Extraordinary. I loved it' - Jessie Burton, author of The Miniaturist 'Engrossing and moving . . . gives voice to so much that's unspoken about Ireland' - Emma Donoghue, author of Room 'Wonderfully compelling . . . haunting' - Joseph O'Connor, author of Star of the Sea Delving into the lives of three generations of women, The Amendments by Niamh Mulvey is an extraordinary novel about love and freedom, belonging and rebellion – and about how our past is a vital presence which sits alongside us. Nell and her partner Adrienne are about to have a baby. For Adrienne, it’s the start of a new life. For Nell, it’s the reason the two of them are sitting in a therapist’s office. Because she can’t go into this without dealing with the truth: that she has been a mother before, and now she can hardly bring herself to speak to her own mother, let alone return home to Ireland. Nell is running out of places to hide from her past. But to Ireland and the past is where she must go, and that is where The Amendments takes us: to the heat of Nell’s teenage years in the early 2000s, as Ireland was unpicking itself from its faith and embracing the hedonism of the Celtic Tiger. To 1983, when Nell’s mother Dolores was grappling with the tensions of the women’s rights movement. And then to the farms and suburbs and towns that made and unmade the lives at the centre of this story, bound together by the terrible secret that Nell still cannot face. Selected by the Irish Independent, the Irish Times, the Irish Journal and VIP as one of the most anticipated novels of the year.
‘Vivid, memorable and beautifully crafted‘ - Sarah Moss, author of Summerwater ‘A brilliant collection, from a remarkable talent‘ - Joseph O’Connor, author of Shadowplay Hearts and Bones is a book about relationships. It explores what love does to us, and how we survive it. First-time lovers make mistakes; brothers and sisters try to forgive one another; and parents struggle and fail and struggle again. Teenage souls are swayed by euphoric faith in a higher power and then by devotion to desire, trapped between different notions of what might be true. Quiet revolutions happen in living rooms, on river banks, in packed pubs and empty churches, and years later we wonder why we ever did the things we did. Set between Ireland and London in the first two decades of this millennium, the stories in Hearts and Bones, Niamh Mulvey's debut collection, look at the changes that have torn through these times and ask who we are now that we’ve brought the old gods down. Witty, sharply observed and deeply moving, these ten stories announce an extraordinary new Irish literary talent. 'Highly accomplished, inventive' - Irish Times 'Stunning' - Sinéad Gleeson, author Constellations 'Poignant, unsparingly honest' - Sunday Independent
‘Vivid, memorable and beautifully crafted‘ - Sarah Moss, author of Summerwater ‘A brilliant collection, from a remarkable talent‘ - Joseph O’Connor, author of Shadowplay Hearts and Bones is a book about relationships. It explores what love does to us, and how we survive it. First-time lovers make mistakes; brothers and sisters try to forgive one another; and parents struggle and fail and struggle again. Teenage souls are swayed by euphoric faith in a higher power and then by devotion to desire, trapped between different notions of what might be true. Quiet revolutions happen in living rooms, on river banks, in packed pubs and empty churches, and years later we wonder why we ever did the things we did. Set between Ireland and London in the first two decades of this millennium, the stories in Hearts and Bones, Niamh Mulvey's debut collection, look at the changes that have torn through these times and ask who we are now that we’ve brought the old gods down. Witty, sharply observed and deeply moving, these ten stories announce an extraordinary new Irish literary talent. 'Highly accomplished, inventive' - Irish Times 'Stunning' - Sinéad Gleeson, author Constellations 'Poignant, unsparingly honest' - Sunday Independent
Witty, fiery, wistful and even shocking, with engrossing heady prose, Campbell's style is unique' Irish Independent 'An immensely enjoyable novel, and a great validation of Campbell's uncanny emotional insight' Megan Nolan, Sunday Independent Cormac is a photographer. Approaching forty and still single, he suddenly finds himself 'the leftover man'. Through talent and charm, he has escaped small town life and a haunted family. But now his peers are all getting divorced, dying, or buying trampolines in the suburbs. Cormac is dating former students, staying out all night and receiving boilerplate rejection emails for his work, propped up by a constellation of the women and ex-lovers in his life. In the last weeks of the year, Cormac meets Caroline, an ambitious young dancer, and embarks on a miniature odyssey of intimacy. Simultaneously, he must take responsibility for his married brother, whose mid-life crisis forces them both to reckon with a death in the family that hangs over those left behind. Set in Dublin, a city built on burial pits, We Were Young is a dazzlingly clever, deeply enjoyable novel from a Sunday Times Short Story Award-Winning author. 'In 30 years from now will some literary critic be asking what is meant by "Campbellesque"? That would not surprise me in the slightest' Irish Times
Experiencing the Last Judgement opens up new ways of understanding a Byzantine image type that has hitherto been considered largely uniform in its manifestations and to a great extent frightening, coercive and paralysing. It moves beyond a purely didactic understanding of the Byzantine image of the Last Judgement, as a visual eschatological text to be ‘read’ and learned from, and proposes instead an appreciation of each unique image as a dynamic site to be experienced. Paintings, icons and mosaics from the tenth to the fourteenth century, from inside and outside of the Byzantine Empire, are placed within their specific socio-historical milieus, their immediate decorative programmes and their architectural contexts to demonstrate that each unique image constituted a carefully orchestrated and immersive experience of judgement. Each case study outlines the differences that exist in reality between these images that are often subsumed under one iconographic label, making a case against condensing dynamic, lived images into apparently static pictorial ‘types’. Images of the Last Judgement needed the body, mind and memory of the viewer for the creation of meaning, and so the experience of these images was unavoidably spatial, gendered, corporeal, mnemonic, emotional, rhetorical and most often liturgical. Unpacking Byzantine images of judgement in light of these various facets of experience for the first time helps to elucidate the interaction of past individuals with the image, and the ways in which such encounters were intended to benefit the communities that made and lived alongside them.
Revolution and Rebellion in Mexican Film examines Mexican films of political conflict from the early studio Revolutionary films of the 1930-50s up to the campaigning Zapatista films of the 2000s. Mapping this evolution out for the first time, the author takes three key events under consideration: the Mexican Revolution (1910-1920); the student movement and massacre in 1968; and, finally, the more recent Zapatista Rebellion (1994-present). Analyzing films such as Vamanos con Pancho Villa (1936), El Grito (1968), and Corazon del Tiempo (2008), the author uses the term 'political conflict' to refer to those violent disturbances, dramatic periods of confrontation, injury and death, which characterize particular historical events involving state and non-state actors that may have a finite duration, but have a long-lasting legacy on the nation. These conflicts have been an important component of Mexican film since its inception and include studio productions, documentaries, and independent films.
In March 2017, Niamh Fitzpatrick's life fell apart overnight. Her beloved sister Dara was killed in a helicopter crash. Soon afterwards, Niamh's marriage disintegrated, and she feared she would lose her house. Life as she knew it had ended and the loss she suffered was staggering. A psychologist for many years, Niamh's job was to guide clients through the worst times in their lives. Drawing on everything she learned, first to survive and then, in time, to begin to thrive, Tell Me the Truth about Loss is a psychologist's journey through loss, grief and the worst of times, while finding hope along the way. A beautiful book for when life isn't what you expect it to be.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.