The Tears of the Earth, without pretense, practically holds court for environmental or eco-concerns with global ripples, staking a legitimate claim as a landmark tributary to the mainstream discourse and current debates on global warming and climate change, especially by portraying Africa, still trapped and anaesthetized in the web of post-colonial vassalage, compelled to mortgage her natural resources for savage exploitation with little or no regard to either environmental impact or sustainability. The poems are an expression of the author’s noble indignation at society’s governing elite for allowing collective natural resources “Mother Earth’ to be callously butchered, so ingloriously ransacked, liberally poisoned and gagged “Beyond Recognition” for mere lucre or “Midas’ touch” which procures and sustains the infernal binary of “Power and Pride” deified by our societies.
“In this wide-ranging collection of forty-three poems, John Ngong Kum Ngong undertakes a critical and acerbic diagnosis of the socio-political situation in postcolonial Africa through a deceptively simple, aesthetically complex, and ideologically intriguing style. The multi-facetted and interrelated motifs of ‘shadows’ and ‘seasons’, together with a plethora of literary devices such as paradox, suspense, metaphors, allusions, personification, irony, satire, humour, and contrast, are the weapons through which the poet drives home his message. The poems, in this collection, are not only politically ‘correct’ but are also artistically profound.” - Zuhmboshi Eric Nsuh, PhD. Lecturer, Literary Critic, and Political Analyst
“...this collection is both poetry and a reflection on poetry, on the creative process. In deceptively minimalist style characteristic of seasoned bards and a diction charged with intricate conceits, John Ngong Kum Ngong launches a scathing onslaught on the ruling barons of post-colonial nations who have privatised the nations' wealth and power.” Dr. Gilbert Ndi Shang, Bayreuth University, Germany
In Strange Passions John Ngong Kum Ngong's vocation and prime obsession remain constant - the soul of the nation. Passion, the central symbol in this collection is the patriotic sentiment in its various manifestations. As a self-conscious artist, Ngong summons his audacious technical dexterity to sublimate the sauciness characteristic of his style and direct it towards ideological ends. The significance of his contribution is as much in the urgency, originality and authenticity of his message as in the full range and complexity of his style, and the depth and density of his thoughts.
Snatched from the Grave, an exciting and provocative collection of 46 poems, traces the path taken by the protagonist to find real lifelong satisfaction and peace in a turbulent, perilous and ruthless world. The poems fire the imagination and generate thought around questions of existence and belief as they call on the reader to re-examine him/herself in order to live a meaningful life.
Another exciting and confrontational poetry collection by the award-winning poet, John Ngong Kum Ngong. Nuptials At Vespers And Other Strains is his eighth collection of 44 poems. These poems particularly handle questions of identity, delineating the poet-persona's struggle to detach himself from the bard and be like any ordinary person in society. After a bootless tussle and a depression, he makes friends with the poet .Together they view their situation as a marriage and a prison full of pain, torture and suffering. They desire to end their affliction fighting together. There is a hint of regret, disappointment and even bitterness but the prevailing mood of love and concern spell hope in darkness.
Blot On The Landscape is John Ngong Kum Ngong's seventh collection of poetry. The central symbol here is 'blot' which takes on complex and fascinating meanings in this rich collection of 42 poems. At a time when concerns for the environment increasingly receive global attention, the collection expresses and problematises the way in which the environment in particular and the landscape in general are treated. The poet decries the fact that there is filth everywhere; in man's thoughts, psyche and behaviour and nobody seems to care. Seen from this angle, human beings themselves seem to constitute the major blot on the landscape.
In this wide-ranging collection of forty-three poems, John Ngong Kum Ngong undertakes a critical and acerbic diagnosis of the socio-political situation in postcolonial Africa through a deceptively simple, aesthetically complex, and ideologically intriguing style. The multi-facetted and interrelated motifs of shadows and seasons, together with a plethora of literary devices such as paradox, suspense, metaphors, allusions, personification, irony, satire, humour, and contrast, are the weapons through which the poet drives home his message. The poems, in this collection, are not only politically correct but are also artistically profound. - Zuhmboshi Eric Nsuh, PhD Lecturer, Literary Critic, and Political Analyst
The Tears of the Earth, without pretence, practically holds court for environmental or eco-concerns with global ripples, staking a legitimate claim as a landmark tributary to the mainstream discourse and current debates on global warming and climate change, especially by portraying Africa, still trapped and anaesthetized in the web of post-colonial vassalage, compelled to mortgage her natural resources for savage exploitation with little or no regard to either environmental impact or sustainability. The poems are an expression of the authors noble indignation at societys governing elite for allowing collective natural resources Mother Earth to be callously butchered, so ingloriously ransacked, liberally poisoned and gagged Beyond Recognition for mere lucre or Midas touch which procures and sustains the infernal binary of Power and Pride deified by our societies.
In Strange Passions John Ngong Kum Ngongs vocation and prime obsession remain constant the soul of the nation. Passion, the central symbol in this collection is the patriotic sentiment in its various manifestations. As a self-conscious artist, Ngong summons his audacious technical dexterity to sublimate the sauciness characteristic of his style and direct it towards ideological ends. The significance of his contribution is as much in the urgency, originality and authenticity of his message as in the full range and complexity of his style, and the depth and density of his thoughts.
“...this collection is both poetry and a reflection on poetry, on the creative process. In deceptively minimalist style characteristic of seasoned bards and a diction charged with intricate conceits, John Ngong Kum Ngong launches a scathing onslaught on the ruling barons of post-colonial nations who have privatised the nations' wealth and power.” Dr. Gilbert Ndi Shang, Bayreuth University, Germany
Another exciting and confrontational poetry collection by the award-winning poet, John Ngong Kum Ngong. Nuptials At Vespers And Other Strains is his eighth collection of 44 poems. These poems particularly handle questions of identity, delineating the poet-persona's struggle to detach himself from the bard and be like any ordinary person in society. After a bootless tussle and a depression, he makes friends with the poet .Together they view their situation as a marriage and a prison full of pain, torture and suffering. They desire to end their affliction fighting together. There is a hint of regret, disappointment and even bitterness but the prevailing mood of love and concern spell hope in darkness.
Blot On The Landscape is John Ngong Kum Ngong's seventh collection of poetry. The central symbol here is 'blot' which takes on complex and fascinating meanings in this rich collection of 42 poems. At a time when concerns for the environment increasingly receive global attention, the collection expresses and problematises the way in which the environment in particular and the landscape in general are treated. The poet decries the fact that there is filth everywhere; in man's thoughts, psyche and behaviour and nobody seems to care. Seen from this angle, human beings themselves seem to constitute the major blot on the landscape.
Snatched from the Grave, an exciting and provocative collection of 46 poems, traces the path taken by the protagonist to find real lifelong satisfaction and peace in a turbulent, perilous and ruthless world. The poems fire the imagination and generate thought around questions of existence and belief as they call on the reader to re-examine him/herself in order to live a meaningful life.
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