The Connected City explores how thinking about networks helps make sense of modern cities: what they are, how they work, and where they are headed. Cities and urban life can be examined as networks, and these urban networks can be examined at many different levels. The book focuses on three levels of urban networks: micro, meso, and macro. These levels build upon one another, and require distinctive analytical approaches that make it possible to consider different types of questions. At one extreme, micro-urban networks focus on the networks that exist within cities, like the social relationships among neighbors that generate a sense of community and belonging. At the opposite extreme, macro-urban networks focus on networks between cities, like the web of nonstop airline flights that make face-to-face business meetings possible. This book contains three major sections organized by the level of analysis and scale of network. Throughout these sections, when a new methodological concept is introduced, a separate ‘method note’ provides a brief and accessible introduction to the practical issues of using networks in research. What makes this book unique is that it synthesizes the insights and tools of the multiple scales of urban networks, and integrates the theory and method of network analysis.
Everyone’s favorite guide to fiction that’s thrilling, mysterious, suspenseful, thought-provoking, romantic, and just plain fun is back—and better than ever in this completely revamped and revised edition. A must for every readers’ advisory desk, this resource is also a useful tool for collection development librarians and students in LIS programs. Inside, RA experts Wyatt and Saricks cover genres such as Psychological Suspense, Horror, Science Fiction, Fantasy, Romance, Mystery, Literary and Historical Fiction, and introduce the concepts of Adrenaline and Relationship Fiction; include everything advisors need to get up to speed on a genre, including its appeal characteristics, key authors, sure bets, and trends; demonstrate how genres overlap and connect, plus suggestions for guiding readers among genres; and tie genre fiction to the whole collection, including nonfiction, audiobooks, graphic novels, film and TV, poetry, and games. Both insightful and comprehensive, this matchless guidebook will help librarians become familiar with many different fiction genres, especially those they do not regularly read, and aid library staff in connecting readers to books they’re sure to love.
Allison Dutch mourns the departure of Jeffery, seeking solace in the vampire scene. She learns more about her past and a dark secret about Mark. As her teen years give way to adulthood, she struggles to keep her relationship with Sam hidden. Joey has sworn to try even harder for her heart and Allison quickly finds herself with a husband and child she never asked for. As she does her best to appear normal the vampire world draw her ever deeper into its clutches. Then it is time for the dark world to rise-with Aeryn at its for. Is Allison finally ready to take her place? The stranger from her past grooms her for her new position, his purposes still unclear. Join Allison in the second part of the Allison Dutch Trilogy.
This is Volume XIII of eighteen in a collection of the Sociology of Behaviour and Psychology. Imitation has long been an important concept, as well in social theory as in social practices. In their endeavour to explain how societies are organized and held together, allow cultures are transmitted from one generation to the next, social scientists have made wide use of the concept of imitation. As a key idea in theory and practice it has been the subject of much systematic discussion. Originally published in 1945, In this volume the authors have made a fresh attack upon the problem with a set of concepts which seem peculiarly relevant to it. If imitative tendencies are not instinctive they must be learned, the argument runs. discussion of how such learning takes place.
THE URANTIA BOOK IS A DIVINE RELIGIOUS DOCTRINE THAT REVEALS NEVER BEFORE REVEALED KNOWLEDGE AND TRUTH. SELF WAS THE BEING RESPONSIBLE FOR GETTING THE FIRST BOOK PUBLISHED WITH THE SAME TITLE. SELF WAS EDGAR CAYCE THEN. SELF CHANNELED THE INFORMATION AS EDGAR CAYCE. AS EDGAR CAYCE, SELF WAS A SLEEPING PROPHET THAT PROPHESIED WHAT WAS TO COME. SELF WAS BORN AGAIN ON 6/3/1990. John 16:13 New International Version (NIV) '13 But when he, the Spirit of truth, comes, he will guide you into all the truth. He will not speak on his own; he will speak only what he hears, and he will tell you what is yet to come."" THIS BOOK HAS AN ENTIRE CHAPTER CALLED PROPHECY AND IN THAT CHAPTER SELF IS STILL TELLING YOU WHAT IS TO COME. SELF CHANNELS WHAT SELF HEARS. SELF SPEAKS WHAT SELF HEARS. URANTIA MEANS EARTH. SELF IS AN ANGEL OF THE LORD AND SELF IS THE LORD GODHEAD JESUS CHRIST. WE AND MANY OTHERS CALL URANTIA OUR HEAVENLY KINGDOM AND IT HAS COME. OUR WILL BE DONE. HEAVEN IS ON URANTIA AND EARTH ALREADY. HEAVEN IS ALL ENCOMPASSING. NOT ALL PERCEIVE IT FOR WHAT IT TRULY IS. NOT ALL SEE AND HEAR IT. Jeremiah 5:21 New International Version (NIV) '21 Hear this, you foolish and senseless people, who have eyes but do not see, who have ears but do not hear:
Interest in sustainable development and environmental issues is intensifying. The environmental performance of the construction industry and the impact that construction materials have on the environment throughout their life cycle is increasingly under the scrutiny of local, national and international environmental pressure groups and consequently the general public.Sustainable use of new and recycled materials in coastal and fluvial construction gives practical guidance on how to apply the principles of sustainable construction in coastal and fluvial construction by assessing the environmental impacts of the alternative project options.
