What is the church really for? Some people are members of the church because it’s part of their family tradition or their culture or their identity. Others have left the church because that’s all it is in fact. Is it the best way to salvation or a way of coming closer to God? In any case, the church is not just for us or the benefits we get out of it. Very few of us would say that this is what the church is really for. There is surely something more here, something more generous, life-giving, outgoing, and gracious than what we personally get out of it. This book is about the church’s outreach beyond itself—its purpose beyond any benefits for those already its members. This book is not about a church looking inwards and worrying about itself, but about a church looking outwards. The local Christian community that we belong to is part of that much bigger, much more exhilarating project of the evolving realm of God.
This book deals with the principles for planning and performance that encourage active participation in Sunday Eucharists in the Catholic tradition It attempts to identify and propose solutions to the issues that liturgical ministers and planners face on a weekly basis in producing a Sunday liturgy that maximizes active participation.
A queer, deconstructed version of the “Beauty and the Beast” fairy tale Trans sailor Darragh Thorn has made a comfortable life for himself among people who love and accept him. Ten years after his exile from home, though, his sister asks him to reconcile with their ailing father. Determined to resolve his feelings rather than just survive them, Darragh sets off on a quest to find the one person who can heal a half-dead man: the mysterious enchanter who once gave him the magic he needed to become his true self. But so far as anyone knows, no one but Darragh has seen the enchanter for a century, and the fairy tales that survive about em give more cause for fear than hope. In lush and evocative prose, and populated with magical trees and a wise fox, The Story of the Hundred Promises is a big-hearted fantasy suffused with queer optimism.
Menace both real and imagined haunt two Dubliners in this “unsettling . . . seductive” modern Gothic “that ultimately leaves one gasping” (Irish Times). “Vampires, secrets, the mysteries of identity: the obsessions that run through the director Neil Jordan’s films are at the center of his beautifully enigmatic novel . . . of two look-alike men who feed off each other’s souls all their crisscrossed lives” (The New York Times). Kevin Thunder and Gerald Spain have grown up on opposite sides of the Dublin economic divide. Kevin’s father is a bookie and his mother takes in lodgers on the city’s impoverished northside. Gerald, a lawyer’s son, is afforded a more well-heeled upbringing. Yet they share a growing awareness of each other through episodes of mistaken identity. At first, innocent enough—one approached by the other’s confused girlfriend, or being called out to in the street. But Kevin is unnerved by more than a doppelganger. He lives next door to the one-time home of Bram Stoker. And the shadows of the author’s evil creation, as well as those cast by a lookalike stranger, stretch far across his early years. It’s only when a tragic death sends both young men down a darker path, that Kevin and Gerald are destined to meet. A “beautifully enigmatic . . . darkly luminous” (The New York Times Book Review) thriller, Mistaken is also “the best novel I’ve read about Dublin in years” (The Independent).
What is the church really for? Some people are members of the church because it’s part of their family tradition or their culture or their identity. Others have left the church because that’s all it is in fact. Is it the best way to salvation or a way of coming closer to God? In any case, the church is not just for us or the benefits we get out of it. Very few of us would say that this is what the church is really for. There is surely something more here, something more generous, life-giving, outgoing, and gracious than what we personally get out of it. This book is about the church’s outreach beyond itself—its purpose beyond any benefits for those already its members. This book is not about a church looking inwards and worrying about itself, but about a church looking outwards. The local Christian community that we belong to is part of that much bigger, much more exhilarating project of the evolving realm of God.
This book deals with the principles for planning and performance that encourage active participation in Sunday Eucharists in the Catholic tradition It attempts to identify and propose solutions to the issues that liturgical ministers and planners face on a weekly basis in producing a Sunday liturgy that maximizes active participation.
