Focusing on terminally ill people in a German hospice, this study addresses the question, how meaningful experience is constructed for these patients in an attempt to preserve their dignity as persons. It is based on material from diary texts and active participation of the author in the role of a nurse.
Los Angeles 1930s. The victim’s short blonde hair was wet, and she was naked. From the blueish tint to her skin, it appeared she had drowned. At this distance from shore, she should have been under thirty feet of water, but the reservoir was empty, only a shallow pool remaining where she lay. She looked European, perhaps Germanic, with her prominent nose and high cheekbones. In her early thirties, she was young and fit with an athletic build and piercing blue eyes that now stared vacantly into space. The way the killer had posed her body looked like a ritual, but that was only a guess. But Detective Mathieu had come to trust his instincts. They’d served him well in his previous cases. The case would plunge Mathieu into a world of unbridled hate, filled with Nazi spies and terrorists in 1930s Los Angeles.
‘A carnival of a book, rigorously researched and jostling with life’ —Amy Jeffs, author of Storyland Who were the Fairy Tellers? In this far-ranging quest, award-winning author Nicholas Jubber unearths the lives of the dreamers who made our most beloved fairy tales: inventors, thieves, rebels and forgotten geniuses who gave us classic tales such as ‘Cinderella’, ‘Hansel and Gretel’, ‘Beauty and the Beast’ and ‘Baba Yaga’. From the Middle Ages to the birth of modern children’s literature, they include a German apothecary’s daughter, a Syrian youth running away from a career in the souk and a Russian dissident embroiled in a plot to kill the tsar. Following these and other unlikely protagonists, we travel from the steaming cities of Italy and the Levant, under the dark branches of the Black Forest, deep into the tundra of Siberia and across the snowy fells of Lapland. In the process, we discover a fresh perspective on some of our most frequently told stories. Filled with adventure, tragedy and real-world magic, this bewitching book uncovers the stranger lives behind the strangest of tales.
This book is divided into four parts. In Part One the author considers the natural factors which have influenced the various national systems of education. They comprise racial, linguistic, geographical and economic factors. In Part Two he considers the contribution of religious traditions to education, more particularly those of the Catholic and Puritan faiths, and in Part Three the secular traditions of humanism, socialism and nationalism. Finally in Part Four a comparison is made of the systems of education in England and Wales, the USA, France and the Soviet Union.
In Interrogations of Evolutionism in German Literature 1859-2011 Nicholas Saul offers the first representative account of German literary responses to Darwinian evolutionism from from Raabe and Jensen via Ernst Jünger and Botho Strauß to Dietmar Dath.
This practical guide clearly shows each stage in the management of a patient with dementia. It covers the complex issues surrounding dementia such as spouses and families, access to appropriate care, legal and ethical concerns, planning for the future and "living well" and includes the decision making process on initiating treatment and guidance on how best to access the available services.
Often considered the lowest depth to which cinema can plummet, the rape-revenge film is broadly dismissed as fundamentally exploitative and sensational, catering only to a demented, regressive demographic. This second edition, ten years after the first, continues the assessment of these films and the discourse they provoke. Included is a new chapter about women-directed rape-revenge films, a phenomenon that--revitalized since #MeToo exploded in late 2017--is a filmmaking tradition with a history that transcends a contemporary context. Featuring both famous and unknown movies, controversial and widely celebrated filmmakers, as well as rape-revenge cinema from around the world, this revised edition demonstrates that diverse and often contradictory treatments of sexual violence exist simultaneously.
