Congressman Jim Ryun has provided a wealth of stories of quiet historical heroes who have, for the most part, been ignored by popular culture and nearly lost in the mist of the past. This book is not about popular heroes or cultural icons such as George Washington or Abraham Lincoln. These heroes were common people who stood firm in the face of tyranny, to give their lives for others, and to right the wrongs of social injustice. Their stories will inspire you to rise up to slay the dragons of your world.
This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdes, Arsenio Rodriguez, Benny More, and Perez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making the case that Cuba was fundamental to the evolution of music in the New World. The ways in which the music of black slaves transformed 16th-century Europe, how the "claves" appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues are revealed. Music lovers will follow this journey from Andalucia, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santeria, Palo, Abakua, and Vodu; and much more.
Bloody and fiery spectacles in American public life, from the 1960s to the present, have given us moments of catastrophe that easily answer to the question of where-were-you-when, events that shape our ways of seeing the Cold War and after. Three such iconic catastrophes are the John F. Kennedy assassination, the response by Ronald Reagan to the Challenger disaster, and 9/11. Why are these spectacles so packed with meaning? They are images of destruction, raising the questions for us of where their power comes from, what sort of history might they construct, what sort of world do they destroy. O Gorman approaches each one as an icon of iconoclasm, as an exemplar of fiery demise that gives us a distinct way to imagine social existence in American life. Here is his argument: in the 50 years since the Kennedy assassination, a period that witnessed the rise of neoliberalism, the most powerful way for publics to see America was in the destruction of its representative symbols, or icons, because in such catastrophes we grasp the impossibility of any image adequate to representing America. If neoliberalism the emergence of free market economics in social philosophy and public policy is linked with iconoclasm, that is, if neoliberalism promotes and benefits from the destruction of icons, we are led to reconsider events that seem to rupture a given world (catastrophes), or are beyond representation (the economy). Market ideology moves to a transcendent realm of invisible principles that can escape accountability and command sacrifice. The core arguments are challenging (indeed, iconoclastic), but this book will put a whole new kind of spotlight on neoliberalism and on the status of the image (and visual representation) in American political culture. The results are stunning: richly interwoven philosophical, theological, and rhetorical traditions turn out to be a basis for a complex and innovative approach to Cold War America, political theory, and visual culture studies.
This landmark publication reevaluates historical Native American art as a crucial but under-examined component of American art history. The Charles and Valerie Diker Collection, a transformative promised gift to The Metropolitan Museum of Art, includes masterworks from more than fifty cultures across North America. The works highlighted in this volume span centuries, from before contact with European settlers to the early twentieth century. In this beautifully illustrated volume, featuring all new photography, the innovative visions of known and unknown makers are presented in a wide variety of forms, from painting, sculpture, and drawing to regalia, ceramics, and baskets. The book provides key insights into the art, culture, and daily life of culturally distinct Indigenous peoples along with critical and popular perceptions over time, revealing that to engage Native art is to reconsider the very meaning of America. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Hank Chesham spent five years in a New Mexico prison, convicted of a crime he didn't commit. When he was finally released, he only wanted to return home to his ranch, the Rimrock, and resume his old life. But then he discovered that he had been betrayed by both his wife, Phoebe, and his best friend, Ted Flynn, who had conspired to steal the Rimrock from him. Now Chesham has but one thing on his mind: vengeance. Before he can take action, however, Flynn unleashes some of his hired killers and nearly succeeds in murdering the Rimrock's real owner. Chesham barely survives after he is secretly nursed back to health by his former wife's sister, Mandy. They decide to make a future together. Back in fighting shape, Chesham takes the fight to Ted Flynn, and he will stop at nothing until he brings his enemies to their knees and reclaims what is rightfully his.
What would Beings from a Type III civilization, able to use the energy of the entire galaxy, do if they decided that humankind was a threat to an arm of that galaxy? Since they had a probation against the destruction of any other species they would do what they did. Limit human kind to remove the threat, by creating a bottleneck event over several hundred earth years. Targeting reproduction, cognitive ability, and creating a fear of speed. But even the most advanced can make mistakes, and over those few hundred earth years they left a collection of residuals from their time trips. It caused a minute rip in the fabric of time. Police Lieutenant Bill Timlin, responded to a shooting investigation and drove into that time rip that moved him over 1,000 years into his future. Into a medieval world of limited humans where he had to survive.
A sweeping and overdue retelling of U.S. history that recognizes that Native Americans are essential to understanding the evolution of modern America The most enduring feature of U.S. history is the presence of Native Americans, yet most histories focus on Europeans and their descendants. This long practice of ignoring Indigenous history is changing, however, with a new generation of scholars insists that any full American history address the struggle, survival, and resurgence of American Indian nations. Indigenous history is essential to understanding the evolution of modern America. Ned Blackhawk interweaves five centuries of Native and non‑Native histories, from Spanish colonial exploration to the rise of Native American self-determination in the late twentieth century. In this transformative synthesis he shows that * European colonization in the 1600s was never a predetermined success; * Native nations helped shape England's crisis of empire; * the first shots of the American Revolution were prompted by Indian affairs in the interior; * California Indians targeted by federally funded militias were among the first casualties of the Civil War; * the Union victory forever recalibrated Native communities across the West; * twentieth-century reservation activists refashioned American law and policy. Blackhawk's retelling of U.S. history acknowledges the enduring power, agency, and survival of Indigenous peoples, yielding a truer account of the United States and revealing anew the varied meanings of America.
