Luther's radical interpretation of the two natures of Christ, and specifically its expression through the ubiquitous presence of the humanity of Christ, is a fundamental, integral expression of that same theology. This expression of Luther's theology of the cross, Anthony asserts, provides both a fuller elaboration and an important and creative corrective with reference to recent signal expressions of the theology of the cross. As contemporary theologians of the cross have articulated (most notably Douglas John Hall and the late Alan E. Lewis), the theology of the cross, through a transformation of the divine attributes that honors the integrity of created beings, is preeminently a theology of redemption from within ("within-redemption"). In the process of outlining and analyzing these theologies of "within-redemption," Anthony exposes an impasse created by these theologies regarding the relationship of "within-redemption" to individual human narratives. It is through Luther's radical interpretation of the two natures of Christ, Anthony contends, that complete "within-redemption" can be expressed. Anthony also evaluates the Christology of Karl Barth from the perspective of his findings. Not only is Anthony's work an innovative and fresh application of Luther's Christology for contemporary discussions of the theology of the cross, but it places Luther's Christology at the cutting edge of contemporary discussions regarding the theology of the cross and its "within-redemption.
Can the categories of classical Lutheran Christology be unleashed to express the vitality of christological existence, an existence situated between Promise and experience? If, as Martin Luther famously asserted in his Heidelberg Disputation (1518), “true theology and recognition of God are in the crucified Christ,” then such a theological point of departure not only bore radical implications for his Christology, but indeed also bears profound significance for theological discussions around the Word of Promise, its structure, its experience, its plurality. With regard to the elaboration of the two natures of Jesus Christ, such a point of departure permits a delineation of Promise—“the body of Promise”—who is bound to, who suffers, the nihil of human existence. Which means: such a point of departure affords us equally the opportunity to consider and probe the implications of the nihil as the medium of both threat and Promise. Is this a promising threat? Or a threatening Promise? Ultimately, Promise is delineated from within hermeneutical origins—the christological function of Scripture, the text—and, developed through to its diverse expression as the body of Promise, translated into christological existence. Within this context, categories of classical Lutheran Christology begin to express new vitality. Along the way, the Word of Promise—as developed within the trajectory of Luther’s theology of the cross and his radical delineation of the two natures of Jesus Christ—receives further sharpening within the context of discussion with such theological voices as John Caputo and Jacques Derrida, Hans Holbein the Younger, Albert Schweitzer, Matthias Grünewald, Carl Braaten, Karl Barth, Michael Welker, and Samuel Terrien. Ultimately, we are permitted to confess: There is one Crucified. And he is plural.
This supplement offers a wide range of primary-source documents in sets built around a historical "problem." Each set comprises several documents, including excerpts from letters, diaries, speeches, and petitions, as well as song lyrics, political cartoons, and advertisements. Introductions and questions guide readers in understanding and interpreting the documents.
