Charlotte knew that the time had come for her to move from her oversize five-bedroom house, where she was living alone, and take up residence in a two-bedroom garden town house in a retirement community, where she would be surrounded by others her age. As she was preparing for the movers, she found a faded picture of her with her best friends: Florence, Stella, and Vivian. The picture was taken on the evening before their college graduation—when they were standing on the precipice of adulthood. While looking closer at the photograph, her mind began to unfold a kaleidoscope of memories of their lives, their loves, and the adversities they had encountered. This is the story of every woman who has been blessed to have good friends who are not willing to let her travel life’s road alone.
The Internet has had a huge impact on channels of communication and information, reaching across time and space to connect the world through globalisation. In this Internet-led world, story links to story, windows open on new stories and no overall authority establishes priority. This sense of globalisation has raised many questions for contemporary American Novelists, primarily the usefulness or redundancy of narrative and its potentially adaptive function. What are the right stories for such a broadband world? How do contemporary American novelists respond to issues such as the influence of the multinational corporation and its predecessors, human rights Imperialism, the literary work as a marketable commodity, translation as betrayal, data overload, and the implosion of the virtual into the biosphere? Is globalisation inevitable – or is it a fiction which fiction turns into reality? Fictions of America explores these questions and looks at the ways in which India, China and Africa can be said to have underwritten American culture, how literature has been marketed globally, and how novelists have answered back to power with resistant fictions. Judie Newman examines a wide range of fiction from the mid nineteenth to the twenty-first century including the transnational adoption narrative, short story, historical novel, slave narrative, international bestseller and Western to illustrate her argument. Looking closely at authors such as Bharati Mukherjee, John Updike, Emily Prager, Hannah Crafts, Zora Neale Hurston, David Bradley, Peter Høeg, and Cormac McCarthy, Fictions of America provides a bold response to the crucial questions raised by globalisation.
How, Barbara Newman asks, did the myth of the separable heart take such a firm hold in the Middle Ages, from lovers exchanging hearts with one another to mystics exchanging hearts with Jesus? What special traits gave both saints and demoniacs their ability to read minds? Why were mothers who died in childbirth buried in unconsecrated ground? Each of these phenomena, as diverse as they are, offers evidence for a distinctive medieval idea of the person in sharp contrast to that of the modern "subject" of "individual." Starting from the premise that the medieval self was more permeable than its modern counterpart, Newman explores the ways in which the self's porous boundaries admitted openness to penetration by divine and demonic spirits and even by other human beings. She takes up the idea of "coinherence," a state familiarly expressed in the amorous and devotional formula "I in you and you in me," to consider the theory and practice of exchanging the self with others in five relational contexts of increasing intimacy. Moving from the outside in, her chapters deal with charismatic teachers and their students, mind-reading saints and their penitents, lovers trading hearts, pregnant mothers who metaphorically and literally carry their children within, and women and men in the throes of demonic obsession. In a provocative conclusion, she sketches some of the far-reaching consequences of this type of personhood by drawing on comparative work in cultural history, literary criticism, anthropology, psychology, and ethics. The Permeable Self offers medievalists new insight into the appeal and dangers of the erotics of pedagogy; the remarkable influence of courtly romance conventions on hagiography and mysticism; and the unexpected ways that pregnancy—often devalued in mothers—could be positively ascribed to men, virgins, and God. The half-forgotten but vital idea of coinherence is of relevance far beyond medieval studies, however, as Newman shows how it reverberates in such puzzling phenomena as telepathy, the experience of heart transplant recipients who develop relationships with their deceased donors, the phenomenon of psychoanalytic transference, even the continuities between ideas of demonic possession and contemporary understandings of obsessive-compulsive disorder. In The Permeable Self Barbara Newman once again confirms her status as one of our most brilliant and thought-provoking interpreters of the Middle Ages.
Whether it’s bedtime or the wee hours of the night, this sweetly illustrated nighttime companion is filled with practical ways to help young insomniacs, ages 5 to 9, with reassuring nighttime routines, creative visualizations, and kid-friendly activities and techniques for addressing bedtime reluctance, managing fears and anxiety, easing nightmares, and inviting pleasant dreaming and positive associations with sleeptime.
