The scene is the boarding house room of a boy who wants to get away from Mom. But nobody leaves him alone, including Mom. A vagrant wanders in and charges 25 cents to leave. And he keeps coming back. Calling the police does no good; they want this vagrant even less than he does. There is a maniac for a superintendent, and a boarder who is in and out of everybody's room all night trying to catch up with his nymphomaniac wife. A homosexual bandit picks the wrong day, and ends up cornered by the nymphomaniac. But the real test is the nut from the loony bin who is a complete schizoid. In one person he plays the parts of two brothers, and has conversations with himself. The characterizations are comically etched and the action is a succession of surprises and misadventures."--Publisher's description.
From the creator of Luther: Told with absolute veracity and unsparing candor, Heartland is the memoir of an isolated little boy and the brutish stepfather he couldn’t help but love When Neil Cross was born, his mother suffered from severe postpartum depression and later admitted to trying to kill herself and her baby son. Then, when he was five, she “went out and didn’t come back,” leaving behind her children and their heartbroken father. Two years later she returns and gains custody of Neil, taking him to live with her new partner, Derek Cross, who showers him with attention and love in a way that Neil has never known. Derek teaches him about music and books; he is patient but firm, and more reliable than Neil’s mother. But as Neil grows older he realizes his stepfather is more complicated than he seems. For all his love, Derek is a manipulator, an adulterer, a racist, and a con man. And he is the father whom Neil now loves. With devastating honesty, Neil Cross explores the circumstances of this love—one of pleasant rewards but consequences too dire to predict.
A provocative, unprecedented anthology featuring original short stories on what it means to be an American from thirty bestselling and award-winning authors with an introduction by Pulitzer Prize–winning author Viet Thanh Nguyen: “This chorus of brilliant voices articulating the shape and texture of contemporary America makes for necessary reading” (Lauren Groff, author of Fates and Furies). When Donald Trump claimed victory in the November 2016 election, the US literary and art world erupted in indignation. Many of America’s preeminent writers and artists are stridently opposed to the administration’s agenda and executive orders—and they’re not about to go gentle into that good night. In this “masterful literary achievement” (Kurt Eichenwald, author of Conspiracy of Fools), more than thirty of the most acclaimed writers at work today consider the fundamental ideals of a free, just, and compassionate democracy through fiction in an anthology that “promises to be both a powerful tool in the fight to uphold our values and a tribute to the remarkable voices behind it” (Anthony D. Romero, executive director of the ACLU). With an introduction by Pulitzer Prize-winning author, Viet Thanh Nguyen, and edited by bestselling author Jonathan Santlofer, this powerful anthology includes original, striking art from fourteen of the country’s most celebrated artists, cartoonists, and graphic novelists, including Art Spiegelman, Roz Chast, Marilyn Minter, and Eric Fischl. Transcendent, urgent, and ultimately hopeful, It Occurs to Me That I Am America takes back the narrative of what it means to be an American in the 21st century.
Grace, Predestination, and the Permission of Sin seeks to analyze a revisionist movement within Thomism in the 20th century over and against the traditional or classical Thomistic commentatorial treatment of physical premotion, grace, and the permission of sin, especially as these relate to the mysteries of predestination and reprobation. The over-arching critique leveled by the revisionists against the classic treatment is that Bañezian scholasticism had disregarded the dissymmetry between the line of good (God's causation of salutary acts) and the line of evil (God's permission of defect and sin). The teaching of St. Thomas is explored via intimate consideration of his texts. The thought of St. Thomas is then compared with the work of Domingo Bañez and the foremost 'Bañezian' of the 20th century, Reginald Garrigou-Lagrange. The work then shifts to a consideration of the major players of the revisionist treatment, including Francisco Marín-Sola, Jacques Maritain, and Bernard Lonergan. Jean-Herve Nicolas is also taken up as one who had held both accounts during his lifetime. The work analyzes and critiques the revisionist theories according to the fundamental tenets of the classical account. Upon final analysis, it seeks to show that the classical account sufficiently distances God's causal role in regard to free salutary acts and His non-causal role in regard to free sinful acts. Moreover, the revisionist account presents significant metaphysical problems and challenges major tenets of classical theism, such as the divine omnipotence, simplicity, and the exhaustive nature of divine providence. Finally, the implications of the traditional view are considered in light of the spiritual life. It is argued that the classical account is the only one which provides an adequate theological foundation for the Church's robust mystical and spiritual tradition, and in particular, the abandonment to divine providence.
Shortlisted for the Saltire Society History Book of the Year The legendary Scottish king Máel Coluim III, also known as 'Malcolm Canmore', is often held to epitomise Scotland's 'ancient Gaelic kings'. But Máel Coluim and his dynasty were in fact newcomers, and their legitimacy and status were far from secure at the beginning of his rule. Máel Coluim's long reign from 1058 until 1093 coincided with the Norman Conquest of England, a revolutionary event that presented great opportunities and terrible dangers. Although his interventions in post-Conquest England eventually cost him his life, the book argues that they were crucial to his success as both king and dynasty-builder, creating internal stability and facilitating the takeover of Strathclyde and Lothian. As a result, Máel Coluim left to his successors a territory that stretched far to the south of the kingship's heartland north of the Forth, similar to the Scotland we know today. The book explores the wider political and cultural world in which Máel Coluim lived, guiding the reader through the pitfalls and possibilities offered by the sources that mediate access to that world. Our reliance on so few texts means that the eleventh century poses problems that historians of later eras can avoid. Nevertheless Scotland in Máel Coluim's time generated unprecedented levels of attention abroad and more vernacular literary output than at any time prior to the Stewart era.
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