Niamh Dunne undertakes a systematic exploration of the relationship between competition law and economic regulation as legal mechanisms of market control. Beginning from a theoretical assessment of these legal instruments as discrete mechanisms, the author goes on to address numerous facets of the substantive interrelationship between competition law and economic regulation. She considers, amongst other aspects, the concept of regulatory competition law; deregulation, liberalisation and 'regulation for competition'; the concurrent application of competition law in regulated markets; and relevant institutional aspects including market study procedures, the distribution of enforcement powers between competition agencies and sector regulators, and certain legal powers that demonstrate a 'hybridised' quality lying between competition law and economic regulation. Throughout her assessment, Dunne identifies and explores recurrent considerations that inform and shape the optimal relationship between these legal mechanisms within any jurisdiction.
The most comprehensive resource for students on EU competition law; extracts from key cases, academic works, and legislation are paired with incisive critique and commentary from an expert author team.
This is a critical biography of Aloysius O'Kelly's career as a painter, illustrator and committed Fenian which uncovers a world hardly known hitherto except in the most caricatured versions.
Intellectual Property Law in Ireland, 4th edition is a detailed guide to patents, copyright and trade mark law. It covers all relevant European legislation and traces its weaving into Irish law. It details European case law together with relevant case law from commonwealth countries, as well as detailing any Irish cases on the three areas and also covers design law. It outlines the workings of the patents, copyright and trade mark offices in Ireland. It is laid out in a practical and user-friendly way, with each section separate, but cross-referenced where necessary. Since the previous edition, only six years ago, there have been a number of fundamental changes to a number of aspects of intellectual property law, which make this new edition essential. The areas that have been expanded and updated in this edition include: - The voluminous European case law on IP issues arising since 2010 - The impact of the new EU TRade Mark Regulation No 2015/2424 - Supreme Court decisions on the law of passing off (McCambridge Ltd v Joseph Brennan Bakeries) and unregistered design rights (Karen Millen Fashions v Dunnes Stores) Along with these, the book looks to future and the developments on the horizon. It tracks the ongoing domestic copyright law and Digital Single Market, as well as discussing the potential benefits of the the Trade Secrets Directive (EU) 2016/943
On 4 August 1914 following the outbreak of European hostilities, large sections of Irish Protestants and Catholics rallied to support the British and Allied war efforts. Yet less than two years later, the Easter Rising of 1916 allegedly put a stop to the Catholic commitment in exchange for a re-emphasis on the national question. In Ireland and the Great War Niamh Gallagher draws upon a formidable array of original research to offer a radical new reading of Irish involvement in the world's first total war. Exploring the 'home front' and Irish diasporic communities in Canada, Australia, and Britain, Gallagher reveals that substantial support for the Allied war effort continued largely unabated not only until November 1918, but afterwards as well. Rich in social texture and with fascinating new case studies of Irish participation in the conflict, this book has the makings of a major rethinking of Ireland's twentieth century.
The depiction of historical humanitarian disasters in art exhibitions, news reports, monuments and heritage landscapes has framed the harrowing images we currently associate with dispossession. People across the world are driven out of their homes and countries on a wave of conflict, poverty and famine, and our main sites for engaging with their loss are visual news and social media. In a reappraisal of the viewer's role in representations of displacement, Niamh Ann Kelly examines a wide range of commemorative visual culture from the mid-nineteenth-century Great Irish Famine. Her analysis of memorial images, objects and locations from that period until the early 21st century shows how artefacts of historical trauma can affect understandings of enforced migrations as an ongoing form of political violence. This book will be of interest to students and researchers of museum and heritage studies, material culture, Irish history and contemporary visual cultures exploring dispossession.
In March 2017, Niamh Fitzpatrick's life fell apart overnight. Her beloved sister Dara was killed in a helicopter crash. Soon afterwards, Niamh's marriage disintegrated, and she feared she would lose her house. Life as she knew it had ended and the loss she suffered was staggering. A psychologist for many years, Niamh's job was to guide clients through the worst times in their lives. Drawing on everything she learned, first to survive and then, in time, to begin to thrive, Tell Me the Truth about Loss is a psychologist's journey through loss, grief and the worst of times, while finding hope along the way. A beautiful book for when life isn't what you expect it to be.