A provocative, original, and richly entertaining group biography of the Jewish immigrants who were the moving forces behind the creation of America's motion picture industry. The names Harry Cohn, William Fox, Carl Laemmle, Louis B. Mayer, Jack and Harry Warner, and Adolph Zucker are giants in the history of contemporary Hollywood, outsiders who dared to invent their own vision of the American Dream. Even to this day, the American values defined largely by the movies of these émigrés endure in American cinema and culture. Who these men were, how they came to dominate Hollywood, and what they gained and lost in the process is the exhilarating story of An Empire of Their Own.
A single-volume text that distills information for students Based on the sixth edition of Kaplin and Lee’s indispensable guide to the law that bears on the conduct of higher education, The Law of Higher Education, Sixth Edition: Student Version provides an up-to-date reference and guide for coursework in higher education law and programs preparing law students and higher education administrators for leadership roles. This student edition discusses the most significant areas of the law for college and university attorneys and administrators. Each chapter is introduced by a discussion of key terms and topics the students will encounter, and the book includes materials from the full sixth edition that are most relevant to student interests and classroom instruction. It also contains a “crosswalk” that keys sections of the Student Edition to counterpart sections of the two-volume treatise. Complements the full version Includes a glossary of legal terms and an appendix on how to read legal material for students without legal training Discusses key terms in each chapter Concentrates on key topics students will need to know This is fundamental reading for law students preparing for careers in higher education law and for graduate students in higher education administration programs.
The Handbook of Organizational Culture and Climate provides an overview of current research, theory and practice in this expanding field. The editorial team and the authors come from diverse professional and geographical backgrounds, and provide an unprecedented coverage of topics relating to both culture and climate of modern organizations.... Well-known editors Neal Ashkanasy, Celeste P. M. Wilderom, and Mark F. Peterson lend a truly international perspective to what is the single most comprehensive and up-to-date source on the growing field of organizational culture and climate. In addition, the Handbook opens with a foreword by Andrew Pettigrew and two provocative commentaries by Ben Schneider and Edgar Schein, and concludes with an invaluable set of combined references." --Publisher.
Is there an alternative to death? What if you could start over, knowing what you know now? In the instant prior to his demise, Steve McNeal is presented with the opportunity to do just that-to live his fantasy, albeit an unusual one. He doesn't want to simply go back in time and relive his life-he wants to be a sexy young woman. Steve accepts, even though he doesn't know who is making the offer or what price he might have to pay later. When Steve wakes up in a cheap hotel room in Atlantic City, he looks in the mirror to discover that he has become Dallas Marshall, a twenty-five-year-old woman. She is the embodiment of the perfect male fantasy. Dallas still remembers being Steve McNeal and everything about being a man, but she has no money and no place to live. Steve goes out into the world four times as Dallas Marshall. Each time, events unfold differently, and life spins in drastically different directions. Dallas's sexuality and Steve's memories combine to place her in unique situations. But when-and how-does Steve's fantasy end?
