In these studies of Latin poetry Niall Rudd demonstrates a variety of critical methods and approaches. He shows how it can be fruitful at different times to consider the historical background of a poem, its language or structure, its place in a literary tradition, the role of critical paradigms, and so on. But if no single approach has special and invariable authority this does not imply critical anarchy. Each has its own validity for different purposes, its own strengths and limitations. The reader must be versatile and sensitive to a range of possibilities, but not doctrinaire.
This collection aims to bring out the continuity between major poets in Latin and English, presenting to a wider audience papers previously published only in academic periodicals along with a number of unpublished pieces.
This book is a successor to the commentaries by Nisbet and Hubbard on Odes I and II, but it takes critical note of the abundant recent writing on Horace. It starts from the precise interpretation of the Latin; attention is paid to the nuances implied by the word-order; parallel passages are quoted, not to depreciate the poet's originality but to elucidate his meaning and to show how he adapted his predecessors; sometimes major English poets are cited to exemplify his influence on the tradition. In expounding the so-called Roman Odes the editors reject not only uncritical acceptance of Augustan ideology but also more recent attempts to find subversion in a court-poet. They show how Greek moralizing, particularly by the Epicureans, is applied to contemporary social situations. Poems on country festivals are treated sympathetically in the belief that the tolerant and inclusive religion of the Romans can easily be misunderstood. The poet's wit is emphasized in his addresses both to eminent Romans and to women with Greek names; the latter poems are taken as reflecting his general experience rather than particular occasions. Though Horace's ironic self-presentation must not be understood too literally, the editors reject the modern tendency to treat the author as unknowable. Although the text of the Odes is not printed separately, the headings to the notes provide a continuous text. The editors put forward a number of conjectures, most of them necessarily tentative, and in the few cases where they disagree, both opinions are summarized.
Commonly considered the greatest of Roman satirical poets, Juvenal is the author of sixteen satires of Roman society, notable for their pessimism and ironic humor. In this new translation of the Satires, Professor Rudd combines textual accuracy with colorful poetry, vividly conveying Juvenal's gift for evoking a wealth of imagery with a few economical phrases. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
This selection form Horace's Odes, intended for upper school level, includes 33 poems arranged in the following categories: I Religion, Philosophy and the Shortness of Life (13 poems); II Friends (5 poems); III Love (6 poems); IV The Countryside (4 poems); V The Roman State (5 poems). The Latin text is in each case faced by a short introduction and a line-by-line commentary. A brief introduction to the book covers the life of Horace and his chosen metres.
Commonly considered the greatest of Roman satirical poets, Juvenal is the author of sixteen satires of Roman society, notable for their pessimism and ironic humor. In this new translation of the Satires, Professor Rudd combines textual accuracy with colorful poetry, vividly conveying Juvenal's gift for evoking a wealth of imagery with a few economical phrases. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
This book is a successor to the commentaries by Nisbet and Hubbard on Odes I and II, but it takes critical note of the abundant recent writing on Horace. It starts from the precise interpretation of the Latin; attention is paid to the nuances implied by the word-order; parallel passages are quoted, not to depreciate the poet's originality but to elucidate his meaning and to show how he adapted his predecessors; sometimes major English poets are cited to exemplify his influence on the tradition. In expounding the so-called Roman Odes the editors reject not only uncritical acceptance of Augustan ideology but also more recent attempts to find subversion in a court-poet. They show how Greek moralizing, particularly by the Epicureans, is applied to contemporary social situations. Poems on country festivals are treated sympathetically in the belief that the tolerant and inclusive religion of the Romans can easily be misunderstood. The poet's wit is emphasized in his addresses both to eminent Romans and to women with Greek names; the latter poems are taken as reflecting his general experience rather than particular occasions. Though Horace's ironic self-presentation must not be understood too literally, the editors reject the modern tendency to treat the author as unknowable. Although the text of the Odes is not printed separately, the headings to the notes provide a continuous text. The editors put forward a number of conjectures, most of them necessarily tentative, and in the few cases where they disagree, both opinions are summarized.