Philosophy and social science assume that reason and cause are objective and universally applicable concepts. Through close readings of ancient and modern philosophy, history and literature, Richard Ned Lebow demonstrates that these concepts are actually specific to time and place. He traces their parallel evolution by focusing on classical Athens, the Enlightenment through Victorian England, and the early twentieth century. This important book shows how and why understandings of reason and cause have developed and evolved, in response to what kind of stimuli, and what this says about the relationship between social science and the social world in which it is conducted. Lebow argues that authors reflecting on their own social context use specific constructions of these categories as central arguments about the human condition. This highly original study will make an immediate impact across a number of fields with its rigorous research and the development of an innovative historicised epistemology.
Ned Buntline was the pseudonym of the American publisher, journalist, and writer, Edward Zane Carroll Judson Sr., who was an instigator of the Astor Place Riot, the nativist riot in St. Louis, and vocal member of the Know Nothing Party. Published in 1847, during the midst of the U.S.-Mexican war, as one critic argued, the author used "the conventions of romance to turn the invasion of Mexico into a chivalric U.S. rescue mission." This novel highlights the politics and growth of nineteenth-century American imperialism and anti-immigration sentiment.
THE TOP 10 SUNDAY TIMES BESTSELLER Shortlisted for the André Simon Food and Drink Book Awards for 2019 'A beautifully textured tour around the cheeseboard' Simon Garfield 'Full of flavour' Sunday Times 'A delightful and informative romp' Bee Wilson, Guardian 'His encounters with modern-day practitioners fizz with infectious delight' John Walsh, Sunday Times Every cheese tells a story. Whether it's a fresh young goat's cheese or a big, beefy eighteen-month-old Cheddar, each variety holds the history of the people who first made it, from the builders of Stonehenge to medieval monks, from the Stilton-makers of the eighteenth-century to the factory cheesemakers of the Second World War. Cheesemonger Ned Palmer takes us on a delicious journey across Britain and Ireland and through time to uncover the histories of beloved old favourites like Cheddar and Wensleydale and fresh innovations like the Irish Cashel Blue or the rambunctious Renegade Monk. Along the way we learn the craft and culture of cheesemaking from the eccentric and engaging characters who have revived and reinvented farmhouse and artisan traditions. And we get to know the major cheese styles - the blues, washed rinds, semi-softs and, unique to the British Isles, the territorials - and discover how best to enjoy them, on a cheeseboard with a glass of Riesling, or as a Welsh rarebit alongside a pint of Pale Ale. This is a cheesemonger's odyssey, a celebration of history, innovation and taste - and the book all cheese and history lovers will want to devour this Christmas.
Against the background of a distinctive Lowland society transformed by commercializing and Anglicizing influences in the years after Scotland's union with England, the author traces the establishment of the East Jersey colony in 1683 and its spread westward to incorporate the whole of the New York to Philadelphia corridor. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Both of these short novels take place in the sun-baked, rattle-naked American Southwest of the 1870s. A small town called Paco serves as their common setting; and both stories are told in the first person by a Paco townsman, Sam McCallum. A number of the town's characters appear in both tales, and the struggle to achieve some viable sense of community justice underlies the action of each. The first novel deals with a capital crime and its effects on the people of Paco. The second tells of a peace officer whose rough but efficient ways incur the hatred of the town he serves. Here, in a milieu usually thought to be dominated by men, each novel features a distinct female character who, in her own way, could teach the angels (if not the men around her) a lesson in love and courage. NED CONQUEST obtained his B.A. from Princeton and was awarded a Rhodes Scholarship for two years' study at Oxford where he received the degrees of B.A. and M.A. in English Language and Literature. He attended Harvard Law School, from which he received the LL.B. degree, and practiced law in New York City for three years before returning to Princeton, where he earned his Ph.D. in English Literature. Later he taught English at Georgetown University, specializing in Victorian fiction. He presently lives in Washington, D.C.
In this ambitious book that ranges across the Great Basin, Blackhawk places Native peoples at the center of a dynamic story as he chronicles two centuries of Indian and imperial history that shaped the American West. This book is a passionate reminder of the high costs that the making of American history occasioned for many indigenous peoples.