The New York Times bestselling Arc of the Scythe series continues with “captivating…thrilling” (School Library Journal) stories that span the timeline. Storylines continue. Origin stories are revealed. And new Scythes emerge! There are still countless tales of the Scythedom to tell. Centuries passed between the Thunderhead cradling humanity and Scythe Goddard trying to turn it upside down. For years, humans lived in a world without hunger, disease, or death with Scythes as the living instruments of population control. Neal Shusterman—along with collaborators David Yoon, Jarrod Shusterman, Sofía Lapuente, Michael H. Payne, Michelle Knowlden, and Joelle Shusterman—returns to the world throughout the timeline of the Arc of a Scythe series. Discover secrets and histories of characters you’ve followed for three volumes and meet new heroes, new foes, and some figures in between. Gleanings shows just how expansive, terrifying, and thrilling the world that began with the Printz Honor–winning Scythe truly is.
The Idea of a Writing Laboratory is a book about possibilities, about teaching and learning to write in ways that can transform both teachers and students. Author Neal Lerner explores higher education’s rich history of writing instruction in classrooms, writing centers and science laboratories. By tracing the roots of writing and science educators’ recognition that the method of the lab––hands-on student activity—is essential to learning, Lerner offers the hope that the idea of a writing laboratory will be fully realized more than a century after both fields began the experiment. Beginning in the late nineteenth century, writing instructors and science teachers recognized that mass instruction was inadequate for a burgeoning, “non-traditional” student population, and that experimental or laboratory methods could prove to be more effective. Lerner traces the history of writing instruction via laboratory methods and examines its successes and failures through case studies of individual programs and larger reform initatives. Contrasting the University of Minnesota General College Writing Laboratory with the Dartmouth College Writing Clinic, for example, Lerner offers a cautionary tale of the fine line between experimenting with teaching students to write and “curing” the students of the disease of bad writing. The history of writing within science education also wends its way through Lerner’s engaging work, presenting the pedagogical origins of laboratory methods to offer educators in science in addition to those in writing studies possibilities for long-sought after reform. The Idea of a Writing Laboratory compels readers and writers to “don those white coats and safety glasses and discover what works” and asserts that “teaching writing as an experiment in what is possible, as a way of offering meaning-making opportunities for students no matter the subject matter, is an endeavor worth the struggle.”
The words contained within the covers of this book are intended to speak to some of lifes ups and downs. Life encompasses a multitude of components that require daily maintenance and/or managementand your judgment in those areas will drive the direction of your existence. Life will, sooner or later, introduce you to the good, the bad, the ugly and everything in-betweenhumor, joy, sadness and the always-present mystery. The author believes the words in this book to be universalalthough not universally spoken nor acknowledged. Richards odyssey has been continuous from the denial of his rural Arkansas roots to his acceptance in Phase Three. While the Greyhound bus physically transported him away from his disdainand provided the escape from his dysfunctional family, the relocation only skewed his perspective. California was a world apart from Arkansas, and without an education and/or a craftlife would severely test the authors fortitude and determination. It would resemble a scavenger hunt as he chased his always-moving, always-fading demons for personal understanding. This book began simply enough as letters to his son (the second of two from the authors second marriage) who was/is also seeking self-understanding. The son was serving prison time for drug usage and drug-related crimes stemming from twenty years of abuse. Added to that, his son, Landon, is afflicted with epilepsy and the combination (epilepsy and heroin) can produce deadly consequences. His sons first letter not only requested that his father correspond with him, but that he fill in the gaps of his lifehis words were, Dad, I know nothing of you before our family. The father was taken abackhe had rarely, if ever, thought about his past lifemuch less verbalized it to others. Initially, as he reflected on the request, he wondered if he even remembered anything about his pastor had he buried it so deeply (through denial) that he would never be able to resurrect the information that his son was requesting. The book chronicles the authors early years in Arkansas and his own drug abuse during his twenties as he struggled in California. The book reveals the authors insecurities regarding his lack of a formal education. How he created a faade to conceal his perceived deficiencies as he managed a challenging career (the majority of those years at the supervisory level) within the oil industry. One cannot read just one of the letters, encapsulated between the Foreword and the last page, and fully comprehend the purpose and/or intent of this collaboration between the writers present life and his long-buried past. Singularly, none of the enclosed correspondence is capable of standing alonebut linked together, they provide a measure of insightfulness and understanding (you decide about what). There are common threads woven throughout the writingand there are also subliminal messages, advice, thoughts, insight, understanding, encouragements and reconciliation embedded within the dynamics of this endeavor. From the author: Landon and I have come a long way with our burdens; and while neither of us have arrived yetI believe we are both on the correct path and approaching the other side. But only time will tell