The medieval historian who revealed The Real History Behind the Da Vinci Code uncloaks the Templars. In the year 1119, these noblemen found their calling as protectors of the faithful on a dangerous pilgrimage to newly conquered Jerusalem. Now, historian Sharan Newman elucidates the mysteries and misconceptions of the Templars, from their true first founding and role in the Crusades to more modern intrigues, including: - Were they devout knights or secret heretics? - Did they leave behind a fantastic treasure-hidden to this day? - How did they come to be associated with the Holy Grail? - Did they come to America before the time of Columbus? - Does the order still exist?
From the acclaimed author of JFK and Vietnam comes a book that uncovers the government's role in the Kennedy assassination more clearly than any previous inquiry. What was the extent of the CIA's involvement with Lee Harvey Oswald? Why was Oswald's file tampered with before the assassination of John F. Kennedy? And why did significant documents from that file mysteriously disappear? Oswald and the CIA answers these questions, not with theories, but with information from the primary sources themselves—ex-agents, officials, and secret records. To look at the Oswald file is to look at the most sensitive CIA operation of the Cold War. The story is as alarming as it is tragic; the lies and manipulations it reveals led directly to Kennedy's murder. Oswald and the CIA is a gripping journey to the darkest corners of the CIA.
Best friends like Susan and Carolyn always trade stuff back and forth. Sometimes Susan lends Carolyn her green earrings and orange Frisbee, or Carolyn lets Susan borrow her felt hat or a favorite book. But when they get into a fight, they have to return everything they've borrowed. Soon they realize that it wasn't the felt hat or green earrings they were missing; it was each other. This easy reader is just the right length for children making the transition from picture books to chater books. The realistic story, enlivened by jazzy, energetic illustrations, is sure to strike a chord with little girls--and their best friends!
Whilst London prepares to celebrate Prince Dracula’s 10th anniversary, his secret police force, The Grey Men are purging the streets of any and all political malcontents and miscreants, including the Council of Seven Days – an anarchist cell. Meanwhile, vampiric journalist Kate Reed and the surviving members of the Council are now running for the lives following a police raid on their headquarters and are unaware that the Grey Men have secreted one of their own among their dwindling membership. Moreover, Kate’s friend, Penny Churchward – who has been summoned to the Tower of London to be appointed overseer of the Jubilee celebrations, has stumbled into the presence of an ancient, unbelievably-evil, undead vampire legend that rumor has it frightens even Prince Dracula himself…
Written by award-winning novelist Kim Newman, this is a brand-new edition, with additional 40,000 word never-before-seen novella, of the popular third installment of the Anno Dracula series, Dracula Cha Cha Cha. Rome. 1959. Count Dracula is about to marry the Moldavian Princess Asa Vajda - his sixth wife. Journalist Kate Reed flies into the city to visit the ailing Charles Beauregard and his vampire companion Geneviève. Finding herself caught up in the mystery of the Crimson Executioner who is bloodily dispatching vampire elders in the city, Kate discovers that she is not the only one on his trail...
The new edition of the cornerstone text on electrochemistry Spans all the areas of electrochemistry, from the basics of thermodynamics and electrode kinetics to transport phenomena in electrolytes, metals, and semiconductors. Newly updated and expanded, the Third Edition covers important new treatments, ideas, and technologies while also increasing the book's accessibility for readers in related fields. Rigorous and complete presentation of the fundamental concepts In-depth examples applying the concepts to real-life design problems Homework problems ranging from the reinforcing to the highly thought-provoking Extensive bibliography giving both the historical development of the field and references for the practicing electrochemist.
