DIVDIVThe acclaimed author of The Paris Diary, Pulitzer Prize–winning American composer Ned Rorem offers readers a mellow, thoughtful, and candid chronicle of his life, work, and contemporaries/divDIV One of our most revered contemporary musical artists—winner of the Pulitzer Prize and declared “the world’s best composer of art songs” by Time magazine—Ned Rorem writes that he is “a composer who writes, not a writer who composes.” Despite this claim, Rorem’s published diaries, memoirs, essay collections, and other nonfiction works have all received resounding acclaim for their lyricism, bold honesty, and insightful social commentary./divDIV /divDIVHis Nantucket Diary, covering the years 1973 through 1985, reveals a more mature and graceful Ned Rorem, a man who has experienced great loss and serious illness yet has lost none of his acute observational skills and keenly opinionated nature. His wit remains bracing and his candor refreshing as he offers sharp critiques on the state of modern classical music and its creators. His accounts of times shared with luminaries and legends, musical and otherwise (including Leonard Bernstein, Edward Albee, Virgil Thomson, and Stephen Sondheim) are consistently enthralling and delightful. The outspoken hedonist of The Paris Diary may be older and more subdued now, but his incisive observations and unique outlook on life, both personal and creative, remain an unforgettable reading experience./div/div
Bloody and fiery spectacles in American public life, from the 1960s to the present, have given us moments of catastrophe that easily answer to the question of where-were-you-when, events that shape our ways of seeing the Cold War and after. Three such iconic catastrophes are the John F. Kennedy assassination, the response by Ronald Reagan to the Challenger disaster, and 9/11. Why are these spectacles so packed with meaning? They are images of destruction, raising the questions for us of where their power comes from, what sort of history might they construct, what sort of world do they destroy. O Gorman approaches each one as an icon of iconoclasm, as an exemplar of fiery demise that gives us a distinct way to imagine social existence in American life. Here is his argument: in the 50 years since the Kennedy assassination, a period that witnessed the rise of neoliberalism, the most powerful way for publics to see America was in the destruction of its representative symbols, or icons, because in such catastrophes we grasp the impossibility of any image adequate to representing America. If neoliberalism the emergence of free market economics in social philosophy and public policy is linked with iconoclasm, that is, if neoliberalism promotes and benefits from the destruction of icons, we are led to reconsider events that seem to rupture a given world (catastrophes), or are beyond representation (the economy). Market ideology moves to a transcendent realm of invisible principles that can escape accountability and command sacrifice. The core arguments are challenging (indeed, iconoclastic), but this book will put a whole new kind of spotlight on neoliberalism and on the status of the image (and visual representation) in American political culture. The results are stunning: richly interwoven philosophical, theological, and rhetorical traditions turn out to be a basis for a complex and innovative approach to Cold War America, political theory, and visual culture studies.
Ned Baldwin, the former chef of Prune, now chef-owner of New York City's Houseman restaurant, and the noted food writer Peter Kaminsky share simple, maverick dishes and techniques that you can transform into a wealth of new recipes
The Vietnam era was a time of turmoil and change in the United States, one of anger and anguish for some; especially among young men facing a call up for military service. Writings about this time have focused mostly on the protest viewpoint. But not everyone who went to Vietnam did so against their will. Many were proud to fight for their country, especially the early war cadre of troops, mostly in the Marine Corps, who were all volunteers. It was what they had joined up and trained for, and they were determined to do their duty wherever it took them. The name of the place did not matter, what mattered was that the Corps told them to go. WE MARINES, is the authors experience in the military from age seventeen to twenty-three. A young man who wanted to be a Marine, and served in peace time, the Cuban Crisis, and Vietnam. He didn’t mind going into combat with his buddies, and when his overseas rotation was up volunteered a second time to stay with them. WE MARINES, deals with our involvement in Vietnam in 1965-66 offering a personal view of the war and its aftermath too often ignored, until now. It is written especially for his family and those who were there.
