From authors used to operating between the commercial, public and independent sectors of the mixed cultural economy, Understanding Creative Business bridges the gap between creative practice and mainstream business organisation, entrepreneurship and management. Using stories, case studies and exercises it discusses the positioning of creative practice within professional and business development, cultural policy-making and the wider cultural economy, and suggests what the broader field of business and management studies can learn from the informal structure and working practices of creative industries networks. Consideration is given to how ethical and moral value orientations animate creative practice and how they play into the wider debate about social responsibilities within business and public policy. The authors also explore the way creative business practices often coalesce around emergent and self-organized networks and how this signals alternative approaches to management, entrepreneurship, business organisation and collaboration. Above all else this book is about relationships; the practical examples expose the ways creative business can professionalise research, develop and sustain routes to growth through 'open' collaborative innovation and the lessons this holds for more general business innovation and policy engagements with the public domain. Written in accessible language, this book will be useful to researchers, students, educators and practitioners within the creative industries; to those working within cultural policy, arts and cultural management; and to all with an interest in management and leadership.
Where is Creativity? A Multi-disciplinary Approach goes beyond the orthodox image of creativity as laying inside the brain-mind, to explore how and why it also emerges from relationships between people, from physical spaces such as workplaces and cities, as a result of new media technology and the Web, and due to the effects of broad contexts of the economy and industry. It explores contemporary psychological, sociological, anthropological, economic and philosophical debates concerning creativity in an accessible way, which non-specialist and creative practitioners can appreciate, culminating in a picture of the anatomy of creativity which seeks to provide a concrete guide to the 'doing' of creativity to complement a deeper understanding of its nature and origins. The book will be useful for teaching staff and students; businesses and practitioners; and professionals and policy-makers working within a wide range of creative and innovation-based industries.
Concern about the over-use of irreplaceable resources increases as the global population increases. A global divide between and within societies results in many communities living in extreme poverty. These communities are consequently forced to create many wares from waste materials, broken, and abandoned objects. Where survival needs predominate, basic objects are being produced from the waste of others. The need to create items from waste is setting an unexpected and ingenious example to more prosperous societies and one can see the emergence of a global community of designers and other enthusiastic advocates who point to the significance of such vernacular innovation. The development and increasing visibility of a generation of designers that is embracing the need to upcycle is addressed here. The aim is to demonstrate how ingenuity, circumstance, and the guiding hand of design can work together to change perceptions of the value of both materials and making practices.
Where is Creativity? A Multi-disciplinary Approach goes beyond the orthodox image of creativity as laying inside the brain-mind, to explore how and why it also emerges from relationships between people, from physical spaces such as workplaces and cities, as a result of new media technology and the Web, and due to the effects of broad contexts of the economy and industry. It explores contemporary psychological, sociological, anthropological, economic and philosophical debates concerning creativity in an accessible way, which non-specialist and creative practitioners can appreciate, culminating in a picture of the anatomy of creativity which seeks to provide a concrete guide to the 'doing' of creativity to complement a deeper understanding of its nature and origins. The book will be useful for teaching staff and students; businesses and practitioners; and professionals and policy-makers working within a wide range of creative and innovation-based industries.
From authors used to operating between the commercial, public and independent sectors of the mixed cultural economy, Understanding Creative Business bridges the gap between creative practice and mainstream business organisation, entrepreneurship and management. Using stories, case studies and exercises it discusses the positioning of creative practice within professional and business development, cultural policy-making and the wider cultural economy, and suggests what the broader field of business and management studies can learn from the informal structure and working practices of creative industries networks. Consideration is given to how ethical and moral value orientations animate creative practice and how they play into the wider debate about social responsibilities within business and public policy. The authors also explore the way creative business practices often coalesce around emergent and self-organized networks and how this signals alternative approaches to management, entrepreneurship, business organisation and collaboration. Above all else this book is about relationships; the practical examples expose the ways creative business can professionalise research, develop and sustain routes to growth through 'open' collaborative innovation and the lessons this holds for more general business innovation and policy engagements with the public domain. Written in accessible language, this book will be useful to researchers, students, educators and practitioners within the creative industries; to those working within cultural policy, arts and cultural management; and to all with an interest in management and leadership.
Concern about the over-use of irreplaceable resources increases as the global population increases. A global divide between and within societies results in many communities living in extreme poverty. These communities are consequently forced to create many wares from waste materials, broken, and abandoned objects. Where survival needs predominate, basic objects are being produced from the waste of others. The need to create items from waste is setting an unexpected and ingenious example to more prosperous societies and one can see the emergence of a global community of designers and other enthusiastic advocates who point to the significance of such vernacular innovation. The development and increasing visibility of a generation of designers that is embracing the need to upcycle is addressed here. The aim is to demonstrate how ingenuity, circumstance, and the guiding hand of design can work together to change perceptions of the value of both materials and making practices.
In Plain Sighthighlights a selection of natural wonders and outdoor adventures located in southern Alberta. The places featured in this book have been chosen for their utter uniqueness, beauty and splendour. Some are easy to get to and easy to get around in; others require a bit more time and energy. Overall, you will be stimulated, enlightened, delighted, amazed, uplifted and broadened by the experience. These are truly awesome places, in the very real denotation of that adjective. All are in plain sight, though they are little visited by locals or tourists. The book contains chapters on Waterton Lakes National Park, Writing-on-Stone Provincial Park, Cypress Hills Interprovincial Park, Dinosaur Provincial Park, the Whaleback and a number of other special places. The narrative covers the geological record and the natural and human history of the places in order to explain how each locale is unique and worthy of further investigation.
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