The collection of drawings at the Getty Museum was started in 1981 with the purchase of Rembrandt’s Nude Woman with a Snake and has steadily expanded since then, so that now, at the turn of the new millennium, it stands at more than six hundred drawings and is, sheet for sheet, one of the best anywhere. The Getty goal is to create from the finest examples a collection of the different Western European schools of drawing before 1900, with special emphasis on the work of the most important and accomplished draftsmen. The collection now contains superb examples of the work of Leonardo da Vinci, Raphael, Michelangelo, Dürer, Rembrandt, Claude Lorraine, Watteau, Gainsborough, David, Millet, Manet, Van Gogh, and Degas. This is the fourth in the series of catalogues describing the drawings in the Getty Museum. Most of the drawings discussed in the present volume were chosen for the collection in the period of 1994 to 1998 and include examples from the Italian, German, Dutch and Flemish, French, Spanish, and British schools. Also included are several gifts from private collectors, which mark the start of a tradition that, it is hoped, will continue in the future. The catalogue entries for these new acquisitions are organized first by national school and then by artist. The book also includes a bibliography and indexes of artists, former owners, related drawings, prints, and works in other media.
How do words and images function hermeneutically? How does hermeneutic practice work? Answering these questions and more, Nicholas Davey develops the hermeneutical foundations of creative practice. In doing so, he not only uncovers the significance of philosophical hermeneutics for the arts and the humanities, but defends the humanities as a whole from the current scepticism inspired by deconstruction and post-structuralism. Taking Gadamer's language ontology as its cue, this pioneering volume not only addresses certain weaknesses that Davey observes in Gadamer's thought but further takes Gadamerian thinking beyond Gadamer himself. In particular, Davey investigates the productive value of negativity that is central to hermeneutics and to wider spheres of creative learning. Advocating a renewed confidence in hermeneutics and the humanities, Negative Hermeneutics and the Question of Practice reveals how hermeneutical thinking provides a map of the dynamics within creative practice, eliminating the need for an externally imposed 'theory' of the arts.
An apparently nomadic diaspora nation of Indian provenance, the Gypsies are present with notable frequency in Germanic literatures from Wolzogen and Brentano to Stifter, Keller, Storm, Raabe, Jensen, Saar and Thomas Mann. Against the background of the still officially unacknowledged Romany Holocaust, Saul analyses in a series of close interpretations the stations of the literary construction of the Gypsy prior to the human disaster. The book's synthesis of scholarship in cultural, social and institutional history, the history of ideas and literary history will appeal to the scholarly community across traditional disciplinary boundaries, and will also serve as a valuable introduction for students from diverse fields.
In his 1985 book The Idea of Music: Schoenberg and Others, Peter Franklin set out a challenge for musicology: namely, how best to talk and write about the music of modern European culture that fell outside of the modernist mainstream typified by Schoenberg, Berg, and Webern? Thirty years on, this collected volume of essays by Franklin’s students and colleagues returns to that challenge and the vibrant intellectual field that has since developed. Moving freely between insights into opera, Volksoper, film, festival, and choral movement, and from the very earliest years of the twentieth century up to the 1980s, its authors listen with a ‘critical ear’: they site these musical phenomena within a wider web of modern cultural practices - a perspective, in turn, that enables them to exercise a disciplinary self-awareness after Franklin’s manner.
A groundbreaking history of what drove the Germans to fight -- and keep fighting -- for a lost cause in World War II In The German War, acclaimed historian Nicholas Stargardt draws on an extraordinary range of firsthand testimony -- personal diaries, court records, and military correspondence -- to explore how the German people experienced the Second World War. When war broke out in September 1939, it was deeply unpopular in Germany. Yet without the active participation and commitment of the German people, it could not have continued for almost six years. What, then, was the war the Germans thought they were fighting? How did the changing course of the conflict -- the victories of the Blitzkrieg, the first defeats in the east, the bombing of German cities -- alter their views and expectations? And when did Germans first realize they were fighting a genocidal war? Told from the perspective of those who lived through it -- soldiers, schoolteachers, and housewives; Nazis, Christians, and Jews -- this masterful historical narrative sheds fresh and disturbing light on the beliefs and fears of a people who embarked on and fought to the end a brutal war of conquest and genocide.
For the first time in one volume in English are the spiritual writings of this outstanding intellectual figure (1401-1464) whose work anticipated modern problems of ecumenicity and pluralism, empowerment and reconciliation, and tolerance and individuality.
