Sally Scull and Texas By Betty Newman Wauer BETTY NEWMAN WAUER was proud of her great, great aunt Sally Scull. Sally was a strong, spirited, and bright pioneer during the nineteenth century. She undergoes many trials and tribulations that parallel key events in Texas’ history, such as the Battle at the Alamo, the Mexican-American War, and the Civil War. While she’s a legendary sharpshooter and extremely skilled with a whip, she finds that love, family, and children are some of the most challenging aspects of life. Her perseverance and determination are certain to inspire and educate readers.
Barnett Newman's writings reveal him to be an impassioned and articulate analyst of art and society who never hesitated to make his views known and always stood by them. To understand Newman's unique place in the culture of the twentieth century, we must know both his paintings and his words--a knowledge made possible by this long-awaited volume. "Barnett Newman [1905-1970] was a thinker who chose to develop his ideas both in painting and in writing. He was also a citizen who made his acts of painting and writing political. And he was an artist."--Richard Schiff, from the Introduction Barnett Newman's writings reveal him to be an impassioned and articulate analyst of art and society who never hesitated to make his views known and always stood by them. To understand Newman's unique place in the culture of the twentieth century, we must know both his paintings and his words--a knowledge made possible by this long-awaited volume. "Barnett Newman [1905-1970] was a thinker who chose to develop his ideas both in painting and in writing. He was also a citizen who made his acts of painting and writing political. And he was an artist."--Richard Schiff, from the Introduction
Mad Men has captured the imaginations of millions of viewers, winning fifteen golden globes and four Emmys. Perhaps more than the gorgeously stylized visuals and impeccably re-created history, it's the show's richly drawn characters stumbling through their personal and professional lives that get under our skin and keep us invested. In Mad Menon the Couch, Dr. Stephanie Newman analyzes the show's primary characters through the lens of modern psychology. Lending her trained professional eye, she poses and expertly answers pressing questions such as: Why does Don constantly sabotage himself? Why is Betty such a cold mother and desperately unhappy housewife? (Hint: It's not just because her "people are Nordic.") Why does Pete prevail in adversity when Roger crumbles? Why is Peggy able to rise profesionally in the male jungle of Madison Avenue when Joan can't? Can these characters ever really change? With critical commentary that is both entertaining and insightful, Mad Men on the Couch will provide viewers with a unique persepctive on the show.
This landmark book surveys the breadth of artist Newman's career, from his founding role in the New York School in the 1940s to his key influence on both minimalism and conceptual art in the 1960s. 3 8-page gatefolds. Over 300 illustrations.
The memoir of the creator of Doctor Who and a legend in British and Canadian TV and film A major influence on the BBC and independent television in Britain in the 1960s, as well as on CBC and the National Film Board in Canada, Sydney Newman acted as head of drama at a key period in the history of television. For the first time, his comprehensive memoirs Ñ written in the years before his death in 1997 Ñ are being made public. Born to a poor Jewish family in the tenements of Queen Street in Toronto, NewmanÕs artistic talent got him a job at the NFB under John Grierson. He then became one of the first producers at CBC TV before heading overseas to the U.K. where he revitalized drama programming. Harold Pinter and Alun Owen were playwrights whom Newman nurtured, and their contemporary, socially conscious plays were successful, both artistically and commercially. At the BBC, overseeing a staff of 400, he developed a science fiction show that flourishes to this day: Doctor Who. Providing further context to NewmanÕs memoir is an in-depth biographical essay by Graeme Burk, which positions NewmanÕs legacy in the history of television, and an afterword by one of SydneyÕs daughters, Deirdre Newman.
Friends in the Garden is a story about a boy, a dog, a garden, and how friendships can be formed in the most unusual places. Aries and Lucy are on a mission to find out who is taking vegetables from the garden. As modern-day detectives, they stumble on clues that help solve the case. Friends in the Garden is a story about these relationships and giving of oneself to help others. The storyline is appropriate for all ages, young and old, for the overall lesson can be applied to all our lives. It is a simple story with an important message that is brought to life by the illustrations.
Drawing on the writings of Rachel Carson, Betty Ford, Rose Kushner, and Audre Lorde, this book explores the various ways in which patient-centered texts continue to leave their mark on the political realm of breast cancer and, ultimately, the disease itself. Ordered chronologically, the selections trace the progression of discussions about breast cancer from a time when the subject was kept private and silent to when it became part of public discourse. The texts included are personal accounts, written by women struggling to play an active role in their healing process and, at the same time, hoping to help others do the same.
In this critical primer, Michael Z. Newman introduces newcomers to the key concepts, issues, and vocabulary of media studies. Across ten chapters, Newman examines topics from text and audience to citizenship and consumerism, drawing on a myriad of examples of media old and new. Film and TV rub shoulders with mobile games and social media, and popular music and video sharing platforms with journalism and search engines. While the book takes a critical, cultural approach, it covers topics that apply across many kinds of media scholarship, bridging the humanities and the social sciences and looking at media as a global phenomenon. It considers media in relation to society and its unequal structures of power, and relates media representations to their conditions of production in media industries and consumption in the everyday lives of audiences and users. Spanning the historical periods of mass media and online participatory culture, it also probes assumptions about media that were formulated in a previous era and looks at how to update our thinking to address an ever-changing digital mediascape. With its clear and accessible style, this book is tailor-made for undergraduate students of media, communication, and cultural studies, as well as anyone who would like to better understand media.
One morning while reading Barron's, Kara Newman took note of a casual bit of advice offered by famed commodities trader Jim Rogers. "Buy breakfast," he told investors, referring to the increasing value of pork belly and frozen orange juice futures. The statement inspired Newman to take a closer look at agricultural commodities, from the iconic pork belly to the obscure peppercorn and nutmeg. The results of her investigation, recorded in this fascinating history, show how contracts listed on the Chicago Mercantile Exchange can read like a menu and how market behavior can dictate global economic and culinary practice. The Secret Financial Life of Food reveals the economic pathways that connect food to consumer, unlocking the mysteries behind culinary trends, grocery pricing, and restaurant dining. Newman travels back to the markets of ancient Rome and medieval Europe, where vendors first distinguished between "spot sales" and "sales for delivery." She retraces the storied spice routes of Asia and recounts the spice craze that prompted Christopher Columbus's journey to North America, linking these developments to modern-day India's bustling peppercorn market. Newman centers her history on the transformation of corn into a ubiquitous commodity and uses oats, wheat, and rye to recast America's westward expansion and the Industrial Revolution. She discusses the effects of such mega-corporations as Starbucks and McDonalds on futures markets and considers burgeoning markets, particularly "super soybeans," which could scramble the landscape of food finance. The ingredients of American power and culture, and the making of the modern world, can be found in the history of food commodities exchange, and Newman connects this unconventional story to the how and why of what we eat.
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