In a myth-busting analysis of the world's most intractable conflict, a star of Middle East reporting argues that only one weapon has yielded progress: confrontation. Scattered over the territory between the Jordan River and the Mediterranean Sea lie the remnants of failed peace proposals, international summits, secret negotiations, UN resolutions and state-building efforts. The conventional story is that these well-meaning attempts at peacemaking were repeatedly thwarted by the use of violence. Through a rich interweaving of reportage, historical narrative and forceful analysis, Nathan Thrall presents a startling counter-history. He shows that Israelis and Palestinians have persistently been marching toward partition, but not through the high politics of diplomacy or the incremental building of a Palestinian state. In fact, negotiation, collaboration and state-building--the prescription of successive American administrations--have paradoxically entrenched the conflict in multiple ways. They have created the illusion that a solution is at hand, lessened Israel's incentives to end its control over the West Bank and Gaza and undermined Palestinian unity. Ultimately, it is those who have embraced confrontation through boycotts, lawsuits, resolutions imposed by outside powers, protests, civil disobedience, and even violence who have brought about the most significant change. Published as Israel's occupation of East Jerusalem, the West Bank, and Gaza reaches its fiftieth year, which is also the centenary of the Balfour Declaration that first promised a Jewish national home in Palestine, The Only Language They Understand advances a bold thesis that shatters ingrained positions of both left and right and provides a new and eye-opening understanding of this most vexed of lands.
WINNER OF THE 2024 PULITZER PRIZE FOR GENERAL NON-FICTION Named a Best Book of the Year by The New Yorker, The Economist, Time, The New Republic, and the Financial Times. Immersive and gripping, an intimate story of a deadly accident outside Jerusalem that unravels a tangle of lives, loves, enmities, and histories over the course of one revealing, heartbreaking day. Five-year-old Milad Salama is excited for a school trip to a theme park on the outskirts of Jerusalem. On the way, his bus collides with a semitrailer. His father, Abed, gets word of the crash and rushes to the site. The scene is chaos—the children have been taken to different hospitals in Jerusalem and the West Bank; some are missing, others cannot be identified. Abed sets off on an odyssey to learn Milad’s fate. It is every parent’s worst nightmare, but for Abed it is compounded by the maze of physical, emotional, and bureaucratic obstacles he must navigate because he is Palestinian. He is on the wrong side of the separation wall, holds the wrong ID to pass the military checkpoints, and has the wrong papers to enter the city of Jerusalem. Abed’s quest to find Milad is interwoven with the stories of a cast of Jewish and Palestinian characters whose lives and histories unexpectedly converge. In A Day in the Life of Abed Salama, Nathan Thrall—hailed for his “severe allergy to conventional wisdom” (Time)—offers an indelibly human portrait of the struggle over Israel/Palestine and a new understanding of the tragic history and reality of one of the most contested places on earth.
• Combines scholarship and innovation in a novel way. • Offers a well-grounded approach that fulfils a need among leadership scholarship for more emphasis on human methodologies. • Takes an interdisciplinary approach that incorporates humanities and the arts to the study of leadership, which is seeing increased interest among Business/Management scholars.
Since its 1980 release, the Italian horror film Cannibal Holocaust has shocked viewers and provoked censors with its graphic imagery and unrelenting nihilism. Following a summary of the story and the controversy over its release, Dissecting Cannibal Holocaust examines the film’s relevance to cinematic and literary history, anthropology, nature studies, ethics and censorship, media and journalism, documentary filmmaking, representations of cannibalism and post-colonialism, and genre cinema. The book also addresses some of the most frequent criticisms of Cannibal Holocaust including its depictions of native people and the inclusion of real-life animal killings. Matching the audacity of the film itself, Dissecting Cannibal Holocaust makes provocative arguments about the influence of corporate media, the purpose of art, the relationship between industrialized and indigenous people, the amorality of nature, and the roots of violence.
Leadership Across Boundaries: A Passage to Aporia theorizes on leadership in an unprecedented manner by stepping outside of conventional leadership theory and importing into leadership studies the implications of certain innovations in the social sciences, such as pluralism, complexity theory, and the dialogical turn, to change the way scholars discuss and study leadership. Leadership Across Boundaries anchors theoretical passages that generate a new way of imagining what it means to lead and follow with concrete examples about Martin Luther, the Common Law, dialogue as a practice, a painting by Diego Velázquez, synchronized fireflies, and the strange career of Francis of Assisi. This book acknowledges the limitations of existing leadership research as being too leader-centric, simplistic, static, and in many cases oblivious to the power of images to shape our understanding. To rectify these limitations, Leadership Across Boundaries examines alternative images of leadership grounded in concrete examples that present leadership in an unprecedented light. The book includes a discussion of invigorating ideas of homeward leadership (looking backward), extra-ordinary leadership (going forward), and what will be defined as the perennial need for aikido politics. An interdisciplinary text, Leadership Across Boundaries: A Passage to Aporia will appeal not only to scholars, instructors, and students of leadership, but also to those in the many fields in which leadership theory applies, such as history, economics, sociology, archetypal psychology, the law, political philosophy, applied mathematics, and the martial arts.