In Waking Up In Dublin, Neil Hegarty takes readers on a personal tour of Dublin's multifaceted music scene, talking to performers and promoters in areas as diverse as modern rock, traditional folk, classical, avant-garde, jazz, cabaret and choral music. Candid and insightful interviews with leading industry figures like Glen Hansard of The Frames, folk musician Cormac Breatnach, cabaret singer Camille O'Sullivan and Horslips legend Barry Devlin are mixed with essential travel information for music fans. Includes: Full-colour maps of the city centre and larger Dublin area 'Top 5' lists, with maps, of live venues for rock, traditional folk, classical, jazz and more 'Essential Dublin Discs,' as provided by the musicians themselves Mini-bios on bands like The Frames, Planxty, and The Crash Ensemble Over fifty black and white photos Whether you're visiting Dublin or a native to the city, Waking Up In Dublin will help you discover countless Irish musical treats – and understand why this city continues to influence music around the world.
Springbok' was a term used to describe the 200,000 white South African men who volunteered to serve during the Second World War. Volunteers developed bonds of comradeship, and rites of passage were expressed in the idiom of 'the front'. Without exception, volunteers nurtured hopes for some form of post-war 'social justice'. Neil Roos provides a fresh approach in considering comradeship and social justice ethnographically, as a way of focusing on ordinary Springboks' expectations and experiences during and after the war. As troops were demobilized, the contradictions of social justice in a colonial society were exposed. The majority of white veterans used the memory of service to stake their claim as white men who had served their country, and to negotiate a better position for themselves within the context of segregated colonial society. However, social justice amongst white veterans did not necessarily assume a racist character. A small group of radical white veterans invoked their war experience and traditions of anti-fascism to challenge the very precepts of racialized South African society. These veterans featured in the struggle against apartheid during the 1950s, and were especially prominent in the shift towards armed resistance to apartheid in 1961. Drawing heavily on the testimony of veterans, the book includes previously unreferenced documentary and visual material on the history of white servicemen, including official responses such as military intelligence reports on the political mood of serving soldiers, as well as material produced by veterans' organisations, such as the Springbok Legion, the War Veterans' Torch Commando and the Memorable Order of Tin Hats (MOTH). Roos offers a new framework for examining the social, cultural and political history of whites (and whiteness) in South Africa. The book will appeal to those interested in the elaboration of apartheid society and the types of acceptance and resistance that it engendered, and will also co
The true story behind the BBC documentary Confessions of a Teenage Fraudster 'The crime of fraud, when conducted well, is a fascinating pursuit. It’s a test of intellect, determination and stamina. It is a floating mess of fact and fiction that you have to carry in your mind for twenty-four hours a day. It can be used to realize dreams, to slip on any mask required.’ Elliot Castro was just a teenager when he began to use his formidable intelligence and charm to swindle millions from the credit card system. No outside individual has ever pulled off this scale of fraudulent activity. But the money wasn’t funding an addiction or other criminal enterprises; Elliot was simply a working-class kid with no qualifications who wanted to see the world. From London to New York, Ibiza to Beverly Hills, Castro lived a fantasy life. He stayed in famous hotels, travelled first class and blew a small fortune on designer clothes and champagne. Time after time, Elliot managed to wriggle free of the authorities while his life spiralled out of control. As he juggled aliases, and lied to family and friends, he began to lose his grip on reality. Meanwhile, a detective from Heathrow Police Station was patiently tracking him down. It would soon turn into an international manhunt. In Other People’s Money, Neil Forsyth chronicles Elliot’s extraordinary journey. A gripping tale of charm and deceit, filled with humour and heart-stopping suspense, this true story offers a fascinating insight into the mind of Britain’s most audacious, and friendliest, credit card fraudster.
Neil Messer brings together a range of theoretical and practical questions raised by current research on the human brain: questions about both the 'ethics of neuroscience' and the 'neuroscience of ethics'. While some of these are familiar to theologians, others have been more or less ignored hitherto, and the field of neuroethics as a whole has received little theological attention. Drawing on both theological ethics and the science-and-theology field, Messer discusses cognitive-scientific and neuroscientific studies of religion, arguing that they do not give grounds to dismiss theological perspectives on the human self. He examines a representative range of topics across the whole field of neuroethics, including consciousness, the self and the value of human life; the neuroscience of morality; determinism, freewill and moral responsibility; and the ethics of cognitive enhancement.