Historical Turns reassesses Weimar cinema in light of the "crisis of historicism" widely diagnosed by German philosophers in the early twentieth century. Through bold new analyses of five legendary works of German silent cinema—The Cabinet of Dr. Caligari, Destiny, Rhythm 21, The Holy Mountain, and Metropolis—Nicholas Baer argues that films of the Weimar Republic lent vivid expression to the crisis of historical thinking. With their experiments in cinematic form and style, these modernist films revealed the capacity of the medium to engage with fundamental questions about the philosophy of history. Reconstructing the debates over historicism that unfolded during the initial decades of moving-image culture, Historical Turns proposes a more reflexive mode of historiography and expands the field of film and media philosophy. The book excavates a rich archive of ideas that illuminate our own moment of rapid media transformation and political, economic, and environmental crises around the globe.
Scathing reviews, whimsical stories, and diverting games fill the pages of this utterly engaging kaleidoscope of skewed tales on the world of Classical music. It dishes out a marvelous feast of tales served up by a master storyteller whose reach extends around the world and to the beginnings of civilization.
This Whitbread Book of The Year Award winner for 1990 is the final novel of the "Catastrophe Practice" series. Set in the 1920s and 30s it tells the story of two young radicals, Max and Eleanor, who meet, love, separate and come together again during the maelstrom of the Spanish Civil War.
Elegant and literate" -THE TIMES OF LONDON "The kind of book that both skeptics and believers would do well to read"- SKEPTICAL INQUIRER "An urbane, original, convincing rebuttal of paranormal and supernatural notions" -NEW SCIENTIST "A lively, entertaining book... Humphrey has set himself a larger task than simply explaining why people believe in parapsychology: the task of explaining why it is irrational to believe in it."-NATURE
Stortorget Square, Stockholm, 1945. "In a side street, Peter waited near the car with Evdokia dressed in a grey raincoat. Her head was covered with a black cloth bag. A car stopped on the opposite side of the square. Two men emerged. Peter recognized one of them as the NKVD head of station, Major Vladimir Petrov, in a business suit and a fedora. He led the way, followed by a second man wearing a workman’s cap over his white hair. The hand-off was to happen in the middle of the square. Evdokia stumbled badly on the cobblestones in her heels as Peter brought up his Webley revolver to show the Russians he was taking no chances. “Mr Faye. Thank you so much for bringing my wife,” Vladimir said. “Why have you put a bag on her head?” “To shut the bitch up, Mr Petrov.” “Ha, ha. You have a sense of humour. You don’t intend to shoot her, do you?” “Maybe I will, Mr Petrov. Is this your man Sasha?” “Yes, this is Sasha from Moscow.” “You will not live long, Mr Faye,” Sasha said. “Your friend Bernie Dixon screamed like a pig. We do the same to you.” From the bestselling author of Playing Rudolf Hess, Shipwrecked Lives, Remembrance Man and White Slaves comes this brilliantly imagined spy thriller set in wartime Sweden. On his first assignment for MI6, British agent Peter Faye is sent to Stockholm to spy on German intelligence officer Karl-Heinz Kramer. At the British legation, he meets his new boss Bridget, a very proper, smart-as-a-whip, diplomat's daughter and immediately falls in love with her. They struggle to work together as they recruit an Austrian maid, Hanne, who works in the Kramer household. Hanne makes a copy of the key to Kramer's desk drawer and delivers secret documents to Peter and his driver Bernie who photograph them in a shed nearby. The documents are so sensitive they cause a huge commotion in London. With the help of a Swedish journalist, Peter discovers a network of Soviet moles working in British Intelligence and becomes the target of Soviet NKVD terror tactics. A SPY THRILLER BASED ON REAL WARTIME INTELLIGENCE OPERATIONS IN SWEDEN. An intelligent spy story in the genre John le Carré based on the wartime experience of SIS officer Peter Falk (Faye), SOE officer Ewan Butler, British Legation Chief Victor Mallet and German Abwehr officer Karl-Heinz Kramer. An espionage and spy thriller set in Sweden, based on a true story about an MI6 agent in Sweden. Book reviews: "A remarkable story with a Canadian connection." Susan Campbell, CBC Radio. "I really enjoyed reading this wartime spy thriller, set in Sweden. Looking forward to reading more from this great author in the future." Goodreads. "I bought this book as I am very interested in WW2 history. I was not disappointed. Kinsey has written an exciting, fast-paced espionage thriller set in wartime Sweden. It is well written, and I was immediately caught up in the story finding it extremely difficult to put down. It is based on actual wartime stories and is a haunting account of those dangerous and difficult times. Well done! I plan to read more by this author." Amazon. "Enjoyed this book because it's a fast read and a pretty strong plot. Additionally, it was based on the actual facts of Sweden in World War II. The major strength was the characters, and therefore it strengthened the plot because I became more focused on the story because of my intense interest in the characters. This is a good book and I give a high recommendation." BookSirens.
