William Ellery Leonard was an eccentric poet, professor, and critic whose romantic ideals were set against a world whose aesthetics were fast turning away from his own. He lived a life marked by both success and dramatic failure, both personally and professionally. His first wife’s suicide would haunt him and mark one of his greatest poems, the sonnet sequence Two Lives; his translations of Lucretius and Beowulf stood as hallmarks of the craft for decades after they were published; and his political satires written in response to the University sphere he lived and worked in remain as effective today as they once were.
The Staffordshire Potteries have a long association with theatres. Their first appearance in the area was with the travelling showmen and their mobile stages until the first permanent venue, the Royal Pottery Theatre, was opened in 1852. This book hopes to accurately chronicle the development and demise of theatre buildings in the area, along with some of the concert halls and permanent circus arenas. These include the Theatre Royal in Hanley, the Hippodrome in Stoke and the Empire Theatre in Longton, along with many others. Relevant photographs, maps and illustrations, along with vintage programmes and posters are printed throughout.
Beginning with the nineteenth-century expeditions, Northern Australia has been both a fascination and concern to the administrators of settler governance in Australia. With Southeast Asia and Melanesia as neighbors, the region's expansive and relatively undeveloped tropical savanna lands are alternately framed as a market opportunity, an ecological prize, a threat to national sovereignty, and a social welfare problem. Over the last several decades, while developers have eagerly promoted the mineral and agricultural potential of its monsoonal catchments, conservationists speak of these same sites as rare biodiverse habitats, and settler governments focus on the “social dysfunction” of its Indigenous communities. Meanwhile, across the north, Indigenous people have sought to wrest greater equity in the management of their lives and the use of their country. In Wild Articulations, Timothy Neale examines environmentalism, indigeneity, and development in Northern Australia through the controversy surrounding the Wild Rivers Act 2005 (Qld) in Cape York Peninsula, an event that drew together a diverse cast of actors—traditional owners, prime ministers, politicians, environmentalists, mining companies, the late Steve Irwin, crocodiles, and river systems—to contest the future of the north. With a population of fewer than 18,000 people spread over a landmass of over 50,000 square miles, Cape York Peninsula remains a “frontier” in many senses. Long constructed as a wild space—whether as terra nullius, a zone of legal exception, or a biodiverse wilderness region in need of conservation—Australia’s north has seen two fundamental political changes over the past two decades. The first is the legal recognition of Indigenous land rights, reaching over a majority of its area. The second is that the region has been the center of national debates regarding the market integration and social normalization of Indigenous people, attracting the attention of federal and state governments and becoming a site for intensive neoliberal reforms. Drawing connections with other settler colonial nations such as Canada and Aotearoa New Zealand, Wild Articulations examines how indigenous lands continue to be imagined and governed as “wild.”
This book provides a candid insight into the lives of individuals who are addicted to heroin and other opiates. The processes of obtaining and using drugs are explored within the wider context of personal biographies and daily routines. Key issues considered include childhood experiences, crime and violence, housing situations, family relationships, prison life, health matters and drug treatments. Drug users' statements are related to policy, service provision, previous research, and theoretical debates in the hope that this might increase understanding and improve future responses to drug problems.
Offers parents a helpful approach to teach their teenagers the value and meaning of money, explaining how to deal with teen attitudes and expectations about money, curb excesses, help them develop essential financial wisdom, and manage their own money.
This new book looks at employee resourcing in-depth, both analytically and in order to provide a practical insight into the strategic considerations and operational approaches which modern large contractors take in deploying their human resources. It is a valuable resource for both students and managers.