“Exactly what I wanted as a die-hard fan of the novels.” – Comics Alliance For a dark decade, Dracula has ruled the British Empire, unchecked. Now, on the verge of his Tin Jubilee, forces are gathering to challenge his insidious reign. In London, vampire journalist Kate Reed has been summoned to a meeting with the Council of the Seven Days, a secret cabal dedicated to destroying Dracula. Meanwhile, the sinister Lord of Strange Deaths is planning to use the Jubilee celebrations for his own nefarious act of sedition. This album collects together issues #1-5 of Anno Dracula: Seven Days of Mayhem. This all-new adventure written by Kim Newman and drawn by Paul McCaffrey, sees master storyteller Kim Newman’s vast cast of characters explore the terrifying reality of a world ruled by the deadliest vampire of all times. “Compulsory reading… glorious!” – Neil Gaiman
Winner of the 2014 Robert W. Peterson Award for Excellence in Negro League Research from the Jerry Malloy Negro League Conference, sponsored by Negro Leagues Committee of the Society for American Baseball Research Roberta J. Newman and Joel Nathan Rosen have written an authoritative social history of the Negro Leagues. This book examines how the relationship between black baseball and black businesses functioned, particularly in urban areas with significant African American populations—Chicago, Detroit, Indianapolis, Kansas City, Newark, New York, Philadelphia, and more. Inextricably bound together by circumstance, these sports and business alliances faced destruction and upheaval. Once Jackie Robinson and a select handful of black baseball’s elite gained acceptance in Major League Baseball and financial stability in the mainstream economy, shock waves traveled throughout the black business world. Though the economic impact on Negro League baseball is perhaps obvious due to its demise, the impact on other black-owned businesses and on segregated neighborhoods is often undervalued if not outright ignored in current accounts. There have been many books written on great individual players who played in the Negro Leagues and/or integrated the Major Leagues. But Newman and Rosen move beyond hagiography to analyze what happens when a community has its economic footing undermined while simultaneously being called upon to celebrate a larger social progress. In this regard, Black Baseball, Black Business moves beyond the diamond to explore baseball’s desegregation narrative in a critical and wide-ranging fashion.
Vampiric journalist Kate Reed is a member of a secret cabal of anarchists called the Council of the Seven Days who have sworn to overthrow the despotic rule of the Prince Regent, Count Dracula. However when Kate learns of Council's plot to bomb Dracula's planned Tin Jubilee celebrations and the subsequent backlash that action would unleash she is forced to make a decision. One that could make her the enemy of not only the Council, the State but also her best friend, Penelope Churchwood, the mastermind behind the celebration. But with the clock ticking, Kate must act before it is too late...
A Cross-Cultural Theory of Voter Behavior examines the facets of political marketing and its direct relationship with the voter. Using empirical testing to determine whether voter behavior in established and emerging democracies is predictable, this book suggests a ground-breaking cross-cultural model with theoretical and strategic global implications.
Quantitative Ecotoxicology, Second Edition explores models and methods of quantitative ecotoxicology at progressively higher biological scales using worked examples and common software packages. It complements the author's previous books, Fundamentals of Ecotoxicology, Third Edition and Ecotoxicology: A Comprehensive Treatment. Encouraging a more r
In the #1 New York Times bestseller, the former Assistant to the President and Director of Communications for the Office of Public Liaison in the Trump White House provides an eye-opening and “explosive” (The Boston Globe) look into the corruption and controversy of the current administration. Few were a member of Donald Trump’s inner orbit longer than Omarosa Manigault Newman. Their relationship spanned fifteen years—through four television shows, a presidential campaign, and a year by his side in the most chaotic, outrageous White House in history. But that relationship came to a decisive and definitive end, and Omarosa finally shares her side of the story in this “deftly executed” (The Guardian), jaw-dropping account. A stunning tell-all and takedown from a strong, intelligent woman who took every name and number, Unhinged is a must-read for any concerned citizen.
How do modern Jews understand virtues such as courage, humility, justice, solidarity, or love? In truth: they have fiercely debated how to interpret them. This groundbreaking anthology of musar (Jewish traditions regarding virtue and character) explores the diverse ways seventy-eight modern Jewish thinkers understand ten virtues: honesty and love of truth; curiosity and inquisitiveness; humility; courage and valor; temperance and self-restraint; gratitude; forgiveness; love, kindness, and compassion; solidarity and social responsibility; and justice and righteousness. These thinkers--from the Musar movement to Hasidism to contemporary Orthodox, Reform, Conservative, Reconstructionist, Renewal, Humanist, and secular Jews--often agree on the importance of these virtues but fundamentally disagree in their conclusions. The juxtaposition of their views, complemented by Geoffrey Claussen's pointed analysis, allows us to see tensions with particular clarity--and sometimes to recognize multiple compelling ways of viewing the same virtue. By expanding the category of musar literature to include not only classic texts and traditional works influenced by them but also the writings of diverse rabbis, scholars, and activists--men and women--who continue to shape Jewish tradition, Modern Musar challenges the fields of modern Jewish thought and ethics to rethink their boundaries--and invites us to weigh and refine our own moral ideals.