Written with wit, wisdom, and compassion, this easy--to--use A--to--Z reference is a godsend for dog owners and prospective dog owners. Dr. Nicholas Dodman, expert animal psychologist and acclaimed author of The Dog Who Loved Too Much, gets us inside the minds of our pets to learn what makes them do the crazy things they do. From aggression to zoonosis and just about everything in between, Dr. Dodman draws on case histories from his own practice at the prestigious Tufts University Veterinary Center and offers fresh and incredibly useful tips that apply the latest discoveries in canine behaviorism and pharmacology. Here are simple, sensible, step-by-step instructions on diet, exercise, environment, and lifestyle changes that any pet owner can safely implement to effect seemingly miraculous improvement in their dog's behavior. Authoritative, entertaining, and immensely practical, Dr. Dodman proves that when it comes to caring for man's best friend, he's the best friend we have.
This selection of sixteen of Nicholas Cook's essays covers the period from 1987 to 2004 and brings out the development of the author's ideas over these years. In particular the two keywords of the title -Meaning and Performance- represent critical directions that expand to the point that, by the end of the book, they become coextensive: music is seen as social action and meaning as created by that action. Within this overall direction, a wide variety of topics is explored, ranging from Beethoven to Schenker, from Chinese qin music to jazz and rock, from perceptual psychology to sketch studies and analysis of record sleeves. A substantial introduction draws out the links (and differences) between the essays, sometimes critiquing them and always setting them into the developing context of the author's work as a whole.
Although many scholars recognize literary similarities between Hosea, Amos, Micah, and Zephaniah, defining the compositional relationship between these texts remains a matter of debate. Following the scholarly trajectory of exploring the compositional relationship between the Twelve prophets, several scholars argue that these four prophetic texts formed a precursory collection to the Book of the Twelve. Yet even among advocates for this ‘Book of the Four’ there remain differences in defining the form and function of the collection. By reexamining the literary parallels between these texts, Werse shows how different methodological convictions have led to the diverse composition models in the field today. Through careful consideration of emerging insights in the study of deuteronomism and scribalism, Werse provides an innovative composition model explaining how these four texts came to function as a collection in the wake of the traumatic destruction of Jerusalem. This volume explores a historic function of these prophetic voices by examining the editorial process that drew them together.
Gadamer's aesthetics demonstrates that the experience of art is grounded in the objectivities of language, history and tradition. By treating words and images as transmittable placeholders for meanings and concepts, hermeneutics gives a persuasive account of how artworks communicate. Davey demonstrates how hermeneutics transforms aesthetic reflection into a poignant attentive practice that is open to the unexpected. This new "poetics" is relevant not only to the understanding of art but also to showing, explaining and defending the cognitive content of the humanities. Hermeneutic aesthetics provides a sound basis for re-thinking humanities disciplines as critical-creative practices able to re-envision the future.
