In Cambodia, between 1975 and 1979, some two million people died at the hands of the Khmer Rouge. Twenty years later, not one member had been held accountable for the genocide. Haunted by an image of one of them, Comrade Duch, photographer Nic Dunlop set out to bring him to life, and thereby to account. "I needed to understand how a movement that laid claim to a vision of a better world could instead produce a revolution of unparalleled ferocity; how a seemingly ordinary man from one of the poorer parts of Cambodia could turn into one of the worst mass murderers of the twentieth century:" Weaving seamlessly between past and present, Dunlop unfolds the history of Cambodia as a lens through which to understand its tragic last forty years. He makes clear how much responsibility the United States must share, through failed political alliances and the illegal bombing of Cambodia, for the bloodshed that followed. Guided by witnesses, Dunlop teases out the details of Duch's transformation from sensitive schoolchild and dedicated teacher to the revolutionary killer who later slipped quietly back into village life. From the temples of Angkor to the prisons of Pol Pot's regime, to his unexpected meeting with Duch himself, Dunlop's special vision as a photographer enlarges our own. The Lost Executioner is a blend of history and testimony-and a reminder that, whether in the killing fields of Cambodia or the deserts of Darfur, if we turn our backs on genocide, we must bear a collective guilt.
Between 1975 and 1979 the seemingly peaceful nation of Cambodia succumbed to one of the most bloodthirsty revolutions in modern history. Nearly two million people were killed. As head of the Khmer Rouge's secret police, Comrade Duch was responsible for the murder of more than 20,000 of them. Twenty years later, not one member of the Khmer Rouge had been held accountable for what had happened, and Comrade Duch had disappeared. Photographer Nic Dunlop became obsessed with the idea of finding Duch, and shedding light on a secret and brutal world that had been sealed off to outsiders. Then, by chance, he came face to face with him... The Lost Executioner describes Dunlop's personal journey to the heart of the Khmer Rouge and his quest to find out what actually happened in Pol Pot's Cambodia and why.
Between 1975 and 1979 the seemingly peaceful nation of Cambodia succumbed to one of the most bloodthirsty revolutions in modern history. Nearly two million people were killed. As head of the Khmer Rouge's secret police, Comrade Duch was responsible for the murder of 20,000 of them. Twenty years later, not one member of the Khmer Rouge had been held accountable for what had happened, and Comrade Duch had disappeared. Photographer Nic Dunlop became obsessed with the idea of finding Duch, and shedding light on a secret and brutal world that had been sealed off to outsiders. Then, by chance, he came face to face with him ... The Lost Executioner describes Dunlop's personal journey into the heart of the Khmer Rouge and his quest to find out what actually happened in Pol Pot's Cambodia and why.
In Cambodia, between 1975 and 1979, some two million people died at the hands of the Khmer Rouge. Twenty years later, not one member had been held accountable for the genocide. Haunted by an image of one of them, Comrade Duch, photographer Nic Dunlop set out to bring him to life, and thereby to account. "I needed to understand how a movement that laid claim to a vision of a better world could instead produce a revolution of unparalleled ferocity; how a seemingly ordinary man from one of the poorer parts of Cambodia could turn into one of the worst mass murderers of the twentieth century:" Weaving seamlessly between past and present, Dunlop unfolds the history of Cambodia as a lens through which to understand its tragic last forty years. He makes clear how much responsibility the United States must share, through failed political alliances and the illegal bombing of Cambodia, for the bloodshed that followed. Guided by witnesses, Dunlop teases out the details of Duch's transformation from sensitive schoolchild and dedicated teacher to the revolutionary killer who later slipped quietly back into village life. From the temples of Angkor to the prisons of Pol Pot's regime, to his unexpected meeting with Duch himself, Dunlop's special vision as a photographer enlarges our own. The Lost Executioner is a blend of history and testimony-and a reminder that, whether in the killing fields of Cambodia or the deserts of Darfur, if we turn our backs on genocide, we must bear a collective guilt.
Examining identity in relation to globalization and migration, this book uses narratives and memoirs from contemporary authors who have lived 'in-between' two or more languages. It explores the human desire to find one's 'own place' in new cultural contexts, and looks at the role of language in shaping a sense of belonging in society.
Data theft, internet memes, advertising, terrorism, indigenous sovereignty, drone warfare, opium addiction, syphilis, the moon landing, mining, oil slicks, climate change, giant octopuses: nothing is spared in this collection. Nic Low’s stories go beyond satire, aiming for the dark heart of our collective obsession with technology, power and image. Set variously in London, an Indian village, remote Mongolia, the West Australian outback and mountainous New Zealand, these are prescient visions of the future and outlandish reimaginings of the past. Arms Race is an arresting debut from a fierce, playful new voice in Australian writing.
Northern Ireland is frequently characterized in terms of a "two traditions" paradigm, representing the conflict as being between two discrete cultures. Proceeding from an analysis of the historical and religious context, this study demonstrates the reductionist nature of the "two traditions" model, highlighting instead the complexity of ethnic identities and cultural traditions. It thus shows why attempts at reconciliation like the Good Friday Agreement of 1998, which seeks to promote the concept of a "parity of esteem" based on this identity model., are fraught with difficulties. Reflecting on the applicability of the concept of multiculturalism in the context of Northern Ireland, the author proposes a re-conceptualisation of Northern Irish culture along lines that steer clear of binary oppositions. From the Contents: 'Webs of Significance'; Dis-membering the Past; Divided by Common Cosmologies; A Discourse in Difference; The Process if 'Cruthinitude'; Un Unclaimed Tradition; Ethnic Nationality; The 'Fuzzy Frontier'; The 'Common Ground
Confined in a small space for months on end, subject to ship's discipline and living on limited food supplies, many sailors of old lost their minds – and no wonder. Many still do. The result in some instances was bloodthirsty mutinies, such as the whaleboat Sharon whose captain was butchered and fed to the ship's pigs in a crazed attack in the Pacific. Or mob violence, such as the 147 survivors on the raft of the Medusa, who slaughtered each other in a two-week orgy of violence. So serious was the problem that the Royal Navy's own physician claimed sailors were seven times more likely to go mad than the rest of the population. Historic figures such as Christopher Columbus, George Vancouver, Fletcher Christian (leader of the munity of the Bounty) and Robert FitzRoy (founder of the Met Office) have all had their sanity questioned. More recently, sailors in today's round-the-world races often experience disturbing hallucinations, including seeing elephants floating in the sea and strangers taking the helm, or suffer complete psychological breakdown, like Donald Crowhurst. Others become hypnotised by the sea and jump to their deaths. Off the Deep End looks at the sea's physical character, how it confuses our senses and makes rational thought difficult. It explores the long history of madness at sea and how that is echoed in many of today's yacht races. It looks at the often-marginal behaviour of sailors living both figuratively and literally outside society's usual rules. And it also looks at the sea's power to heal, as well as cause, madness.
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