A sweeping and overdue retelling of U.S. history that recognizes that Native Americans are essential to understanding the evolution of modern America The most enduring feature of U.S. history is the presence of Native Americans, yet most histories focus on Europeans and their descendants. This long practice of ignoring Indigenous history is changing, however, with a new generation of scholars insists that any full American history address the struggle, survival, and resurgence of American Indian nations. Indigenous history is essential to understanding the evolution of modern America. Ned Blackhawk interweaves five centuries of Native and non‑Native histories, from Spanish colonial exploration to the rise of Native American self-determination in the late twentieth century. In this transformative synthesis he shows that • European colonization in the 1600s was never a predetermined success; • Native nations helped shape England’s crisis of empire; • the first shots of the American Revolution were prompted by Indian affairs in the interior; • California Indians targeted by federally funded militias were among the first casualties of the Civil War; • the Union victory forever recalibrated Native communities across the West; • twentieth-century reservation activists refashioned American law and policy. Blackhawk’s retelling of U.S. history acknowledges the enduring power, agency, and survival of Indigenous peoples, yielding a truer account of the United States and revealing anew the varied meanings of America.
American Book Award Winner 2016 The American Slave Coast offers a provocative vision of US history from earliest colonial times through emancipation that presents even the most familiar events and figures in a revealing new light. Authors Ned and Constance Sublette tell the brutal story of how the slavery industry made the reproductive labor of the people it referred to as "breeding women" essential to the young country's expansion. Captive African Americans in the slave nation were not only laborers, but merchandise and collateral all at once. In a land without silver, gold, or trustworthy paper money, their children and their children's children into perpetuity were used as human savings accounts that functioned as the basis of money and credit in a market premised on the continual expansion of slavery. Slaveowners collected interest in the form of newborns, who had a cash value at birth and whose mothers had no legal right to say no to forced mating. This gripping narrative is driven by the power struggle between the elites of Virginia, the slave-raising "mother of slavery," and South Carolina, the massive importer of Africans—a conflict that was central to American politics from the making of the Constitution through the debacle of the Confederacy. Virginia slaveowners won a major victory when Thomas Jefferson's 1808 prohibition of the African slave trade protected the domestic slave markets for slave-breeding. The interstate slave trade exploded in Mississippi during the presidency of Andrew Jackson, drove the US expansion into Texas, and powered attempts to take over Cuba and other parts of Latin America, until a disaffected South Carolina spearheaded the drive to secession and war, forcing the Virginians to secede or lose their slave-breeding industry. Filled with surprising facts, fascinating incidents, and startling portraits of the people who made, endured, and resisted the slave-breeding industry, The American Slave Coast culminates in the revolutionary Emancipation Proclamation, which at last decommissioned the capitalized womb and armed the African Americans to fight for their freedom.
This is an updated edition of the now-classic original of the same title. It has three new substantial chapters: a prologue, a chapter on new evidence on World War I, and an epilogue. The updated edition contains the now-famous typology of international crisis, the original critique of deterrence, the emphasis on agency, and the turn to political psychology to explain sharp departures from rational policy-making. The new chapters update and reevaluate these arguments and approach a critical hindsight assessment in light of post-Cold War developments.
John Lewis Benson, born in Crawford County, Pennsylvania, was an 8th generation descendant of John Benson, who arrived in America at Plymouth Colony on 11 April 1638 on the ship "Confidence." After being reared in Chautauqua County, New York, John Lewis Benson's father, William, took him to Rock Island County, Illinois, following his daughters who had already made the migration. Shortly after reaching his majority, John Lewis Benson went to "Bleeding Kansas" as part of the wave of Abolitionists who sought to "keep Kansas free," which action reflected the devout Puritan Calvinism of his Benson forebears. He enlisted in the 5th Kansas Volunteer Cavalry two months after the first canon was fired on Fort Sumter, and served until the end of the War of Rebellion, being mustered out on 22 June 1865. He then returned to Kansas where he prospered, married, and fathered 5 children. He lost all his worldly possessions due to drought and the economic collapse following The Panic of 1873, and then moved about Kansas seeking a new start. During this difficult period, his wife died, leaving him a widower with 4 children ages 6 to 11. He soon married a divorcee who brought her 3 children, ages 1 to 3, to the marriage. In his second marriage, John Lewis fathered three more children. After the Unassigned Lands of Oklahoma Territory were opened for settlement in 1899, John Lewis and his blended family moved there and share-cropped 40 acres southeast of Guthrie, Oklahoma, which he eventually bought. He died on this farm on 23 March 1906. This book by one of his great-grandsons tells the story of his life, the lives of his five sisters and one brother, and their ancestry back to 16th century Oxfordshire, England.
