This new study of the major prose and plays of Oscar Wilde argues that his dominant aesthetic category is not art but style. It is this major emphasis on style and attitude which helps mark Wilde so graphically as our contemporary. Beginning with a survey of current Wilde criticism, the book demonstrates the way his own critical essays anticipate much contemporary cultural theory and inform his own practice as a writer.
Writing and America surveys the writing genres that have contributed to the American notions of America . Essays from scholars from both side of the Atlantic chart the range of responses to American nationhood from colonial times to the present and include dissenting responses from communities such as native American, black and feminist writers. Case studies from writers such as James Fenimore Cooper and William Carlos Williams provide a framework for discussions on topics such as colonial notions of America as the promised land, the discourses of nationhood in the republic, the sense of nationhood in American historiography, and the formation of the American Canon. Draws upon extracts from the American Bills of Rights and the Constitution as examples of different types of writing.
Writing and America surveys the writing genres that have contributed to the American notions of America . Essays from scholars from both side of the Atlantic chart the range of responses to American nationhood from colonial times to the present and include dissenting responses from communities such as native American, black and feminist writers. Case studies from writers such as James Fenimore Cooper and William Carlos Williams provide a framework for discussions on topics such as colonial notions of America as the promised land, the discourses of nationhood in the republic, the sense of nationhood in American historiography, and the formation of the American Canon. Draws upon extracts from the American Bills of Rights and the Constitution as examples of different types of writing.
This new study of the major prose and plays of Oscar Wilde argues that his dominant aesthetic category is not art but style. It is this major emphasis on style and attitude which helps mark Wilde so graphically as our contemporary. Beginning with a survey of current Wilde criticism, the book demonstrates the way his own critical essays anticipate much contemporary cultural theory and inform his own practice as a writer.
In Poets of Modern Ireland: Text, Context, Intertext, Neil Corcoran discusses the work of Seamus Heaney, Derek Mahon, Michael Longley, Austin Clarke, Padraic Fallon, Louis MacNeice, and Ciaran Carson, constructing a critical account of the poets' work and putting it in the context of the contemporary debate surrounding their work. The contexts and intertexts Corcoran establishes for the study include the contentious debate between "nationalist" and "revisionist" criticism; the relationship between Irish and American poetry; the writing of "place" and its political significance; the focus on sexuality and eroticism; the persistence of religious impulse or theological content; the Irish language and the pre-occupation with forms of translation; and the foregrounding of textuality, which has affinities with, and may be usefully interpreted in relation to, some postmodern literary and cultural theory. Poets of Modern Ireland is a major contribution to the critical reception of modern poetry and focuses upon the major issues of debate in poetry criticism in Great Britain, Ireland, and the United States.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.