I had been mistaken for him so many times that when I heard he had died it was as if part of myself had died too.' Kevin Thunder grew up with a double - a boy so uncannily like him that they were mistaken for each other at every turn. As children in 1960s Dublin , one lived next to Bram Stoker's house, haunted by an imagined Dracula, the other in the more refined spaces of Palmerston Park. Though divided, like the city itself, by background and class, they shared the same smell, the same looks, and perhaps, as he comes to realize, the same soul. They exchange identities when it suits them, as their lives take them to England and America, and find that taking on another's personality can lead to darker places than either had imagined. Neil Jordan's long-awaited new novel is an extraordinary achievement - a comedy of manners at the same time as a Gothic tragedy, a thriller and an elegy. It offers imaginative entertainment of the highest order.
This new study of the major prose and plays of Oscar Wilde argues that his dominant aesthetic category is not art but style. It is this major emphasis on style and attitude which helps mark Wilde so graphically as our contemporary. Beginning with a survey of current Wilde criticism, the book demonstrates the way his own critical essays anticipate much contemporary cultural theory and inform his own practice as a writer.
Conflict: How Soldiers Make Impossible Decisions is about making hard choices--where all outcomes are potentially negative. The authors draw on interviews conducted with soldiers about the situations they faced and the decisions they made at war. These are vivid and sometimes distressing stories. They form the data from which the authors explore the cognitive processes associated with choice, commitment to action and (sometimes) error, as well as goal directed thinking, innovation and courage. By referring to real cases, Conflict invites readers to consider their own responses under extreme circumstances and ask themselves how they would choose between difficult options. In doing so this book will go some way to helping readers understand what it feels like when choosing between least-worst decisions.
It looked like any other carnival, but of course it wasn't... It had its own little backstreets, its alleyways of hanging bulbs and ghost trains and Punch and Judy stands ... And at the end of one he saw the Hall of Mirrors. There were looping strings of carnival lights leading towards it, and a large sign in mirrored glass reading 'Burleigh's Amazing Hall of Mirrors' and the sign reflected the lights in all sorts of magically distorted ways. To Andy and his parents, it looks like any other carnival: creaking ghost train, rusty rollercoaster and circus performers. But of course it isn't. Drawn to the hall of mirrors, Andy enters and is hypnotised by the many selves staring back at him. Sometime later, one of those selves walks out rejoins his parents – leaving Andy trapped inside the glass, snatched from the tensions of his suburban home and transported to a world where the laws of gravity are meaningless and time performs acrobatic tricks. And now an identical stranger inhabits Andy's life, unsettling his mother with a curious blankness, as mysterious events start unfolding in their Irish coastal town...
Ireland's love affair with Gaelic Games in general, and Gaelic football in particular, has never dimmed. Through the lean days of hunger and emigration, through the champagne-mojito-flavoured years of the Celtic Tiger and on after it slunk away with its tale between its legs, Ireland's love affair for 'our games' has endured.Fact-packed but light-hearted in style, this reliable reference book and a quirky guide reveals little-known facts and Gaelic football along with details of classic matches, statistical records, famous players, amusing anecdotes, and the general history of the game. This can be dipped into time and time again to reveal something new about this ancient game.
Close Quarters is the inspirational, against the odds story of Wycombe Wanderers, the poorest club in League One, and how it shapes into a side that sustains a nine-month challenge for promotion before the global pandemic stops the team in its tracks. When the season restarts, Wycombe finds itself in the play-offs behind closed doors, an unprecedented opportunity through unprecedented turmoil. Led by the longest-serving boss in professional football, the charismatic Gareth Ainsworth, this becomes an astonishing campaign, witnessed up close by award-winning sportswriter Neil Harman thanks to his special access. Harman gets to the heart of the team, joins them in the dressing room, on the coach, in the medical room and in team meetings to chart this unparalleled challenge. He gets the inside story of Ainsworth's rise from a working-class upbringing on the back streets of Blackburn, through a rumbustious playing career, to a one-club manager moulding Wycombe while dealing with an American takeover that could make the difference between the club's life and death. Close Quarters is a book that resonates, not just with Wycombe supporters, but fans of underdog clubs everywhere.
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