A heavily illustrated and highly designed tribute to Los Angeles architect Pierre Koenig, a key figure of the Los Angeles Modernist movement. In this remarkable and gorgeously illustrated book, Neil Jackson presents a vibrant profile of the Los Angeles architect Pierre Koenig, who Time magazine said lived long enough to become “cool twice.” From the influences of Koenig’s youth in San Francisco and his military service during World War II to the Case Study Houses and his later award-laden years, Jackson’s study plots the evolution of Koenig’s oeuvre against the backdrop of Los Angeles—a city that both shaped and was shaped by his architecture. The book is anchored by Jackson’s exciting discoveries in Koenig’s archive at the Getty Research Institute. Drawings, photographs, diaries, letters, lecture notes, building contracts, and university projects—many of which are published for the first time—provide an expanded understanding of Koenig and additional context for his architectural achievements. An examination of Koenig’s Case Study Houses shows how his often single-minded and pragmatic approach to domestic architecture recognized the advantages of production housing and presciently embraced sustainable, ecologically responsible design. A new account of the Chemehuevi housing project in Havasu Lake, California, demonstrates the special role that learning and teaching played in the development of his architecture. Over his fifty-year career, Koenig not only designed iconic houses but also directed their restoration and curated their legacy, ensuring that his work could be seen and appreciated by present and future admirers of midcentury Los Angeles.
THAT'S RIGHT. THE LOST FILMS IS BACK. And like a Heisei era Godzilla foe, it's mutated into its second, bigger, badder form. And it's got it all: Adam West battling the Big G in BATMAN MEETS GODZILLA? Check. A DAIMAJIN remake starring Steven Seagal? It almost happened. Ultraman teaming with a monkey monster in Thailand's 6 ULTRA BROTHERS VS. THE MONSTER ARMY? Yep, it exists--even if Tsuburaya Productions wishes it didn't. This book covers:Unproduced scripts like BRIDE OF GODZILLA (1955), GAMERA VS. THE ICE MEN FROM OUTER SPACE (1966), ULTRAMAN: OPERATION GIANT (1966), KING KONG VS. EBIRAH (1966), GAMERA VS. TWO-HEADED MONSTER W (1971), THE TIME MACHINE II (1979), GODZILLA, KING OF THE MONSTERS IN 3-D (1983), IT ATE CLEVELAND! (1984), COO FROM A DISTANT SEA (1989), MOTHRA VS. BAGAN (1990), GAMERA VS. PHOENIX (1993), GODZILLA VS. GHOST GODZILLA (1995), YAMATO TAKERU II (1997), and HEDORAH VS. MIDORA (2017). Films that came close to shooting, like THE VOLCANO MONSTERS, which Toho produced new monster suits for, and NESSIE--an aborted team-up between Hammer and Toho that sunk itself in the seventies. Partially shot productions such as Daiei's GIANT HORDE BEAST NEZURA, which had to be shut down when real rats overran the studio.Banned films like ABOMINABLE SNOWMAN (1955), GREAT PROPHECIES OF NOSTRADAMUS (1974) and JUMBORG ACE AND GIANT (1974).Fan films like 1983's ambitious still in production LEGENDARY GIANT BEAST WOLFMAN VS. GODZILLA and 2003's GAMERA 4: TRUTH. Oddities like the Italian colorized version of GODZILLA (1978) codenamed "COZZILLA" and even ATTACK OF THE GALACTIC MONSTERS (1983) and SPACE WARRIORS 2000 (1985)!
A heavily illustrated and highly designed tribute to Los Angeles architect Pierre Koenig, a key figure of the Los Angeles Modernist movement. In this remarkable and gorgeously illustrated book, Neil Jackson presents a vibrant profile of the Los Angeles architect Pierre Koenig, who Time magazine said lived long enough to become “cool twice.” From the influences of Koenig’s youth in San Francisco and his military service during World War II to the Case Study Houses and his later award-laden years, Jackson’s study plots the evolution of Koenig’s oeuvre against the backdrop of Los Angeles—a city that both shaped and was shaped by his architecture. The book is anchored by Jackson’s exciting discoveries in Koenig’s archive at the Getty Research Institute. Drawings, photographs, diaries, letters, lecture notes, building contracts, and university projects—many of which are published for the first time—provide an expanded understanding of Koenig and additional context for his architectural achievements. An examination of Koenig’s Case Study Houses shows how his often single-minded and pragmatic approach to domestic architecture recognized the advantages of production housing and presciently embraced sustainable, ecologically responsible design. A new account of the Chemehuevi housing project in Havasu Lake, California, demonstrates the special role that learning and teaching played in the development of his architecture. Over his fifty-year career, Koenig not only designed iconic houses but also directed their restoration and curated their legacy, ensuring that his work could be seen and appreciated by present and future admirers of midcentury Los Angeles.
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