seven canvases drew attention to his extraordinary technique -- a mix of tradition and imagination informed by the work of Piero della Francesca, Courbet, and Joseph Reinhardt, but unique to the twenty-six-year-old artist -- and to their provocative content; one of the paintings, The Guitar Lesson, was so powerful in its sadomasochistic imagery that it was deemed necessary to remove it from public display. Continuously since then, Balthus's work has provoked both great opprobrium and profound admiration -- as has the artist himself, whether collaborating with Antonin Artaud on his Theater of Cruelty, transforming the Villa Medici into the social center of Fellini's Rome in the 1950s, or competing for the artistic limelight with his friends Picasso and André Derain. The artist's complexities are clarified and his genius understood in a book that derives its particular immediacy from Weber's long and intense conversations with Balthus -- who never previously consented to discuss his life and work with a biographer -- as well as his interviews with the painter's closest friends, members of his family, and many of the subjects of his controversial canvases. Weber's critical and human grasp (he acutely analyzes the paintings in terms of both their aesthetic achievement and what they reveal of their maker's psyche), combined with his rich knowledge of Balthus's life and his insight into the ideas and forces that have helped to shape Balthus's work over the past seven decades, gives us a striking, illuminating portrait of one of the most admired and outrageous artists of our time.
This is Volume VII of nine in a collection on Historical Sociology. Originally published in 1951, this is a study of educational institutions and movements, social and economic conditions and developments in a period that is seen as the actual realisation of modern education.
You are getting ready for a performance of Donizetti’s L’elisir d’amore and you have a few questions. How many clarinets are in the orchestra? How many orchestra members appear onstage? How many different sets are there? How long does the opera typically run? What are the key arias? Are any special effects or ballet choreography required? Who owns the rights? Where was it premiered? What are the leading and supporting roles? The Opera Manual is the only single source for the answers to these and other important questions. It is the ultimate companion for opera lovers, professionals, scholars, and teachers, featuring comprehensive information about, and plot summaries for, more than 550 operas—including every opera that is likely to be performed today, from standard to rediscovered contemporary works. The book is invaluable, especially for opera professionals, who will find everything they need for choosing and staging operas. But it is also a treasure for listeners. Similar reference books commonly skip over scenes and supporting characters in their plot summaries, lacking even the most basic facts about staging, orchestral, and vocal requirements. The Opera Manual, based on the actual scores of the works discussed, is the only exhaustive, up-to-date opera companion—a “recipe book” that will enable its readers to explore those operas they know and discover new ones to sample and enjoy.
One of the most original, rebellious, and idiosyncratic directors in the American cinema, Nicholas Ray lived and worked with an intensity equal to that of his films. Best known for his direction of James Dean in Rebel Without a Cause (1955), he is also well regarded for his cult western Johnny Guitar (1954), and such prestigious noir classics as On Dangerous Ground (1951). I Was Interrupted offers a provocative selection of the filmmaker's writings, lectures, interviews, and more.
