A forgotten historical figure and his influence on the writing of James Joyce In this book, Neil Davison argues that Albert Altman (1853‒1903), a Dublin-based businessman and Irish nationalist, influenced James Joyce’s creation of the character of Leopold Bloom, as well as Ulysses’s broader themes surrounding race, nationalism, and empire. Using extensive archival research, Davison reveals parallels between the lives of Altman and Bloom, including how the experience of double marginalization—which Altman felt as both a Jew in Ireland and an Irishman in the British Empire—is a major idea explored in Joyce’s work. Altman, a successful salt and coal merchant, was involved in municipal politics over issues of Home Rule and labor, and frequently appeared in the press over the two decades of Joyce’s youth. His prominence, Davison shows, made him a familiar name in the Home Rule circles with which Joyce and his father most identified. The book concludes by tracing the influence of Altman’s career on the Dubliners story “Ivy Day in the Committee Room,” as well as throughout the whole of Ulysses. Through Altman’s biography, Davison recovers a forgotten life story that illuminates Irish and Jewish identity and culture in Joyce’s Dublin. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles
This study examines the impact of racial, gender, and religious constructs of Jewish masculinity on a select group of male writers including George Du Maurier, Theodor Herzl, Ernest Hemingway, James Joyce, and Philip Roth during the Modernist and Postmodern eras. In reading the work of these authors, Davison demonstrates how religious-based prejudices as well as doctrinal Judaic concepts were sustained in the discourse of race and gender surrounding "the Jew." The project engages a dynamic composed of the historically constitutive Jewish racial portrait, the psychosexual impact of that racial theory as internalized by Jewish males, and differing or conflicting discussions of Judaic-based gender and codes of male behavior. By focusing alternately on non-Jewish and Jewish writers, Davison explores how the racial/gender construct of "the feminized Jew" was pivotal to each in negotiating male-selfhood during his encounter with modernity. The study engages these issues during the Dreyfus era, within early Zionism, and in post-war High Modernism. In a final chapter on Roth, Davison explores how the author's postmodernism remains tethered to Jewish history, liberalism, gender, and Judaic concepts.
A forgotten historical figure and his influence on the writing of James Joyce In this book, Neil Davison argues that Albert Altman (1853‒1903), a Dublin-based businessman and Irish nationalist, influenced James Joyce’s creation of the character of Leopold Bloom, as well as Ulysses’s broader themes surrounding race, nationalism, and empire. Using extensive archival research, Davison reveals parallels between the lives of Altman and Bloom, including how the experience of double marginalization—which Altman felt as both a Jew in Ireland and an Irishman in the British Empire—is a major idea explored in Joyce’s work. Altman, a successful salt and coal merchant, was involved in municipal politics over issues of Home Rule and labor, and frequently appeared in the press over the two decades of Joyce’s youth. His prominence, Davison shows, made him a familiar name in the Home Rule circles with which Joyce and his father most identified. The book concludes by tracing the influence of Altman’s career on the Dubliners story “Ivy Day in the Committee Room,” as well as throughout the whole of Ulysses. Through Altman’s biography, Davison recovers a forgotten life story that illuminates Irish and Jewish identity and culture in Joyce’s Dublin. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles
Representations of 'the Jew' have long been a topic of interest in Joyce studies. Neil Davison argues that Joyce's lifelong encounter with pseudo-scientific, religious and political discourse about 'the Jew' forms a unifying component of his career. Davison offers new biographical material, and presents a detailed reading of Ulysses showing how Joyce draws on Christian folklore, Dreyfus Affair propaganda, Sinn Fein politics, and theories of Jewish sexual perversion and financial conspiracy. Throughout, Joyce confronts the controversy of 'race', the psychology of internalised stereotype, and the contradictions of fin-de-siècle anti-Semitism.
Progress in Pathology reviews many aspects of pathology, describing issues of everyday diagnostic relevance and the mechanisms underlying some of these processes. Each volume in the series reviews a wide range of topics and recent advances in pathology of relevance to daily practice, keeping consultants, trainees, laboratory staff and researchers abreast of developments as well as providing candidates for the MRCPath and other examinations with answers to some of the questions they will encounter. Highly illustrated in full colour, topics covered in this volume include: Immunohistochemistry as a diagnostic aid in gynaecological pathology, Drug induced liver injury, Childhood lymphoma, Immune responses to tumours, Post-mortem imaging, Understanding the Human Tissue Act 2004 and much more. Volume 7 of Progress in Pathology will be an essential addition to the shelves and laboratory benches of every practising pathologist.
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