Timeless information in an easy-to-use format with a new foreword added. Popular and little-known methods explained. Includes useful weights and measures charts.
Everyone agrees that the best way to murder Aunt Flossie is to put rat poison in her butterbeans, but there is one little problem. She never leaves the butterbeans long enough for someone to poison them without her seeing. You will love to hate Aunt Flossie, the foulmouthed octogenarian whose sole purpose in life, it seems, is to make everyone around her miserable, especially the wicked Mr. Lawrence, a millionaire whose hobbies include smuggling arms to Fidel Castro's Cuban revolutionaries in 1957. In this hilarious comedy/mystery, Aunt Flossie just "takes a notion" to pay an uninvited and unwelcome visit to her nephew Virgil, who lives with Mr. Lawrence at his seaside mansion in Miami, Florida. Aunt Flossie's obnoxious ways-getting drunk, farting, spitting on the carpet, and cursing, just to name a few-finally drive Mr. Lawrence to bribe her with a brand new Cadillac just to make her go away. But is a new car enough to silence Aunt Flossie forever?
What if Aliens invaded and humankind had forgotten how to fight? Delta-Mike is military science fiction. It is book two of the Knife Soldier chronicles following Frank Farrell, a twentieth and twenty first century police officer that is a reluctant time traveler. He is marooned six hundred years in his future by a botched physics experiment up-time. He arrived not only out of his time, but mysteriously forty years younger, and at the same time as an alien invasion of the United Worlds of Earth. The deeply pacifist union of One hundred human worlds around the galaxy in a situation Frank quickly realized they are unready to cope with or expel the invaders. Frank's origin is a guarded secret by the UWE galactic government and he finds himself enlisted n the galactic marines. Now, over two years into the war that has spanned seven worlds so far, Frank is a battalion commander still trying to destroy Delta-Mike any way he can. He now faces some of the most vicious fighting to date in his effort to save humanity.
Probably the most famous tank of the World War II, the Tiger I was originally conceived in 1941 in response to the German Army's experience in fighting British tanks and anti-tank guns in Western Europe and the North African desert. Following the invasion of Russia, the appearance of the Soviet T-34 and KW tanks lent a further impetus to the programme and 1,350 Tigers were produced between August 1942 and August 1944. The Tiger has proved to be one of the most popular modelling subjects of all time, with a vast and ever-increasing range of kits, aftermarket products and references available. This title features six different projects from some of the earliest Tigers in North Africa through to the late-production variants at the very end of the war.
Probably the most famous tank of World War II, the Tiger I was originally conceived in 1941 in response to the German Army's experience in fighting British tanks and anti-tank guns in Western Europe and the North African desert. Following the invasion of Russia, the appearance of the Soviet T-34 and KW tanks lent a further impetus to the programme and 1,350 Tigers were produced between August 1942 and August 1944. The Tiger has proved to be one of the most popular modelling subjects of all time, with a vast and ever-increasing range of kits, aftermarket products and references available. This title is a detailed modelling guide on the '322', s.Pz.Abt. 507, East Prussia, November 1944 in 1/35 scale. This guide forms part of Osprey Modelling 37 Modelling the Tiger I also available as an ebook.