In these studies of Latin poetry Niall Rudd demonstrates a variety of critical methods and approaches. He shows how it can be fruitful at different times to consider the historical background of a poem, its language or structure, its place in a literary tradition, the role of critical paradigms, and so on. But if no single approach has special and invariable authority this does not imply critical anarchy. Each has its own validity for different purposes, its own strengths and limitations. The reader must be versatile and sensitive to a range of possibilities, but not doctrinaire.
After the critically acclaimed 'Boy in the World', comes the follow-up novel from bestselling author, Niall Williams. Follow Jay as he continues in his search for his father. We left him in Ethiopia under the caring wing of Sister Bridget. But he still feels the pull to find his missing father - the link between his past and his future.
When a body is found floating in the Queen's Park boating pond, smart, self-confident, newly promoted DCI Elaine Cooper finds that her first murder investigation is far from straightforward. Progress is stubbornly slow as she strives to make her mark and win over her irascible Detective Inspector and the team. But the discovery of a second victim begins to focus minds. If the killer is to be brought to justice, the team must put their differences aside and pull together.
A bestselling historian shows how the British Empire created the modern world, in a book lauded as "a rattling good tale" (Wall Street Journal) and "popular history at its best" (Washington Post) The British Empire was the largest in all history: the nearest thing to global domination ever achieved. The world we know today is in large measure the product of Britain's Age of Empire. The global spread of capitalism, telecommunications, the English language, and institutions of representative government -- all these can be traced back to the extraordinary expansion of Britain's economy, population and culture from the seventeenth century until the mid-twentieth. On a vast and vividly colored canvas, Empire shows how the British Empire acted as midwife to modernity. Displaying the originality and rigor that have made Niall Ferguson one of the world's foremost historians, Empire is a dazzling tour de force -- a remarkable reappraisal of the prizes and pitfalls of global empire.
Now in its fifth edition, Sasol Birds of Southern Africa has been brought fully up to date by its expert author panel, with additional contributions from two new birding experts. Greatly enhanced, this comprehensive, best-selling guide is sure to maintain its place as one of Africa’s most trusted field guides. Sales points: More than 800 new illustrations. Scan and play bird calls using free downloadable app. Fully revised text (with latest species records), maps and plate annotations. Fresh input from new contributing authors. Comprehensive coverage of the region’s birds.
Jim Foley loves his parents, his brother, his sister, Dickens and God; later, he loves Kate -- enough to make her his wife and to shape his life around her -- and later still, he loves his children, Jack and Hannah. Only Say the Word tells Jim's story, and the story of the people and places in his life, as he moves from childhood to marriage and fatherhood, from early days spent in County Clare to early adulthood in America, and back to Clare once more. Deeply personal and written in his lyrical, lilting prose, Niall Williams's fourth novel is about unspoken emotions, undying devotion and blind faith -- but, ultimately, about the redeeming, enduring nature of love.
Demonstrating how ideas are in short supply and critical thinking is under attack in the present day, this unique study pits the author’s brand of humor and intellect against conservative power brokers. Arguing the notion that free thought—not free trade—is the basis of democracy, these exciting and provocative essays engage with the most contentious issues of today.
This book examines the nature of social relationships in later prehistoric Britain, taking, as a case study, the archaeology of the Wessex region of southern England in the first millennium BC. --
Niall Mac Coitir provides a comprehensive look at the folklore, legends and history of animals in Ireland, and describes their relations with people, being hunted for food, fur, sport, or as vermin, and their position today. A final section, inspired by stories of animal transformation, looks at twelve animals and how we can enrich our lives by visualising ourselves with their special qualities. This fascinating and beautifully illustrated compilation of folklore, legends and natural history will delight all with an interest in Ireland's animals.
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