Using drama right across the curriculum to improve and invigorate teaching and learning, this book provides whole school and individual class approaches underpinned by sound theory and implemented in a real primary school. Explanations and examples are given in a clear and accessible style, and links are made to The National Strategy. The book illustrates a wide range of strategies that show how drama can help with: behavior inclusion and multicultural issues improving the whole school ethos involving parents and governors. This user-friendly and comprehensive text is the perfect support tool for teachers and managers ready to improve their school regardless of whether they're approaching drama for the first time or are already passionate about it.
This guide explores the roles, skills and knowledge needed to become an effective drama teacher. It combines practical advice on planning, teaching and assessing with the best teaching practices. It also offers lesson plans for years 7-9 students to use intheir teaching.
A book for teachers that is designed to demonstrate the importance of drama as a teaching method and ways of using it to implement the National Curriculum within English. The final chapters discuss drama as a curriculum framework and suggests ways to manage and plan drama in Key Stages 2/3. Other books by this author include Making Sense of Drama and Structuring Drama World.
Structuring Drama Work is the only drama resource that explores 100 dramatic conventions and techniques and provides ideas for how to practise them. This book explains dramatic conventions and what they do, explores how dramatic techniques can be used, provides cultural connections and global contexts and includes examples of the techniques in the context of plays and texts. The compact size and simple format make this book convenient and easy to use. Suitable for IGCSE® students up to A Level, IB Diploma and beyond, this resource will give inspiration and ideas to students and save teachers valuable planning time by providing numerous examples in a global context.
Includes essays by Gavin Bolton, Chris Lawrence and Dorothy Heathcote which were presented at a joint conference entitled Education or Catastrophe, April 1992, and an essay by Jonothan Neelands presented at the National Drama Conference, Sept. 1992.
Using drama right across the curriculum to improve and invigorate teaching and learning, this book provides whole school and individual class approaches underpinned by sound theory and implemented in a real primary school. Explanations and examples are given in a clear and accessible style, and links are made to The National Strategy. The book illustrates a wide range of strategies that show how drama can help with: behavior inclusion and multicultural issues improving the whole school ethos involving parents and governors. This user-friendly and comprehensive text is the perfect support tool for teachers and managers ready to improve their school regardless of whether they're approaching drama for the first time or are already passionate about it.
A collection of literature anthologies and reference books for Key Stage 3 onwards. A practical handbook for drama teachers and lecturers, youth leaders, theatre workers and anyone engaged in drama activity with people of all ages.
A study explored the effect of drama on the writing development of adolescents in four Toronto (Canada) schools over a 6-month period using a naturalistic observation methodology. The range of schools and student groupings included: a grade 10 drama class in a collegiate institute; a grade 12/O.A.C. drama class in a technical-commercial school; and two grade 8 classes. Teachers were encouraged to plan opportunities for student writing as an intrinsic element in the students' drama work, and to focus on writing assignments and topics integral to the development of a drama theme. Data included teacher and student journals; video and audio recordings of classroom work; and video and audio recordings of post-work interviews including students and teachers. Results indicated that: (1) there was a small but significant increase in students' already fairly positive writing attitudes; (2) students at all levels of ability responded positively to the relationship between drama and writing; (3) a majority of students agreed that integrated writing and drama were mutually reinforcing; (4) the drama and writing activities provided many students with enhanced empathy and understanding for a broad range of people; and (5) student writing tended to concentrate on personal and reflective writing. Findings suggest a very high degree of articulateness and awareness of the processes of learning and teaching among the teachers and students involved. Two tables of data are included. (Contains 74 references.) (RS).
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