Reference to Abstract Objects in Discourse presents a novel framework and analysis of the ways we refer to abstract objects in natural language discourse. The book begins with a typology of abstract objects and related entities like eventualities. After an introduction to `bottom up, compositional' discourse representation theory (DRT) and to previous work on abstract objects in DRT (notably work on the semantics of the attitudes), the book turns to a semantic analysis of eventuality and abstract object denoting nominals in English. The book then substantially revises and extends the dynamic semantic framework of DRT to develop an analysis of anaphoric reference to abstract objects and eventualities that exploits discourse structure and the discourse relations that obtain between elements of the structure. A dynamic, semantically based theory of discourse structure (SDRT) is proposed, along with many illustrative examples. Two further chapters then provide the analysis of anaphoric reference to propositions VP ellipsis. The abstract entity anaphoric antecedents are elements of the discourse structures that SDRT develops. The final chapter discusses some logical and philosophical difficulties for a semantic analysis of reference to abstract objects. For semanticists, philosophers of language, computer scientists interested in natural language applications and discourse, philosophical logicians, graduate students in linguistics, philosophy, cognitive science and artificial intelligence.
This is a book about the meanings of words and how they can combine to form larger meaningful units, as well as how they can fail to combine when the amalgamation of a predicate and argument would produce what the philosopher Gilbert Ryle called a 'category mistake'. It argues for a theory in which words get assigned both an intension and a type. The book develops a rich system of types and investigates its philosophical and formal implications, for example the abandonment of the classic Church analysis of types that has been used by linguists since Montague. The author integrates fascinating and puzzling observations about lexical meaning into a compositional semantic framework. Adjustments in types are a feature of the compositional process and account for various phenomena including coercion and copredication. This book will be of interest to semanticists, philosophers, logicians and computer scientists alike.
This groundbreaking book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works, across centuries and media, is that each one displays some aspect of being unfinished. Essays and case studies by major contemporary scholars address this key concept from the perspective of both the creator and the viewer, probing the impact that this long artistic trajectory—which can be traced back to the first century—has had on modern and contemporary art. The book investigates the degrees to which instances of incompleteness were accidental or intentional experimental or conceptual. Also included are illuminating interviews with contemporary artists, including Tuymans, Celmins, and Marden, and parallel considerations of the unfinished in literature and film. The result is a multidisciplinary approach and thought-provoking analysis that provide valuable insight into the making, meaning, and critical reception of the unfinished in art.
Originally published March 11, 1911, here is issue #741 of the famous Nickel Weekly, Nick Carter Stories. This ebook contains the Nick Carter novel THE GREEN SCARAB.
Popular cinema is saturated with images and narratives of empire. With "Projecting Empire", Chapman and Cull have written the first major study of imperialism and cinema for over thirty years. This welcome text maps the history of empire cinema in both Hollywood and Britain through a serious of case studies of popular films including biopics, adventures, literary adaptations, melodramas, comedies and documentaries, from the 1930s and "The Four Feathers" to the present, with "Indiana Jones" and "Three Kings". The authors consider industry-wide trends and place the films in their wider cultural and historical contexts. Using primary sources that include private papers, they look at the presence of particular auteurs in the cinema of Imperialism, including Korda, Lean, Huston and Attenborough, as well as the actors who brought the stories to life, such as Elizabeth Taylor and George Clooney. At a time when imperialism has a new significance in the world, this book will fulfil the needs of students and interested filmgoers alike.
Did the Covid virus jump naturally from an animal species to humans, or did it escape from a laboratory experiment? In this essay, science writer Nicholas Wade explores the two scenarios and argues that, on present evidence, lab escape is the more likely explanation. His inference is based on specific research being conducted at the Wuhan Institute of Virology and the Institute’s lack of adequate safety precautions, together with the continuing absence of any direct evidence to support natural emergence. The essay discusses the failure of the mainstream media to penetrate the self-interested assurance of virologists that lab escape was a dismissible conspiracy theory. It also notes how the politicization of discussion impeded consideration of the scientific facts.
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