The #1 national bestseller now revised and updated with a new Epilogue. Now aged 75, Peter C. Newman at last tells the story of his stranger-than-fiction life. Try to keep up as we follow his many lives: as a pampered child in a Czech chateau; a Jewish kid in short pants being machine-gunned by Nazi fighter planes on the beach at Biarritz, en route to the last ship to escape from France in 1940; as a refugee on an Ontario farm; as an outsider on a scholarship at Upper Canada College; as a Financial Post journalist, then an author whose Renegade in Power made Canadian politics dramatic and disrespectfully exciting for the first time; as the man who revealed the secrets of the rulers of the Canadian business world in The Canadian Establishment, and other huge business success stories, including The Establishment Man, on Conrad Black; or the millionaire who turned his back on business books and tackled Canadian history (Company of Adventurers and other triumphs), in a career where his work has dominated the bestseller lists in politics, business, history, and current affairs. In the midst of all this were his years at the Toronto Star and Maclean’s where, as editor, he took the magazine weekly – a huge accomplishment. He is still a legend there, where his columns continue to run. He knew and wrote about every prime minister from Louis St. Laurent to Paul Martin and every prominent Canadian – hero or villain – in between. Yet his most interesting character is – Peter C. Newman. Incredibly, this central figure known to millions of Canadians sees himself as a perennial outsider. In personal terms, the rich little Czech boy whose nannies never stayed talks frankly about his marriages and the women he has known before his ultimate marriage to his beloved Alvy. His enthusiasms – from jazz to the Canadian Navy, not to mention his adventures on his beloved sailboat – make for a rich portrait of an astonishingcharacter, one who never stops being controversial.
Social theories of modernity focus on the nineteenth century as the period when Western Europe was transformed by urbanization. Cities became thriving metropolitan centers as a result of economic, political, and social changes wrought by the industrial revolution. In Cultural Capitals, Karen Newman demonstrates that speculation and capital, the commodity, the crowd, traffic, and the street, often thought to be historically specific to nineteenth-century urban culture, were in fact already at work in early modern London and Paris. Newman challenges the notion of a rupture between premodern and modern societies and shows how London and Paris became cultural capitals. Drawing upon poetry, plays, and prose by writers such as Shakespeare, Scudéry, Boileau, and Donne, as well as popular materials including pamphlets, ballads, and broadsides, she examines the impact of rapid urbanization on cultural production. Newman shows how changing demographics and technological development altered these two emerging urban centers in which new forms of cultural capital were produced and new modes of sociability and representation were articulated. Cultural Capitals is a fascinating work of literary and cultural history that redefines our conception of when the modern city came to be and brings early modern London and Paris alive in all their splendor, squalor, and richness.
Explores how American youth are indoctrinated with Zionist mythology and how to intervene in that process by teaching about Palestine. It argues that as the relationship between Zionist education and the Israel lobby continues to be strong, it is necessary to correct the misrepresentations that infiltrate Western culture.