“A major contribution . . . not only to Puccini studies but also to the study of nineteenth-century Italian opera in general.” —Nineteenth-Century Music Review In this groundbreaking survey of the fundamentals, methods, and formulas that were taught at Italian music conservatories during the 19th Century, Nicholas Baragwanath explores the compositional significance of tradition in Rossini, Bellini, Donizetti, Verdi, Boito, and, most importantly, Puccini. Taking account of some 400 primary sources, Baragwanath explains the varying theories and practices of the period in light of current theoretical and analytical conceptions of this music. The Italian Traditions and Puccini offers a guide to an informed interpretation and appreciation of Italian opera by underscoring the proximity of archaic traditions to the music of Puccini. “Dense and challenging in its detail and analysis, this work is an important addition to the growing corpus of Puccini studies. . . . Highly recommended.” —Choice
There is no shortage of Black characters in Miguel de Cervantes’s works, yet there has been a profound silence about the Spanish author’s compelling literary construction and cultural codification of Black Africans and sub-Saharan Africa. In Cervantine Blackness, Nicholas R. Jones reconsiders in what sense Black subjects possess an inherent value within Cervantes’s cultural purview and literary corpus. In this unflinching critique, Jones charts important new methodological and theoretical terrain, problematizing the ways emphasis on agency has stifled and truncated the study of Black Africans and their descendants in early modern Spanish cultural and literary production. Through the lens of what he calls “Cervantine Blackness,” Jones challenges the reader to think about the blind faith that has been lent to the idea of agency—and its analogues “presence” and “resistance”—as a primary motivation for examining the lives of Black people during this period. Offering a well-crafted and sharp critique, through a systematic deconstruction of deeply rooted prejudices, Jones establishes a solid foundation for the development of a new genre of literary and cultural criticism. A searing work of literary criticism and political debate, Cervantine Blackness speaks to specialists and nonspecialists alike—anyone with a serious interest in Cervantes’s work who takes seriously a critical reckoning with the cultural, historical, and literary legacies of agency, antiblackness, and refusal within the Iberian Peninsula and the global reaches of its empire.
The music of J.S.Bach has a unique power and attraction some 300 years after it was written. From annual performances of the great Passions and BBC Radio 3's hugely successful Bach Christmas, to its use in adverts, films and popular arrangements, the imaginative strength of Bach's music continues to draw listeners to explore its mysteries. This new Pocket Guide looks at all Bach's music, sacred and secular, and explores why he speaks so profoundly to our age about both the spiritual and the sensual in life. Among the features of this easy-to-use book: The Bach Top Ten Bach: The music work by work Performing Bach today Bach: The life year by year What people said about Bach Accessible and easy to use, Nicholas Kenyon provides for the first time an up-to-date survey of all Bach's major works in the light of the latest research, from Masses to Cantatas, Concertos to Suites, and recommends the best CDs and further reading.
The present book is a natural outgrowth of Rescher’s longstanding preoccupation with the rational systematization of our knowledge as manifested in such earlier works as Cognitive Systematization (Oxford: Blackwell, 1979), and Complexity (New Brunswick: Transaction Publishers, 1998). Accordingly, the role of principles in human affairs is crucial and ubiquitous. Principology, the theory of principles—underdeveloped through it may be—is accordingly bound to find a significant place in the sphere of philosophical inquiry regarding matters of thought and action.
In The New Philosophy of Universalism Nicholas Hagger outlined a new philosophy that restates the order within the universe, the oneness of humankind and an infinite Reality perceived as Light; and its applications in many disciplines, including literature. In this work of literary Universalism, which carries forward the thinking in T.S. Eliot’s ‘Tradition and the Individual Talent’ and other essays, Hagger traces the fundamental theme of world literature, which has alternating metaphysical and secular aspects: a quest for Reality and immortality; and condemnation of social vices in relation to an implied virtue. Since classical times these two antithetical traditions have periodically been synthesised by Universalists. Hagger sets out the world Universalist literary tradition: the writers who from ancient times have based their work on the fundamental Universalist theme. These can be found in the Graeco-Roman world, the Middle Ages and Renaissance, in the Baroque Age, in the Neoclassical, Romantic Victorian and Modernist periods, and in the modern time. He demonstrates that the Universalist sensibility is a synthesis of the metaphysical and secular traditions, and a combination of the Romantic inspired imagination (the inner faculty by which Romantic poets approached the Light) and the Neoclassical imitative approach to literature which emphasizes social order and proportion, a combination found in the Baroque time of the Metaphysical poets, and in Victorian and Modernist literature. Universalists express their cross-disciplinary sensibility in literary epic, as did Homer, Virgil, Dante and Milton, and in a number of genres within literature – and in history and philosophy. Universalist historians claim that every civilisation is nourished by a metaphysical vision that is expressed in its art, and when it declines secular, materialist writings lose contact with its central vision. As Universalist literary works restate the order within the universe, reveal metaphysical Being and restore the vision of Reality, Hagger excitingly argues that the Universalist sensibility renews Western civilisation’s health. Literary Universalism is a movement that revives the metaphysical outlook and combines it with the secular, materialistic approach to literature that has predominated in recent times. It can carry out a revolution in thought and culture and offer a new direction in contemporary literature. This work conveys Universalism’s impact on literature, and should be read by all who have concerns about the sickness and decline of contemporary European/Western culture.