Carleton Beals was among America’s most distinctive foreign correspondents. His colorful, combatively critical reporting of U.S. intervention in Latin America had a fearless energy and authority that won him millions of readers. He interviewed the Nicaraguan rebel leader Sandino in the camp from which he fought thousands of U.S marines in 1928, covered two revolutions in Cuba (1933 and 1959), and interpreted the Mexican Revolution for American readers. Beals’s dispatches and features appeared regularly in the Nation, New Republic, Current History and the Progressive, and often in the New York Times. Time magazine called him “the best informed and the most awkward living writer on Latin America.” Forty books, including chronicles, political analysis and novels, drawn mostly from his travels and wide-ranging contacts in what he called “America South” made that characterization apt. But Beals was also an eyewitness reporter on Mussolini’s rise in Italy. He wrote on U.S. topics too, such as Louisiana’s Huey Long, and the environmental damage and rural migration in the 1930s caused by emerging agri-business in America’s South and West. Many of his books were best-sellers, their evidence-based assessments earning at least grudging respect even among those who took issue with his indictments of U.S. economic and government elites. At once biography and analytical history, The Rebel Scribe tells the story of a fiercely independent non-conformist. It probes Beals’s interactions with political leaders, democrats, demagogues, populists and revolutionaries, and reveals how his ability to immerse himself in their societies gave his accounts a palpable authenticity and, time has shown, a prescience that is almost prophetic. Christopher Neal’s layered narrative traces how Beals identified patterns of political behavior and concepts that later became fully-fledged schools of thought, such as the idea of a Third World, dependency theory, U.S. neo-imperialism, and aspects of critical theory. His story sheds light on the evolution of U.S. foreign policy and intervention, from Mexico and Nicaragua in the 1920s, to Cuba and Vietnam in the 1960s. It reveals the fraught trail that faced—and still faces—contrarian journalists who challenge conventional assumptions, while also showing how probing journalism drives change.
In these pages, you'll meet the state legislator who never met a special interest he did not like, an alderman groveling to a mob boss, and the prosecutor who gained notoriety as a publicity hound."--BOOK JACKET. "Neal's beat is politics, but his interests are rich and varied. He also writes about sports, music, literature, and film with a point of view that is fresh and original."--BOOK JACKET.
Chronicles the major traumas of the 20th century in America -- the Depression, Pearl Harbor, McCarthyism, the Cuban Missile Crisis, the assassinations of John F. Kennedy and Martin Luther King, Vietnam, Watergate, Three Mile Island, the Challenger explosion -- how we responded to them as a nation, and what our responses mean.
After revising the original 1981 edition in 1990 and looking back to regret his enthusiastic reporting of what turned out to be temporary and peripheral trends, Primm has decided that current events are not safe water for historians. He has not, therefore extended the text to include the 1990s, but better technology has considerably improved the quality of the illustrations. Distributed in the US by U. of Missouri Press. Annotation copyrighted by Book News, Inc., Portland, OR
Navigating what at she calls the " extravagantly rich world of nonfiction," renowned readers' advisor (RA) Wyatt builds readers' advisory bridges from fiction to compelling and increasingly popular nonfiction to encompass the library's entire collection. She focuses on eight popular categories: history, true crime, true adventure, science, memoir, food/cooking, travel, and sports. Within each, she explains the scope, popularity, style, major authors and works, and the subject's position in readers' advisory interviews. Wyatt addresses who is reading nonfiction and why, while providing RAs with the tools and language to incorporate nonfiction into discussions that point readers to what to read next. In easy-to-follow steps, Wyatt Explains the hows and whys of offering fiction and nonfiction suggestions together Illustrates ways to get up to speed fast in nonfiction Shows how to lead readers to a variety of books using her "read-around" and "reading map" strategies Provides tools to build nonfiction subject guides for the collection This hands-on guide includes nonfiction bibliography, key authors, benchmark books with annotations, and core collections. It is destined to become the nonfiction 'bible' for readers' advisory and collection development, helping librarians, library workers, and patrons select great reading from the entire library collection!