Handsome full-color collection of Ned Smith's wildlife art selected and with biographical information by acclaimed nature writer Scott Weidensaul First-ever book on this popular and respected wildlife artist Renowned wildlife artist Ned Smith painted hundreds of covers and illustrations for the Pennsylvania Game News and created the magazine's beloved "Gone for the Day" column. Now for the first time, his wildlife paintings, pen-and-ink drawings, and field sketches are collected and presented in a handsome full-color format; many have never before been published. From big-game mammals and predators to songbirds, raptors, and freshwater fish, the animals depicted by Smith are stunningly lifelike and appear in settings and situations created by someone who knows the outdoors. This collection includes Old Orchard Buck, Deep Wooks Drummer, A Little Bit Cautious, Waiting for Dusk, and much more. The art appears here accompanied by journal entries and sketches, as well as background information that describes how Smith worked and what he tried to accomplish with his art.
In a new edition of this popular guidebook, filmmakers Alan Rosenthal and Ned Eckhardt show readers how to utilize the latest innovations in equipment, technologies, and production techniques for success in the digital, web-based world of documentary film. All twenty-four chapters of the volume have been revised to reflect the latest advances in documentary filmmaking. Rosenthal and Eckhardt discuss the myriad ways in which technological changes have impacted the creation process of documentary films, including how these evolving technologies both complicate and enrich filmmaking today. The book provides crucial insights for the filmmaker from the film’s conception to distribution of the finished film. Topics include creating dynamic proposals, writing narration, and navigating the murky world of contracts. Also included are many practical tips for first-time filmmakers. To provide context and to illustrate techniques, Rosenthal and Eckhardt reference more than one hundred documentaries in detail. A new appendix, “Using the Web and Social Media to Prepare for Your Career,” guides filmmakers through the process of leveraging social media and crowdsourcing for success in filmmaking, fund-raising, and promotion. A day-to-day field manual packed with invaluable lessons, this volume is essential reading for both novice and experienced documentary filmmakers.
A 100 percent true story of two rapscallion teenagers thumbing and traveling the states. Essentially, the story regards hitchhiking and meeting some famous, some infamous characters. Some are looking for trouble. Hijinks and drama mark this developing story.
Paris, 4 July 2003: My first Tour de France. I had never seen a bike race. I had only vaguely heard of Lance Armstrong. I had no idea what I was doing there. Yet, that day I was broadcasting live on television. I fumbled my way through a few platitudes, before summing up with the words, "...Dave Millar just missing out on the Yellow Jumper." Yes, the Yellow Jumper.' Follow Ned Boulting's (occasionally excruciating) experiences covering the world's most famous cycling race. His story offers an insider's view of what really goes on behind the scenes of the Tour. From up-close-and-personal encounters with Lance Armstrong to bewildered mishaps with the local cuisine, Ned's been there, done that and got the crumpled-looking t-shirt. Eight Tours on from Ned's humbling debut, he has grown to respect, mock, adore and crave the race in equal measure. What's more, he has even started to understand it. Includes How Cav Won the Green Jersey: Short Dispatches from the 2011 Tour de France
Could World War I have been averted if Franz Ferdinand and his wife hadn't been murdered by Serbian nationalists in 1914? What if Ronald Reagan had been killed by Hinckley's bullet? Would the Cold War have ended as it did? In Forbidden Fruit, Richard Ned Lebow develops protocols for conducting robust counterfactual thought experiments and uses them to probe the causes and contingency of transformative international developments like World War I and the end of the Cold War. He uses experiments, surveys, and a short story to explore why policymakers, historians, and international relations scholars are so resistant to the contingency and indeterminism inherent in open-ended, nonlinear systems. Most controversially, Lebow argues that the difference between counterfactual and so-called factual arguments is misleading, as both can be evidence-rich and logically persuasive. A must-read for social scientists, Forbidden Fruit also examines the binary between fact and fiction and the use of counterfactuals in fictional works like Philip Roth's The Plot Against America to understand complex causation and its implications for who we are and what we think makes the social world work.
Jeremy Heere is your average high school dork. Day after day, he stares at beautiful Christine, the girl he can never have, and dryly notes the small humiliations that come his way. Until the day he learns about the "squip." A pill-sized supercomputer that you swallow, the squip is guaranteed to bring you whatever you most desire in life. By instructing him on everything from what to wear, to how to talk and walk, the squip transforms Jeremy from Supergeek to superchic.
Ricks gives us an 'Everyman' who takes the reader on an intriguing life's ride full of action and mystery. All the while in the military thanks to a 'join the military or go to jail' choice, on active duty in Vietnam, the States, or Reserve duty while a successful businessman, life-threatening danger follows just in the shadows." Ross A. Rainwater, Lieutenant Colonel, Aviation, US Army (Ret) "Mrs. Blanchard," he started patiently, "I am an officer in the US Army Reserves, and it's actually called Annual Training, not 'summer camp' like the Boy Scouts." "You told me that you were in the 'real Army', weren't you?" "Yes, Mrs. Blanchard, I was. But that was a long time ago." "And were you in the war, the Vietnam War?" "Uh huh. I went to Vietnam, ... twice." She gestured at her own cheek mildly with the tips of her pale trembling fingers "Wasn't that were you got the ... uh, oh my..." her resolve ran out. Frank absently touched his face. He was able to put his fingers right on the line without looking. "The scar?" She nodded, apparently embarrassed now. "No, Mrs. Blanchard, that was after.
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