How did castrati manage to amaze their eighteenth-century audiences by singing the same aria several times in completely different ways? And how could composers of the time write operas in a matter of days? The secret lies in the solfeggio tradition, a music education method that was fundamental to the training of European musicians between 1680 and 1830 a time during which professional musicians belonged to the working class. As disadvantaged children in orphanages learned the musical craft through solfeggio lessons, many were lifted from poverty, and the most successful were propelled to extraordinary heights of fame and fortune. In this first book on the solfeggio tradition, author Nicholas Baragwanath draws on over a thousand manuscript sources to reconstruct how professionals became skilled performers and composers who could invent and modify melodies at will. By introducing some of the simplest exercises in scales, leaps, and cadences that apprentices would have encountered, this book allows readers to retrace the steps of solfeggio training and learn to generate melody by 'speaking' it like an eighteenth-century musician. As it takes readers on a fascinating journey through the fundamentals of music education in the eighteenth century, this book uncovers a forgotten art of melody that revolutionizes our understanding of the history of music pedagogy.
In The Metropolitan Airport, Nicholas Dagen Bloom chronicles the untold story of JFK International's complicated and turbulent relationship with the New York City metropolitan region. It is an indispensable book for those who seek to understand the revolutionary impact of airports on the modern American city.
In Signs of Grace (R&L 2001), Nicholas Ayo, C.S.C., described the spaces and places of the Notre Dame campus. Times of Grace is the follow-up to this acclaimed and successful meditation. In four parts divided by season, Times of Grace explores ordinary moments of study and play, quiet times set aside for personal and academic reflection, and official university and Catholic holidays. Days at Notre Dame are filled with unnoticed glory in the punctuating events of each year. Ayo traces through these shared experiences a common thread of community spirit and individual reflection.
The guidebook has a long and distinguished history, going back to Biblical times and encompassing major cultural and social changes that have witnessed the transformation of travel. This book presents a journey through centuries of travel writing.
One contemporary critique of Thomistic theology is that it dehistoricizes the relationship between God and creation. This position is a consequence of identifying the prius of theology as God. The Eucharist as the Center of Theology offers an alternative in that it examines a free historical prius, the Eucharist, as proposed by Donald J. Keefe, S.J., and then discusses and develops aspects of St. Thomas Aquinas' thought that support such a prius.
Written by Nicholas J Talley, Simon O’Connor and Brad Frankum, this engaging and instructive text provides practical pathways to diagnosis and up-to-date strategies for implementing evidence-based treatments for prevalent conditions. Learn how to: identify what is clinically important understand and investigate disease create an effective strategy for treatment use technological diagnostic tools. This new edition of Essentials of Internal Medicine 4e describes established and trusted diagnostic techniques to equip students and trainees with the skills to succeed in their profession. The visually dynamic text offers a framework of knowledge covering core facts and addressing difficult-to-master topics such as: holistic approach to patient treatment the importance of diagnosis the physician's role in public health the physician as scholar. Contributions from expert clinicians leading the advancement of medicine globally Need-to-know ‘clinical pearls’ throughout each chapter Memory jog lists and tables Multiple choice questions with end-of-chapter answers and extensive explanations Enhanced eBook version included with purchase
This book re-examines the relationship between Britain and colonial slavery in a crucial period in the birth of modern Britain. Drawing on a comprehensive analysis of British slave-owners and mortgagees who received compensation from the state for the end of slavery, and tracing their trajectories in British life, the volume explores the commercial, political, cultural, social, intellectual, physical and imperial legacies of slave-ownership. It transcends conventional divisions in history-writing to provide an integrated account of one powerful way in which Empire came home to Victorian Britain, and to reassess narratives of West Indian 'decline'. It will be of value to scholars not only of British economic and social history, but also of the histories of the Atlantic world, of the Caribbean and of slavery, as well as to those concerned with the evolution of ideas of race and difference and with the relationship between past and present.