Early Christian writers preferred to speak of the coming resurrection in the most bodily way possible: the resurrection of the flesh. Twentieth-century theologian Karl Barth took the same avenue, daring to speak of humans' eternal life in rather strikingcorporeal terms. In this study, Nathan Hitchcock pulls together Barth's doctrine of the resurrection of the flesh, anticipating what the great thinker might have said more systematically in volume V of his 'Church Dogmatics'. Provocatively, Hitchcock goes on to argue that Barth's description of the resurrection - as eternalization, as manifestation, as incorporation - bears much in common with some unlikely programs and, contrary to its intention, jeopardizes the very contours of human life it hopes to preserve. In addition to contributing to Barth studies, this book offers a sober warning to theologians pursuing eschatology through notions of participation.
In this tour of the history of arguments for and against the existence of God, Nathan Schneider embarks on a remarkable intellectual, historical, and theological journey through the centuries of believers and unbelievers—from ancient Greeks, to medieval Arabs, to today’s most eminent philosophers and the New Atheists. Framed by an account of Schneider’s own unique journey, God in Proof illuminates the great minds who wrestled with one of history’s biggest questions together with their arguments, bringing them to life in their time, and our own. Schneider’s sure-handed portrayal of the characters and ideas involved in the search for proof challenges how we normally think about doubt and faith while showing that, in their quest for certainty and the proofs to declare it, thinkers on either side of the God divide are often closer to one another than they would like to think.
A wonderful account of a life filled with far more ups and downs than its subject's languid demeanour ever suggested.' Miles Jupp. Even if the name doesn't ring a bell, you'd recognise David Tomlinson's face – genial and continually perplexed, he was Mr Banks in Mary Poppins, Professor Browne in Bedknobs and Broomsticks and Peter Thorndyke in The Love Bug. To many, he's the epitome of post-war British comedy. But at times his life was more tragedy than comedy. A distinguished RAF pilot in the Second World War, his first marriage was to end in horrific tragedy and his next romance ended with his lover marrying the founder of the American Nazi Party. He did find love and security in his second marriage, but drama still played its part in his life – from the uncovering of an earthshattering family secret to the fight for an autism diagnosis for his son, up against the titans of the British medical establishment. Tomlinson may have died over twenty years ago, but his star continues to shine. In Disney's British Gentleman, Nathan Morley reveals the remarkable story of one of Disney's most beloved icons for the very first time.
This Civil War biography sheds new light on the life of the legendary Confederate general before, during, and after the conflict that defined his legacy. Shelby Foote called Nathan Bedford Forrest one of the most authentic geniuses produced by the American Civil War, and Ulysses S. Grant said that Forrest was the only Confederate cavalry leader he feared. Sherman wanted him killed even if doing so broke the broke the Federal treasury and cost ten thousand lives. Arguably the best cavalry leader of the Civil War and undoubtedly one of the greatest in the history of mounted warfare, Nathan Bedford Forrest has been acclaimed and vilified, revered and hated, and still he is a man whose life defies categorization. This in-depth biography goes beyond Forrest’s war exploits. Here, historians Eddy W. Davison and Daniel Foxx depict a man as complex, brilliant, revolutionary, and tragic as the times in which he lived. In addition to revealing details about his childhood, marriage, and life as a businessman and civic leader, this comprehensive biography explains the alleged massacre at Fort Pillow, Tennessee, and the reasons for Forrest’s leadership in the Ku Klux Klan.
In Forms of Empire, Nathan K. Hensley shows how the modern state's anguished relationship to violence pushed writers to expand the capacities of literary form. The Victorian era is often imagined as an "age of equipoise," but the period between 1837 and 1901 included more than two hundred separate wars. What is the difference, though, between peace and war? Forms of Empire unpacks the seeming paradoxes of the Pax Britannica's endless conflict, showing that the much vaunted equipoise of the nineteenth-century state depended on physical force to guarantee it. But the violence hidden in the shadows of all law --the violence of sovereign power itself--shuddered most visibly into being at the edges of law's reach, in the Empire, where emergency was the rule and death perversely routinized. This book follows some of the nineteenth century's most astute literary thinkers--George Eliot, Charles Dickens, Wilkie Collins, A.C. Swinburne, H. Rider Haggard, and Robert Louis Stevenson among them--as they wrestled with the sometimes sickening interplay between order and force, and generated new formal techniques to account for fact that an Empire built on freedom had death coiled at its very heart. In contrast to the progressive idealism we have inherited from the Victorians, the writers at the core of Forms of Empire moved beyond embarrassment and denial in the face of modernity's uncanny relation to killing. Instead they sought effects--free indirect discourse, lyric tension, and the idea of literary "character" itself--that might render thinkable the conceptual vertigoes of liberal violence. In the process, they touched up to the dark core of our post-Victorian modernity. Drawing on archival work, literary analyses, and a theoretical framework that troubles the distinction between "historicist" and "formalist" approaches, Forms of Empire links the Victorian period to the present and articulates a forceful vision of why literary thinking matters now.