The Book Lady By: Rodney Neal Powell and Chandra Renee Powell Revenge and horror has a name, Lucinda Annette McKay, a woman driven to the depths of insanity and ravages a Southern Louisiana town targeting its most vulnerable population and adapting twisted fairy tales as her MO to exact her revenge. Can Lucinda McKay be stopped? The Book Lady will have your heart racing to the most shocking ending you won't expect.
NEW YORK TIMES NOTABLE BOOK • “One of the truly great biographies of our time.”—Sean Wilentz, New York Times bestselling author of Bob Dylan in America and The Rise of American Democracy “A landmark study of Washington power politics in the twentieth century in the Robert Caro tradition.”—Douglas Brinkley, New York Times bestselling author of American Moonshot The epic, definitive biography of Ted Kennedy—an immersive journey through the life of a complicated man and a sweeping history of the fall of liberalism and the collapse of political morality. Catching the Wind is the first volume of Neal Gabler’s magisterial two-volume biography of Edward Kennedy. It is at once a human drama, a history of American politics in the late twentieth and early twenty-first centuries, and a study of political morality and the role it played in the tortuous course of liberalism. Though he is often portrayed as a reckless hedonist who rode his father’s fortune and his brothers’ coattails to a Senate seat at the age of thirty, the Ted Kennedy in Catching the Wind is one the public seldom saw—a man both racked by and driven by insecurity, a man so doubtful of himself that he sinned in order to be redeemed. The last and by most contemporary accounts the least of the Kennedys, a lightweight. He lived an agonizing childhood, being shuffled from school to school at his mother’s whim, suffering numerous humiliations—including self-inflicted ones—and being pressed to rise to his brothers’ level. He entered the Senate with his colleagues’ lowest expectations, a show horse, not a workhorse, but he used his “ninth-child’s talent” of deference to and comity with his Senate elders to become a promising legislator. And with the deaths of his brothers John and Robert, he was compelled to become something more: the custodian of their political mission. In Catching the Wind, Kennedy, using his late brothers’ moral authority, becomes a moving force in the great “liberal hour,” which sees the passage of the anti-poverty program and the Civil Rights and Voting Rights Acts. Then, with the election of Richard Nixon, he becomes the leading voice of liberalism itself at a time when its power is waning: a “shadow president,” challenging Nixon to keep the American promise to the marginalized, while Nixon lives in terror of a Kennedy restoration. Catching the Wind also shows how Kennedy’s moral authority is eroded by the fatal auto accident on Chappaquiddick Island in 1969, dealing a blow not just to Kennedy but to liberalism. In this sweeping biography, Gabler tells a story that is Shakespearean in its dimensions: the story of a star-crossed figure who rises above his seeming limitations and the tragedy that envelopes him to change the face of America.
The story of how our bottomless appetite for novelty, gossip, and melodrama has turned everything—news, politics, religion, high culture—into one vast public entertainment. Neal Gabler calls them "lifies," those blockbusters written in the medium of life that dominate the media and the national conversation for weeks, months, even years: the death of Princess Diana, the trial of O.J. Simpson, Kenneth Starr vs. William Jefferson Clinton. Real Life as Entertainment is hardly a new phenomenon, but the movies, and now the new information technologies, have so accelerated it that it is now the reigning popular art form. How this came to pass, and just what it means for our culture and our personal lives, is the subject of this witty, concerned, and sometimes eye-opening book. "A thoughtful, in places chilling, account of the way entertainment values have hollowed out American life." --The New York Times Book Review
“Dave Moore's work on this collection is simply awesome.... It should become and remain the definitive reference book for Beat scholars forever.” —Carolyn Cassady Neal Cassady is best remembered today as Jack Kerouac’s muse and the basis for the character “Dean Moriarty” in Kerouac’s classic On The Road, and as one of Ken Kesey’s merriest of Merry Pranksters, the driver of the psychedelic bus “Further,” immortalized in Tom Wolfe’s The Electric Kool-Aid Acid Test. This collection brings together more than two hundred letters to Kerouac, Allen Ginsberg, John Clellon Holmes, and other Beat generation luminaries, as well as correspondence between Neal and his wife, Carolyn. These amazing letters cover Cassady’s life between the ages of 18 and 41 and finish just months before his death in February 1968. Brilliantly edited by Dave Moore, this unique collection presents the “Soul of the Beat Generation” in his own words—sometimes touching and tender, sometimes bawdy and hilarious. Here is the real Neal Cassady—raw and uncut.