With the coming of glasnost to the Soviet Union, filmmakers began to explore previously forbidden themes, and distributors released films that were suppressed by pre-glasnost-era censors. Soviet cinema underwent a revolution, one that mirrors and helps interpret the social revolution that took place throughout the USSR. Glasnost—Soviet Cinema Responds is the first overall survey of the effects of this revolution on the work of Soviet filmmakers and their films. The book is structured as a series of three essays and a filmography of the directors of glasnost cinema. The first essay, "The Age of Perestroika," describes the changes that occurred in Soviet cinema as it freed itself from the legacy of Stalinism and socialist realism. It also considers the influence of film educator and director Mikhail Romm. "Youth in Turmoil" takes a sociological look at films about youth, the most dynamic and socially revealing of glasnost-era productions. "Odysseys in Inner Space" charts a new direction in Soviet cinema as it focuses on the inner world of individuals. The filmography includes thirty-three of the most significant glasnost-era directors, including Tengiz Abuladze, Karen Shakhnazarov, and Sergei Soloviev, with a comprehensive list of their films. Discussions of many individual films, such as Repentance, The Messenger Boy, and The Wild Pigeon, and interviews with the directors reveal the effects that glasnost and perestroika have had on the directors' lives and art.
This handbook provides a comprehesive but succinct overview of medical and surgical management of diseases of the liver, pancreas, and biliary tree. It includes imaging of the pancreas and hepatobiliary system as well. Open and minimally invasive surgical management techniques are covered. Coverage includes pancreatic cancer and cysts, pancreatitis, complications of panreatic surgery, ultrasound for liver disease, cirrhosis and portal hypertension, neuroendocrine and colorectal metastases to the liver, gallstones, cholesystitis, infections in biliary surgery, and more. Target markets include surgical residents, surgical nurses, beginning fellows in HPB training programs. There may also be some uptake from gastroenterologists.
From the Financial Times's long-standing restaurant critic Nicholas Lander comes this celebration of the history, design and evolution of the world's favourite piece of paper: the menu. On the Menu is a stunning collection of menus, from those at the cutting edge of contemporary culinary innovation, like Copenhagen's Noma, to those that are relics from another time: a 1970s menu from L’Escargot on which all main courses cost less than one pound; the last menu from The French House Dining Room before Fergus Henderson departed for St John; a Christmas feast of zoo animals served during the Siege of Paris in 1870; and three of the world’s original restaurant menus—now hanging proudly in London’s Le Gavroche. Throughout, Lander examines the principles of menu design and layout; the different rules that govern separate menus for breakfast, afternoon tea and dessert; the evolution of wine and cocktail lists; and how menus can act as records of the past. He reveals insights from interviews with Michael Anthony, Heston Blumenthal, Massimo Bottura, René Redzepi, Ruth Rogers and many more of the most renowned contemporary chefs of our time, who explain how they decide what to serve and what inspires them to create and design their menus. These are truly pages to drool over.
Morson and Dawson's Gastrointestinal Pathology is one of the 'Gold Standards' of pathology textbooks. It has been completely revised to incorporate the latest advances in this rapidly evolving field including the developments in gastric cancer and Helicobacter pylori and the revised classification of other common gastrointestinal conditions. This new edition features a wealth of new material presented in full colour for the first time.
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