Kilmainham Jail is perhaps the most important building in modern Irish history. A place of incarceration since its construction in the late eighteenth century, it housed a succession of petty criminals, including sheep rustlers and, during the Famine, people who committed crimes with the sole aim of being imprisoned there: even the meager rations offered at the jail were better than what was available in other parts of the country. It was a powerful symbol of British rule on the island of Ireland; its residents over the years included the bold Robert Emmet and, of course, it was also the place where the 1916 rebels were taken and executed. Every Dark Hour is a colourful and entertaining telling of the history of the jail and its colourful cast of residents over the years - as well as vivid accounts of the heroic men and women who gave freely of their time and energies to restore the jail to its former grandeur when it was on the verge of being reclaimed by the elements.
Niamh O'Reilly combines the practicality of Mary Poppins, the humour of Mrs Doubtfire and the magic of Nanny McPhee to bring parents back from the brink of total sleep deprivation. With her wealth of knowledge and years of experience, Niamh O'Reilly's comprehensive guide to baby and toddler sleep is a must-have handbook for every parent. Niamh offers practical advice, reassurance and simple, effective techniques to help deal with the various challenges every parent faces. Sometimes all a family needs is some structure and practice at working together to get back on track; Niamh can give you the confidence to achieve this without endless nights of crying or the feeling that you are abandoning your baby. Niamh's gentle and intuitive technique for encouraging better sleeping habits is designed to teach your little one how to self-settle and sleep for longer stretches with minimum fuss and upset. What makes this book unique is Niamh's absolute belief that parents know their children best and are in a position to guide them to better sleep in an effective, considerate way.
In 1854, John Henry Newman, one of the foremost intellectual figures of the nineteenth century, was officially installed as the rector of the first Catholic university in Ireland. University Church (constructed in 1855–6) was Newman’s first objective when he agreed to the rectorship and it can be considered as a tangible manifestation of the idea behind the unprecedented Catholic university in Dublin – the posing of an erudite Catholic alternative to post-Enlightenment secularism and Protestant hegemony through a style-based analogy to the early Church. Despite physically embodying what Newman wished to achieve in and through his new university, this ‘early Christian' style church, which drew upon Roman and Byzantine basilicas, has received little attention. This book charts for the first time the significant place that the building occupies within the history of Victorian revivalist architecture. Niamh Bhalla explores the meaningful connection between the church’s context and the ambiguity of its ‘early Christian’ style. In the intersection of these two things, a significant monument was created. The study of University Church therefore provides an effective lens to understand more comprehensively the architectural revivalism that dominated the nineteenth century, particularly the first stirrings of basilican and Byzantine revivalist architectures in the British Isles. Praise for Newman University Church, Dublin 'Newman University Church, Dublin is an important contribution to the burgeoning study of historistic architecture of the nineteenth century. In studying the larger contexts of the church, Niamh Bhalla illumines the aspirations of Cardinal Newman for the university that he directed and Catholicism in Ireland and the United Kingdom.' Robert S. Nelson, Yale University 'A riveting analysis of the University Church and its intellectual background. Niamh Bhalla steers us effortlessly through the many strands of architectural and religious thought that lie behind Newman’s church, while revealing its seminal place in the history of the Byzantine revival.' Roger Stalley, Trinity College Dublin
Ireland is a nation on a value system that equates 'being good' with 'being there for each other'. As a society we favour 'minding our own' over 'doing what we're told'. So far, so Irish.It's become a commonplace to refer to the excesses of the Celtic Tiger years as an aberration, the product of a short-lived and inexplicable mania for cheap credit and unregulated consumption. But what if the roots of Ireland's economic crisis ran far deeper than the property boom or the hubris of the establishment elites who enabled it?In this, a ground-breaking survey of the Irish national character from its colonial history to its current day dramas, acclaimed sociologist Niamh Hourigan draws on a wealth of new and compelling research to reveal the fundamental conflict at the heart of the Irish society: that between our traditional faith in the politics of intimacy, all handshakes and favours, and the ruling systems in which we've invested power.The Ireland that emerges from her research is a country where outcomes are decided by who rather than what you know, and where – for good or for bad – rules are very much made to be broken.'Probing, perceptive and highly readable exploration of the Irish value system'J. J. Lee, New York University'Compulsively readable'Kathy Sheridan, The Irish Times'Lucid, engaging and persuasive ... every politician should read this – and so should every voter'Colin Murphy, The Guarantee
