A brilliant first novel . . . shockingly good." —Rose Tremain, Daily Telegraph Ritwik Ghosh, twenty-two and recently orphaned, finds the chance to start a new life when he arrives in England from Calcutta. But Oxford holds little of the salvation Ritwik is looking for. Instead, he moves to London, where he drops out of official existence into a shadowy hinterland of illegal immigrants. The story that Ritwik writes to stave off his loneliness begins to find ghostly echoes in his own life. And, as present and past of several lives collide, Ritwik’s own goes into free fall.
‘Ma, I feel exhausted with consuming, with taking and grabbing and using. I am so bloated that I feel I cannot breathe any more. I am leaving to find some air, some place where I shall be able to purge myself, push back against the life given me and make my own. I feel I live in a borrowed house. It’s time to find my own . . . Forgive me . . .’ Calcutta, 1967. Unnoticed by his family, Supratik has become dangerously involved in student unrest, agitation, extremist political activism. Compelled by an idealistic desire to change his life and the world around him, all he leaves behind before disappearing is this note . . . The ageing patriarch and matriarch of his family, the Ghoshes, preside over their large household, unaware that beneath the barely ruffled surface of their lives the sands are shifting. More than poisonous rivalries among sisters-in-law, destructive secrets, and the implosion of the family business, this is a family unraveling as the society around it fractures. For this is a moment of turbulence, of inevitable and unstoppable change: the chasm between the generations, and between those who have and those who have not, has never been wider. Ambitious, rich and compassionate, The Lives of Others unfolds a family history, and anatomizes a social class in all its contradictions. It asks: can we escape what is in our blood? How do we imagine our place amongst others in the world? Can that be reimagined? And at what cost? This is a novel of rare power and emotional force.
Lohia & Co—one of India’s largest commodity traders, the country’s biggest jute supplier, owner of tea estates, as well as cement, steel, shipping and motor cycle firms, and its own insurance arm—is in trouble. Now a strike, led by ageing Marxist trade union leader Hirenmoy Chakroborty, is destabilizing its Calcutta headquarters—and Aruna the bitter, power-hungry sister of Hari Lohia, the head of the dynasty, is using the opportunity to launch a covert takeover of the business with the help of her two ambitious sons. But Hari Lohia, who single-handedly built up Lohia & Co from a tiny jute trader in the crowded alleys of Barabazar to a sprawling global conglomerate, is not willing to let go of his empire so easily. He comes from a family of survivors, ancestors who moved across the country from Rajasthan with nothing and built their fortunes from scratch. And he discovers unlikely allies in this last great battle he has to fight—Anjali, his tough, cynical sister, a fiery opponent of Aruna’s; and Shivani, his beautiful, rebellious daughter who has always been too busy having love affairs to pay attention to her father’s business. Who will lose? Who will win? And most importantly—will the house of Lohia fall like a pack of cards? Moving from the crumbling offices of Calcutta to hedge funds in Hong Kong, from the Mumbai stock market to nineteenth century Rajasthan, and boasting an enormous cast of characters, The Inheritors is quite simply sensational.
A Life Apart tells two stories. Ritwik, twenty-two and orphaned, escapes from a devastating childhood of abuse in Calcutta to what he considers to be a new world, full of possibilities, in England, where he has a chance to start all over again. But his past, especially the all-consuming relationship with his mother, is a minefield: will Ritwik find the salvation he is looking for? Set in India, England and in Raj Bengal, this award-winning first novel is about dislocation and alienation, outsiders and losers, the tenuous and unconscious intersections of lives and histories, and the consolations of storytelling. Unsentimental yet full of compassion, and written with unrelenting honesty, this scalding debut marks a new turning point in writing from India.
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