The United States dropped atomic bombs on Japan in 1945 to end World War II as quickly and with as few casualties as possible. That is the compelling and elegantly simple argument Newman puts forward in his new study of World War II's end, Truman and the Hiroshima Cult. According to Newman: (1) The U.S. Strategic Bombing Survey conclusions that Japan was ready to surrender without "the Bomb" are fraudulent; (2) America’s "unconditional surrender" doctrine did not significantly prolong the war; and (3) President Harry S. Truman’s decision to use atomic weapons on Japanese cities was not a "racist act," nor was it a calculated political maneuver to threaten Joseph Stalin’s Eastern hegemony. Simply stated, Newman argues that Truman made a sensible military decision. As commander in chief, he was concerned with ending a devastating and costly war as quickly as possible and with saving millions of lives. Yet, Newman goes further in his discussion, seeking the reasons why so much hostility has been generated by what happened in the skies over Hiroshima and Nagasaki in early August, 1945. The source of discontent, he concludes, is a "cult" that has grown up in the United States since the 1960s. It was weaned on the disillusionment spawned by concerns about a military industrial complex, American duplicity and failure in the Vietnam War, and a mistrust of government following Watergate. The cult has a shrine, a holy day, a distinctive rhetoric of victimization, various items of scripture, and, in Japan, support from a powerful Marxist constituency. "As with other cults, it is ahistorical," Newman declares. "Its devotees elevate fugitive and unrepresentative events to cosmic status. And most of all, they believe." Newman’s analysis goes to the heart of the process by which scholars interpret historical events and raises disturbing issues about the way historians select and distort evidence about the past to suit special political agendas.
The use of primary sources as texts in the classroom is growing. Teachers realize these vital witnesses provide opportunities to motivate students and improve learning. They bring students closer to the people, places, and events being studied and help students improve content knowledge while building skills. Recent trends in standards, such as Common Core, and the increasing use of the Document-Based Questions also promote primary source use. The strong push to use primary sources in teaching history and social studies creates a need among teachers for more information on what they are and how they can be used effectively in the classroom. Vital Witnesses meets this need by providing teachers with a comprehensive guide to primary sources and their use in the classroom. Primary sources are defined, and the various types are described. Classroom-tested activities and strategies are offered to teachers for addressing the needs of all learners and for accommodating Common Core standards and the C3 Framework for State Social Studies Standards.
Since the Enlightenment, alchemy has been viewed as a sort of antiscience, disparaged by many historians as a form of lunacy that impeded the development of rational chemistry. But in Atoms and Alchemy, William R. Newman—a historian widely credited for reviving recent interest in alchemy—exposes the speciousness of these views and challenges widely held beliefs about the origins of the Scientific Revolution. Tracing the alchemical roots of Robert Boyle’s famous mechanical philosophy, Newman shows that alchemy contributed to the mechanization of nature, a movement that lay at the very heart of scientific discovery. Boyle and his predecessors—figures like the mysterious medieval Geber or the Lutheran professor Daniel Sennert—provided convincing experimental proof that matter is made up of enduring particles at the microlevel. At the same time, Newman argues that alchemists created the operational criterion of an “atomic” element as the last point of analysis, thereby contributing a key feature to the development of later chemistry. Atomsand Alchemy thus provokes a refreshing debate about the origins of modern science and will be welcomed—and deliberated—by all who are interested in the development of scientific theory and practice.
THE HOTLY ANTICIPATED BRAND-NEW ADDITION TO THE CRITICALLY ACCLAIMED ANNO DRACULA SERIES! Award-winning author Kim Newman takes the series stateside to Andy Warhol's New York and Orson Welles' Hollywood. It's 1976 and vampire reporter Kate Reed is on the set of Francis Ford Coppola's Dracula. She helps a young vampire boy, Ion Popescu, who then leaves Transylvania for America. In the States, Popescu becomes Johnny Pop and attaches himself to Andy Warhol, inventing a new drug which confers vampire powers on its users...
1895. Prince Dracula has ruled Great Britain for ten years, spreading vampirism through every level of society. On the eve of Dracula’s Jubilee, radical forces gather to oppose the tyrant. Kate Reed, vampire journalist and free-thinker, takes a seat on the revolutionary Council of Seven Days, though she learns that the anarchist group harbors a traitor in its midst. The Grey Men, Dracula’s dreaded secret police, have been ordered to quash all resistance to the rule of the arch-vampire. With intrigue on all sides, the scene is set for an explosive addition to the Anno Dracula series. An all-new comic series based on the best-selling Anno Dracula novels by Kim Newman! Comic series written by creator Kim Newman with art by Paul McCaffrey (The Third Doctor).
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