Over the last half century, the science and practice of forensic science has undergone dramatic changes. Since the early 1960s the technological developments and their application to forensic science have been immense. Not only that, the application of science within a legal context and framework has developed enormously, as has the evaluation of the analytical results obtained. This unique text looks at the changes and challenges within forensic science over the last fifty years through a continuous diary of development witnessed by the editorials and relevant correspondence delivered through the UK Forensic Science Societies’ journal Science and Justice (formally the Journal of the Forensic Science Society). The editorials are divided into sections relating to the developments of forensic practice, the advancement of science, education, legal aspects, forensic science and medicine, the international dimension of forensic science and the interpretation and evaluation of evidence. The text and first two sections are set in context by an introductory chapter written by Professor Brian Caddy examining the future of forensic science. • A key text that traces the historical development of forensic science through reflective editorials published in the journal Science and Justice, and the Journal of the Forensic Science Society • Includes introductory chapter by Professor Brian Caddy • Divided into themed sections to reflect current commentary and debate
Number One Bestseller The incredible story of the murder which gripped the nation. When Tom Nevin was brutally murdered in Jack White's Inn on the morning of 19 March 1996 there was widespread mourning for the man known as a 'gentle giant'. And none seemed as grief-stricken as his widow, Catherine. She stood by the graveside holding a single red rose, the classic symbol of a lost love. But even as that picture occupied the front page of the nation's newspapers, the rumours had started. Four years later Catherine Nevin stood in the dock and listened impassively as a jury found her guilty of murdering her husband, and guilty on three counts of soliciting others to murder. The trial had kept the entire country enthralled, as every day more bizarre stories emerged: contract killers, money laundering, the IRA, sexual affairs, plastic surgery, contacts in high places. It had all the ingredients of a bestselling thriller, but this was real life, and with a real victim. The Black Widow is the story of a woman who wanted it all and didn't care how she got it. Niamh O'Connor, a journalist who sat through every day of the record-breaking trial, explores the personality behind the glamorous mask, the real motives for the murder, and, in a series of revealing interviews, unravels the web of intrigue, deception and violence that brought the woman who once gave deportment classes to schoolchildren to the cells of Mountjoy.
The most comprehensive resource for students on EU competition law; extracts from key cases, academic works, and legislation are paired with incisive critique and commentary from an expert author team.
Extraordinary. I loved it' - Jessie Burton, author of The Miniaturist 'Engrossing and moving . . . gives voice to so much that's unspoken about Ireland' - Emma Donoghue, author of Room 'Wonderfully compelling . . . haunting' - Joseph O'Connor, author of Star of the Sea Delving into the lives of three generations of women, The Amendments by Niamh Mulvey is an extraordinary novel about love and freedom, belonging and rebellion – and about how our past is a vital presence which sits alongside us. Nell and her partner Adrienne are about to have a baby. For Adrienne, it’s the start of a new life. For Nell, it’s the reason the two of them are sitting in a therapist’s office. Because she can’t go into this without dealing with the truth: that she has been a mother before, and now she can hardly bring herself to speak to her own mother, let alone return home to Ireland. Nell is running out of places to hide from her past. But to Ireland and the past is where she must go, and that is where The Amendments takes us: to the heat of Nell’s teenage years in the early 2000s, as Ireland was unpicking itself from its faith and embracing the hedonism of the Celtic Tiger. To 1983, when Nell’s mother Dolores was grappling with the tensions of the women’s rights movement. And then to the farms and suburbs and towns that made and unmade the lives at the centre of this story, bound together by the terrible secret that Nell still cannot face. Selected by the Irish Independent, the Irish Times, the Irish Journal and VIP as one of the most anticipated novels of the year.
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