MATLAB for Neuroscientists: An Introduction to Scientific Computing in MATLAB is the first comprehensive teaching resource and textbook for the teaching of MATLAB in the Neurosciences and in Psychology. MATLAB is unique in that it can be used to learn the entire empirical and experimental process, including stimulus generation, experimental control, data collection, data analysis and modeling. Thus a wide variety of computational problems can be addressed in a single programming environment. The idea is to empower advanced undergraduates and beginning graduate students by allowing them to design and implement their own analytical tools. As students advance in their research careers, they will have achieved the fluency required to understand and adapt more specialized tools as opposed to treating them as "black boxes". Virtually all computational approaches in the book are covered by using genuine experimental data that are either collected as part of the lab project or were collected in the labs of the authors, providing the casual student with the look and feel of real data. In some cases, published data from classical papers are used to illustrate important concepts, giving students a computational understanding of critically important research. - The first comprehensive textbook on MATLAB with a focus for its application in neuroscience - Problem based educational approach with many examples from neuroscience and cognitive psychology using real data - Authors are award-winning educators with strong teaching experience
The Koine Greek particles ἰδού and ἴδε have been traditionally translated as either 'behold' or 'lo'. But such mechanical renderings are inadequate as they suggest these particles can be reduced to a single meaning or function. As argued in this monograph, these particles actually have several distinct uses that are conditioned by their linguistic context, and a translator should find natural idioms in the receptor language that match the meaning and function of these Greek uses.
Marseille is a thoroughly ambiguous place. France's second city and its major sea-port, its impact on the national imagination is unparalleled. Yet it is also a frontier city, arguably capital of the Mediterranean, and with a traditionally suspect allegiance to the French nation. This apartness, and the city's long and rich history as home to migrants, workers and organized criminals, has cemented its association in the popular imagination with exoticism and illicit activity. In this history, Nicholas Hewitt explores Marseille's extraordinary cultural wealth from the Revolution to the present century, charting the development of its bad reputation, its 'rogue status' within France, and its international importance. The narratives devoted to this great port city range from the legend of its football team to The Count of Monte Cristo. Hewitt discovers Marseille through the eyes of writers, painters and sculptors, film-makers, music hall stars, architects and rappers; from the viewpoints of French, German, British and American visitors; and as a celebration of its humane cosmopolitanism, often in contrast with national French sentiment. Wicked City is a vivid and complex portrait of one of the Mediterranean's great cities, going beyond the popular stereotypes to uncover the true Marseille in its full richness.
In the fully rewritten third edition of this classic text, Nicholas Mirzoeff introduces visual culture as visual activism, or activating the visible. In this view, visual culture is a practice: a way of doing, making, and seeing. The 12 new chapters begin with five foundational concepts, including Indigenous ways of seeing, visual activism in the wake of slavery, and unfixing the gaze. The second section outlines three currently successful tactics of visual activism: removal of statues and monuments; restitution of cultural property; and practices of repair and reparations. The final section addresses catastrophe and trauma, from Palestine’s Nakba to the climate disaster and the intersections of plague and war. Each section also includes new, in-depth case studies called "Visualizations," ranging from oil painting to Kongo power figures and the mediated practice of taking a knee. Engaging with questions of racializing, colonialism, and undoing gender throughout, this edition maps the activist turn in the field since 2014 and sets directions for its future expansion. This is a key text in visual culture studies and an essential resource for research and teaching in the field.
The churches of the Byzantine era were built to represent heaven on earth. Architecture, art and liturgy were intertwined in them to a degree that has never been replicated elsewhere, and the symbolism of this relationship had deep and profound meanings. Sacred buildings and their spiritual art underpinned the Eastern liturgical rites, which in turn influenced architectural design and the decoration which accompanied it. Nicholas N Patricios here offers a comprehensive survey, from the age of Constantine to the fall of Constantinople, of the nexus between buildings, worship and art. His identification of seven distinct Byzantine church types, based on a close analysis of 370 church building plans, will have considerable appeal to Byzantinists, lay and scholarly. Beyond categorizing and describing the churches themselves, which are richly illustrated with photographs, plans and diagrams, the author interprets the sacred liturgy that took place within these holy buildings, tracing the development of the worship in conjunction with architectural advances made up to the 15th century. Focusing on buildings located in twenty-two different locations, this sumptuous book is an essential guide to individual features such as the synthronon, templon and ambo and also to the wider significance of Byzantine art and architecture.
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