What is the difference between seeing and thinking? Is the border between seeing and thinking a joint in nature in the sense of a fundamental explanatory difference? Is it a difference of degree? Does thinking affect seeing, i.e. is seeing "cognitively penetrable"? Are we aware of faces, causation, numerosity and other "high-level" properties or only of the colors, shapes and textures that-according to the advocate of high level perception--are the basis on which we see them? Is perception conceptual and propositional? Is perception iconic or more akin to language in being discursive? Is seeing singular? Which is more fundamental, visual attribution or visual discrimination? Is all seeing seeing-as? What is the difference between the format and content of perception and do perception and cognition have different formats? Is perception probabilistic and if so, why are we not normally aware of this probabilistic nature of perception? Are the basic features of mind known as "core cognition" a third category in between perception and cognition? Are there perceptual categories that are not concepts? Where does consciousness fit in with regard to the difference between seeing and thinking? Do the lessons from seeing apply to other senses? These are the questions I will be exploring in this book. I will be exploring them not mainly by appeals to "intuitions" as is common in philosophy of perception but by appeal to empirical evidence, including experiments in neuroscience and psychology"--
Could World War I have been averted if Franz Ferdinand and his wife hadn't been murdered by Serbian nationalists in 1914? What if Ronald Reagan had been killed by Hinckley's bullet? Would the Cold War have ended as it did? In Forbidden Fruit, Richard Ned Lebow develops protocols for conducting robust counterfactual thought experiments and uses them to probe the causes and contingency of transformative international developments like World War I and the end of the Cold War. He uses experiments, surveys, and a short story to explore why policymakers, historians, and international relations scholars are so resistant to the contingency and indeterminism inherent in open-ended, nonlinear systems. Most controversially, Lebow argues that the difference between counterfactual and so-called factual arguments is misleading, as both can be evidence-rich and logically persuasive. A must-read for social scientists, Forbidden Fruit also examines the binary between fact and fiction and the use of counterfactuals in fictional works like Philip Roth's The Plot Against America to understand complex causation and its implications for who we are and what we think makes the social world work.
This landmark publication reevaluates historical Native American art as a crucial but under-examined component of American art history. The Charles and Valerie Diker Collection, a transformative promised gift to The Metropolitan Museum of Art, includes masterworks from more than fifty cultures across North America. The works highlighted in this volume span centuries, from before contact with European settlers to the early twentieth century. In this beautifully illustrated volume, featuring all new photography, the innovative visions of known and unknown makers are presented in a wide variety of forms, from painting, sculpture, and drawing to regalia, ceramics, and baskets. The book provides key insights into the art, culture, and daily life of culturally distinct Indigenous peoples along with critical and popular perceptions over time, revealing that to engage Native art is to reconsider the very meaning of America. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Conventional business strategies tell you that differentiation, the right positioning, and defining your superior edge will turn you into the ‘best player’ in your market – but this is wrong. The Impossible Advantage reveals that success can be achieved by changing the market in which you operate, rather than trying to beat the competition. The authors illustrate that the biggest, most spectacular and groundbreaking business success stories feature companies that make the rules – instead of just following them. The best companies seem to know how to break, change, or reinvent the rules of the market that everyone else follows. This book: Will help you to break through to an entirely new level of thinking: winning the game by changing the rules in your own favour. Explains that you don’t need a technological breakthrough, product innovation or a massive marketing budget to change the rules of the competition. Shows you that you can become a ′game changer′ and gain a seemingly ‘impossible’ advantage even over far larger competitors, no matter how large your market or how small your segment is. Introduces you to four compelling ‘Game Changing Strategies’ that work for managers from any industry or business sector. For more information on The Impossible Advantage, go to the official website: http://www.impossible-advantage.com
It's a dangerous time for Daniel X--and when he's cast in an evil director's TV show, he must fight to stay alive. Daniel X thought he'd seen it all in his dangerous days of hunting outlaws--but there's no business like show business, and Number Five on his list of deadly targets is the most appalling criminal yet. An intergalactic reality television producer has orchestrated the extermination of millions, with a soundtrack and laugh track to accompany it. The evil entertainer's catching it all on film, and he's looking for a big-ticket draw. Who better to star than the Alien Hunter himself? Daniel finds himself cast in the lead role of a terrifying season premiere . . . of the gravest show on Earth. Can Daniel X stop this deranged outlaw--or will he find himself on the cutting room floor?
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