NEW YORK TIMES NOTABLE BOOK • “One of the truly great biographies of our time.”—Sean Wilentz, New York Times bestselling author of Bob Dylan in America and The Rise of American Democracy “A landmark study of Washington power politics in the twentieth century in the Robert Caro tradition.”—Douglas Brinkley, New York Times bestselling author of American Moonshot The epic, definitive biography of Ted Kennedy—an immersive journey through the life of a complicated man and a sweeping history of the fall of liberalism and the collapse of political morality. Catching the Wind is the first volume of Neal Gabler’s magisterial two-volume biography of Edward Kennedy. It is at once a human drama, a history of American politics in the late twentieth and early twenty-first centuries, and a study of political morality and the role it played in the tortuous course of liberalism. Though he is often portrayed as a reckless hedonist who rode his father’s fortune and his brothers’ coattails to a Senate seat at the age of thirty, the Ted Kennedy in Catching the Wind is one the public seldom saw—a man both racked by and driven by insecurity, a man so doubtful of himself that he sinned in order to be redeemed. The last and by most contemporary accounts the least of the Kennedys, a lightweight. He lived an agonizing childhood, being shuffled from school to school at his mother’s whim, suffering numerous humiliations—including self-inflicted ones—and being pressed to rise to his brothers’ level. He entered the Senate with his colleagues’ lowest expectations, a show horse, not a workhorse, but he used his “ninth-child’s talent” of deference to and comity with his Senate elders to become a promising legislator. And with the deaths of his brothers John and Robert, he was compelled to become something more: the custodian of their political mission. In Catching the Wind, Kennedy, using his late brothers’ moral authority, becomes a moving force in the great “liberal hour,” which sees the passage of the anti-poverty program and the Civil Rights and Voting Rights Acts. Then, with the election of Richard Nixon, he becomes the leading voice of liberalism itself at a time when its power is waning: a “shadow president,” challenging Nixon to keep the American promise to the marginalized, while Nixon lives in terror of a Kennedy restoration. Catching the Wind also shows how Kennedy’s moral authority is eroded by the fatal auto accident on Chappaquiddick Island in 1969, dealing a blow not just to Kennedy but to liberalism. In this sweeping biography, Gabler tells a story that is Shakespearean in its dimensions: the story of a star-crossed figure who rises above his seeming limitations and the tragedy that envelopes him to change the face of America.
In Songs in the Key of Black Life, acclaimed cultural critic Mark Anthony Neal turns his attention to Rhythm and Blues. He argues that R&B-often dismissed as just a bunch of love songs, yet the second most popular genre in terms of sales-can tell us much about the dynamic joys, apprehensions, tensions, and contradictions of contemporary black life, if we listen closely. With a voice as heartfelt and compelling as the best music, Neal guides us through the work of classic and contemporary artists ranging from Marvin Gaye to Macy Gray. In the first section of the book, Rhythm, he uses the music of Meshell N'degeocello, Patti Labelle, Jill Scott, Alicia Keys, and others as guideposts to the major concerns of contemporary black life-issues such as gender, feminist politics, political activism, black masculinity, celebrity, and the fluidity of racial and sexual identity. The second part of the book, Blues, uses the improvisational rhythms of black music as a metaphor to examine currents in black life including the public dispute between Cornel West and Harvard President Lawrence Summers and the firing of BET's talk-show host Tavis Smiley. Songs in the Key of Black Life is a remarkable contribution to the study of black popular music, and valuable reading for anyone interested in how race is lived in America.
In Soul Babies, Mark Anthony Neal explains the complexities and contradictions of black life and culture after the end of the Civil Rights era. He traces the emergence of what he calls a "post-soul aesthetic," a transformation of values that marked a profound change in African American thought and experience. Lively and provocative, Soul Babies offers a valuable new way of thinking about black popular culture and the legacy of the sixties.
Luther's radical interpretation of the two natures of Christ, and specifically its expression through the ubiquitous presence of the humanity of Christ, is a fundamental, integral expression of that same theology. This expression of Luther's theology of the cross, Anthony asserts, provides both a fuller elaboration and an important and creative corrective with reference to recent signal expressions of the theology of the cross. As contemporary theologians of the cross have articulated (most notably Douglas John Hall and the late Alan E. Lewis), the theology of the cross, through a transformation of the divine attributes that honors the integrity of created beings, is preeminently a theology of redemption from within ("within-redemption"). In the process of outlining and analyzing these theologies of "within-redemption," Anthony exposes an impasse created by these theologies regarding the relationship of "within-redemption" to individual human narratives. It is through Luther's radical interpretation of the two natures of Christ, Anthony contends, that complete "within-redemption" can be expressed. Anthony also evaluates the Christology of Karl Barth from the perspective of his findings. Not only is Anthony's work an innovative and fresh application of Luther's Christology for contemporary discussions of the theology of the cross, but it places Luther's Christology at the cutting edge of contemporary discussions regarding the theology of the cross and its "within-redemption.
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