Facing Facts is a powerful, original examination of attempts to dislodge a cornerstone of modern philosophy: the idea that our thoughts and utterances are representations of slices of reality. Representations that are accurate are usually said to be true, to correspond to the facts - this is the foundation of correspondence theories of truth. A number of prominent philosophers have tried to undermine the idea that propositions, facts and correspondence can play any useful role in philosophy, and formal arguments have been advanced to demonstrate that, under seemingly uncontroversial conditions, such entities collapse into an undifferentiated unity. The demise of individual facts is meant to herald the dawn of a new era in philosophy, in which debates about scepticism, realism, subjectivity, representational and computational theories of mind, possible worlds, and divergent conceptual schemes that represent reality in different ways to different persons, periods, or cultures evaporate through lack of subject matter. By carefully untangling a host of intersecting metaphysical, epistemological, semantic, and logical issues, and providing rich and original analyses of key aspects of the work of Frege, Russell, Gödel, and Davidson, Stephen Neale demonstrates that arguments for the collapse of facts are considerably more complex and interesting than either friend or foe ever imagined. A number of deep semantic facts emerge along with a powerful proof: while it is technically possible to avoid the collapse of facts, rescue the idea of representations of reality, and thereby face anew the problems raised by the sceptic or the relativist, doing so requires making some tough semantic decisions about predicates and descriptions. It is simply impossible, Neale shows, to invoke representations, facts, states, or propositions without making hard choices - choices that may send many philosophers scurrying back to the drawing board. Facing Facts will be crucial to future work in metaphysics, the philosophy of language and mind, and logic, and will have profound implications far beyond.
Steve Neale and Frank Krutnik take as their starting point the remarkable diversity of comedy's forms and modes - feature-length narratives, sketches and shorts, sit-com and variety, slapstick and romance. Relating this diversity to the variety of comedy's basic conventions - from happy endings to the presence of gags and the involvement of humour and laughter - they seek both to explain the nature of these forms and conventions and to relate them to their institutional contexts. They propose that all forms and modes of the comic involve deviations from aesthetic and cultural conventions and norms, and, to demonstrate this, they discuss a wide range of programmes and films, from Blackadder to Bringing up Baby, from City Limits to Blind Date, from the Roadrunner cartoons to Bless this House and The Two Ronnies. Comedies looked at in particular detail include: the classic slapstick films of Keaton, Lloyd, and Chaplin; Hollywood's 'screwball' comedies of the 1930s and 1940s; Monty Python, Hancock, and Steptoe and Son. The authors also relate their discussion to radio comedy.
Genre and Hollywood provides a comprehensive introduction to the study of genre. In this important new book, Steve Neale discusses all the major concepts, theories and accounts of Hollywood and genre, as well as the key genres which theorists have written about, from horror to the Western. He also puts forward new arguments about the importance of genre in understanding Hollywood cinema. Neale takes issue with much genre criticism and genre theory, which has provided only a partial and misleading account of Hollywood's output. He calls for broader and more flexible conceptions of genre and genres, for more attention to be paid to the discourses and practices of Hollywood itself, for the nature and range of Hollywood's films to be looked at in more detail, and for any assessment of the social and cultural significance of Hollywood's genres to take account of industrial factors. In detailed, revisionist accounts of two major genres - film noir and melodrama - Neale argues that genre remains an important and productive means of thinking about both New and old Hollywood, its history, its audiences and its films.
Introduced by a comprehensive account of the factors governing the adaptation of stage plays and musicals in Hollywood from the early 1910s to the mid-to-late 1950s, Screening the Stage consists of a series of chapter-length studies of feature-length films, the plays and musicals on which they were based, and their remakes where pertinent. Founded on an awareness of evolving technologies and industrial practices rather than the tenets of adaptation theory, particular attention is paid to the evolving practices of Hollywood as well as to the purport and structure of the plays and stage musicals on which the film versions were based. Each play or musical is contextualized and summarized in detail, and each film is analyzed so as to pinpoint the ways in which they articulate, modify, or rework the former. Examples range from dramas, comedies, melodramas, musicals, operettas, thrillers, westerns and war film, and include The Squaw Man, The Poor Little Rich Girl, The Merry Widow, 7th Heaven, The Cocoanuts, Waterloo Bridge, Stage Door, I Remember Mama, The Pirate, Dial M for Murder and Attack.
Alberta: A Health System Profile provides the first detailed description of Alberta’s health care system and the underpinning political and social forces that have shaped it. Drawing on significant wealth from government revenues generated through the energy sector, Alberta has been able to develop an extensive public health and health care infrastructure. Alberta has used its financial resources to attract health professionals by offering the highest levels of financial compensation in Canada. However, although it spends more per capita than other Canadian jurisdictions, Alberta’s health care system costs and health outcomes are mediocre compared to those of many other Canadian jurisdictions. This unexpected outcome is the consequence of the unique interplay of economic and political forces within Alberta’s political economy. Through an examination of Alberta’s political and economic history, and using research on the structures and services provided, Alberta: A Health System Profile provides a detailed description of the programs and services that constitute Alberta’s health care system.
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