“Tap[s] the power of new geospatial technologies . . . explore[s] the intersection of geography, religion, politics, and identity in Irish history.”—International Social Science Review Ireland’s landscape is marked by fault lines of religious, ethnic, and political identity that have shaped its troubled history. Troubled Geographies maps this history by detailing the patterns of change in Ireland from 16th century attempts to “plant” areas of Ireland with loyal English Protestants to defend against threats posed by indigenous Catholics, through the violence of the latter part of the 20th century and the rise of the “Celtic Tiger.” The book is concerned with how a geography laid down in the 16th and 17th centuries led to an amalgam based on religious belief, ethnic/national identity, and political conviction that continues to shape the geographies of modern Ireland. Troubled Geographies shows how changes in religious affiliation, identity, and territoriality have impacted Irish society during this period. It explores the response of society in general and religion in particular to major cultural shocks such as the Famine and to long term processes such as urbanization. “Makes a strong case for a greater consideration of spatial information in historical analysis―a message that is obviously appealing for geographers.”—Journal of Interdisciplinary History “A book like this is useful as a reminder of the struggles and the sacrifices of generations of unrest and conflict, albeit that, on a global scale, the Irish troubles are just one of a myriad of disputes, each with their own history and localized geography.”—Journal of Historical Geography
Longlisted for the 2014 Man Booker Prize We are our stories. We tell them to stay alive or keep alive those who only live now in the telling. That's how it seems to me, being alive for a little while, the teller and the told. So says Ruthie Swain. The bedridden daughter of a dead poet, home from college after a collapse (Something Amiss, the doctors say), she is trying to find her father through stories--and through generations of family history in County Clare (the Swains have the written stories, from salmon-fishing journals to poems, and the maternal MacCarrolls have the oral) and through her own writing (with its Superabundance of Style). Ruthie turns also to the books her father left behind, his library transposed to her bedroom and stacked on the floor, which she pledges to work her way through while she's still living. In her attic room, with the rain rushing down the windows, Ruthie writes Ireland, with its weather, its rivers, its lilts, and its lows. The stories she uncovers and recounts bring back to life multiple generations buried in this soil--and they might just bring her back into the world again, too.
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