Forged in a London fire ritual in 1979 and reborn with their original line-up in 2008, Killing Joke have been creating uncompromising music for over 40 years. In addition to their incandescent self-titled debut in 1980, they have released essential albums in each of the past four decades: Night Time (1985), Pandemonium (1994), Killing Joke (2003) and Pylon (2015). But Killing Joke are more than a band; they are a primal force that exerts an intangible gravity on both its members and its fans. They have influenced countless groups across multiple genres – including Metallica, Nirvana and Nine Inch Nails – while their own style ranges across post-punk, dub, industrial, world music, electronica and alt-metal. Their equally eclectic lyrics traverse social alienation, dystopian futures, the folly of hubris, Cold War dread, paganism and the occult. Above all, their work embodies a process of self-discovery whose aim is nothing less than the revelation and integration of our darkest urges. Killing Joke On Track covers the fifteen studio albums and almost 200 songs of Killing Joke’s vocation to date, including obscure gems, live albums and compilations. It’s a celebration of a band who are often challenging, always provocative, but ultimately life-affirming. Nic Ransome spent most of the past 20 years as a screenwriter and is currently researching toward a PhD. Straight out of school in the mid-1980s, he self-published a rock fanzine then played bass in a short-lived space-punk band, before dabbling in theatre. He spent the next ten years doing a series of bullshit jobs to earn a living before rekindling a teenage obsession with movies, which eventually led to a seven-year stint at legendary British film company Hammer. This book is Nic turning full circle back to his first love as an adult: writing about music, specifically a band of which he’s been a fan going on 42 years. He lives in Suffolk, UK.
Forged in a London fire ritual in 1979 and reborn with their original line-up in 2008, Killing Joke have been creating uncompromising music for over 40 years. In addition to their incandescent self-titled debut in 1980, they have released essential albums in each of the past four decades: Night Time (1985), Pandemonium (1994), Killing Joke (2003) and Pylon (2015). But Killing Joke are more than a band; they are a primal force that exerts an intangible gravity on both its members and its fans. They have influenced countless groups across multiple genres – including Metallica, Nirvana and Nine Inch Nails – while their own style ranges across post-punk, dub, industrial, world music, electronica and alt-metal. Their equally eclectic lyrics traverse social alienation, dystopian futures, the folly of hubris, Cold War dread, paganism and the occult. Above all, their work embodies a process of self-discovery whose aim is nothing less than the revelation and integration of our darkest urges. Killing Joke On Track covers the fifteen studio albums and almost 200 songs of Killing Joke’s vocation to date, including obscure gems, live albums and compilations. It’s a celebration of a band who are often challenging, always provocative, but ultimately life-affirming. Nic Ransome spent most of the past 20 years as a screenwriter and is currently researching toward a PhD. Straight out of school in the mid-1980s, he self-published a rock fanzine then played bass in a short-lived space-punk band, before dabbling in theatre. He spent the next ten years doing a series of bullshit jobs to earn a living before rekindling a teenage obsession with movies, which eventually led to a seven-year stint at legendary British film company Hammer. This book is Nic turning full circle back to his first love as an adult: writing about music, specifically a band of which he’s been a fan going on 42 years. He lives in Suffolk, UK.
Confined in a small space for months on end, subject to ship's discipline and living on limited food supplies, many sailors of old lost their minds – and no wonder. Many still do. The result in some instances was bloodthirsty mutinies, such as the whaleboat Sharon whose captain was butchered and fed to the ship's pigs in a crazed attack in the Pacific. Or mob violence, such as the 147 survivors on the raft of the Medusa, who slaughtered each other in a two-week orgy of violence. So serious was the problem that the Royal Navy's own physician claimed sailors were seven times more likely to go mad than the rest of the population. Historic figures such as Christopher Columbus, George Vancouver, Fletcher Christian (leader of the munity of the Bounty) and Robert FitzRoy (founder of the Met Office) have all had their sanity questioned. More recently, sailors in today's round-the-world races often experience disturbing hallucinations, including seeing elephants floating in the sea and strangers taking the helm, or suffer complete psychological breakdown, like Donald Crowhurst. Others become hypnotised by the sea and jump to their deaths. Off the Deep End looks at the sea's physical character, how it confuses our senses and makes rational thought difficult. It explores the long history of madness at sea and how that is echoed in many of today's yacht races. It looks at the often-marginal behaviour of sailors living both figuratively and literally outside society's usual rules. And it also looks at the sea's power to heal, as well as cause, madness.
How to Pass as Human is an attempt on the part of the world's first android to understand the irrational, unpredictable, eclectic creatures known as human beings. Written in the form of a field guide, complete with sketches, graphs, flowcharts, and other reference materials, Android Zero (aka "Zach") has compiled a variety of useful information for future androids on how to pass undetected as human beings. Along the way, he also attempts to solve the mystery of his own creation with the help of Andrea, a human female who has taken an interest in him that may be more than friendly, and eventually leading him to "meet his maker" and discover the surprising purpose of his existence.
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