Kitty Gentile began her life on Manhattan's Upper West Side. A selfish and unfeeling child, she was pampered by parents too busy and accomplished to provide love and nurturing, thus contributing to her flawed development. Kitty attended exclusive nursery schools and camps, an elite boarding school and an Ivy League College before her marriage to a wealthy and faithless Chicago commodities trader triggered a high risk life style. Resettled in Manhattan, Kitty becomes a court reporter and begins a dangerous journey of seeking out men to control through daring sexual encounters until she takes on two NYPD hero Detectives, Jimmy Collins and Mike Walker. Kitty tries to dominate and then harm them through sadistic behavior, including framing one of the Detectives for murder, and attempting to copy the infamous, 1964, Kitty Genovese killing to punish the other, who had rejected her. This fast paced thriller also encounters a powerful and ruthless leader of the Russian Mafia and corrupt city officials, who Detectives Collins and Walker take down. The story is set in Forest Hills, a beautiful and exclusive oasis, Kew Gardens, and the once gritty, but now increasingly upscale Hunters Point area in the Borough of Queens and the nearby blue collar Greenpoint and Williamsburg neighborhoods of Brooklyn.
Read what it was like to go into a building everyone else was running or jumping from. Newark firefighters appointed between 1942 and 1978 describe their experiences on the scene of fires and assorted other emergencies to which they responded. Responding leaves the firehouse and rolls out into the streets of Newark where our work is done. You are brought into the fire building to share the satisfaction and sacrifices inherent in the fire service. Crawl down the hot dark hallways of fire buildings with Newark's bravest. The reader is introduced to responding and fire fighting procedures. Memorable fires from 1942 to 1966 are recounted along with unusual responses from the '40's to the '90's. Vivid memories of tragedies and lost brothers are re-lived with poignant honesty as the men continue to paint an unvarnished history of New Jersey's largest city.
First Published in 1999. In What the Music Said, Mark Anthony Neal provides a timely study of from be-bop to Hip Hop. This book looks at the last fifty years of black popular music and provides an intriguing portrait of the existential and social forces that drove black communities to make music in protest, reaction and to fulfil their material and spiritual needs.
The Roaring Twenties in New York was a time of exuberant ambition, free-flowing optimism, an explosion of artistic expression in the age of Prohibition. New York was the city that embodied the spirit and strength of a newly powerful America. In 1924, in the vibrant heart of Manhattan, a fierce rivalry was born. Two architects, William Van Alen and Craig Severance (former friends and successful partners, but now bitter adversaries), set out to imprint their individual marks on the greatest canvas in the world--the rapidly evolving skyline of New York City. Each man desired to build the city’s tallest building, or ‘skyscraper.’ Each would stop at nothing to outdo his rival. Van Alen was a creative genius who envisioned a bold, contemporary building that would move beyond the tired architecture of the previous century. By a stroke of good fortune he found a larger-than-life patron in automobile magnate Walter Chrysler, and they set out to build the legendary Chrysler building. Severance, by comparison, was a brilliant businessman, and he tapped his circle of downtown, old-money investors to begin construction on the Manhattan Company Building at 40 Wall Street. From ground-breaking to bricklaying, Van Alen and Severance fought a cunning duel of wills. Each man was forced to revamp his architectural design in an attempt to push higher, to overcome his rival in mid-construction, as the structures rose, floor by floor, in record time. Yet just as the battle was underway, a third party entered the arena and announced plans to build an even larger building. This project would be overseen by one of Chrysler’s principal rivals--a representative of the General Motors group--and the building ultimately became known as The Empire State Building. Infused with narrative thrills and perfectly rendered historical and engineering detail, Higher brings to life a sensational episode in American history. Author Neal Bascomb interweaves characters such as Al Smith and Governor Franklin Delano Roosevelt, leading up to an astonishing climax that illustrates one of the most ingenious (and secret) architectural achievements of all time.
Andrew Carnegie, industrialist and a major American philanthropist, sought to bring world-class art and culture to Pittsburgh. This book looks at how the Carnegie International exhibit came into being in 1895, the early exhibitions, the art, artists, and the public reception to it.
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