This is the firstbook-length study of Wyndham Lewis's cultural criticism, a valuable body ofwriting which posed questions that have yet to be answered about the role andstatus of the artist in a professionalised society, and ultimately about thevalue (economic, civic, political) of the work of art.
Unsettling and strange, Sea Change, cements Nathan's reputation as one of our most interesting historical novelists.' The Times AS HEARD ON BBC RADIO 4 'I'll be back soon, my love. Tonight, I hope.' The last Eve saw of her mother was a wave from the basket of a rising balloon. A wilful, lonely orphan in the house of her erratic artist guardian, Eve struggles to retain the image of her missing mother and the father she never knew. In a London beset by pageantry, incipient riot and the fear of Napoleonic invasion, Eve must grow into a young woman with no one to guide her through its perils. Far away, in a Norfolk fishing village, the Rev Snead preaches hellfire and damnation to his impoverished parishioners and oppressed wife. Snead illustrates his sermons with the example of a mute woman pulled from the sea, over whom he keeps a very close watch indeed.
When was the last time you participated in an election for an online group chat or sat on a jury for a dispute about a controversial post? Platforms nudge users to tolerate nearly all-powerful admins, moderators, and “benevolent dictators for life.” In Governable Spaces, Nathan Schneider argues that the internet has been plagued by a phenomenon he calls “implicit feudalism”: a bias, both cultural and technical, for building communities as fiefdoms. The consequences have spread far beyond online spaces themselves. Feudal defaults train us to give up on our communities' democratic potential, inclining us to be more tolerant of autocratic tech CEOs and authoritarian politicians. But online spaces could be sites of a creative, radical, and democratic renaissance. Schneider shows how the internet can learn from governance legacies of the past to become a more democratic medium, responsive and inventive unlike anything that has come before. “A prescient analysis of how we create democratic spaces for engagement in the age of polarization. Governable Spaces is new, impeccably researched, and imaginative.” -- Zizi Papacharissi, Professor of Communication and Political Science, University of Illinois at Chicago “This visionary book points a way to scrapping capitalist realism for community control over our digital spaces. Nathan Schneider generously brings together disparate wisdom from abolitionists, Black feminists, and cooperative software engineers to spark our own imaginations and experiments.” -- Lilly Irani, author of Chasing Innovation: Making Entrepreneurial Citizens in Modern India “From feminist theory to blockchain governance, this dizzying array of topics pulls readers out of their comfort zone and forces a novel look at very old questions.” -- Ethan Zuckerman, Associate Professor of Public Policy, Communication, and Information and Computer Sciences, University of Massachusetts Amherst.
Nerve-shattering, enlightening and deeply moving' - JOHN NICHOL 'A powerful and compelling read' - ROWLAND WHITE On 5 December 2002, trainee pilot Nathan Gray walked away from an 'unsurvivable' crash at RAF Wittering in Cambridgeshire. His instructor, seated behind him, was killed instantly. Despite the physical pain and mental scars, he found the strength and resilience to continue his flying career. Today Commander Nathan Gray is one of the UK's elite test pilots - the best of the best. Hazard Spectrum allows us to share Nathan's dizzying journey to the top of the Fleet Air Arm. With over 140 combat missions to his name, he is among the most decorated pilots in the British armed forces - our very own Maverick. In an exhilarating first-person narrative, Nathan takes us inside the cockpit as he holds Taliban fighters at bay in Afghanistan, and leads a top-secret mission to seek out Osama Bin Laden in the mountains of the Hindu Kush. In 2018, Nathan was chosen to complete the first take-off and landing of the world's most advanced fighter aircraft - the F35 stealth jet - on the flight deck of the flagship HMS Queen Elizabeth. A television audience of millions held its collective breath as he geared up for the task. This is the inspiring and unforgettable story of a man with a supreme ability to fly the most sophisticated and deadly planes ever created, who overcomes his personal demons to push the hazard spectrum to the limit - and beyond.
In 1981 Robert John Russell founded what would become the leading center of research at the interface of science and religion, the Center for Theology and the Natural Sciences. Throughout its twenty-five year history, CTNS under Russell's leadership has continued to guide and further the dialogue between science and theology. Russell has been an articulate spokesperson in calling for "creative mutual interaction" between the two fields. God's Action in Nature's World brings together sixteen internationally-recognized scholars to assess Robert Russell's impact on the discipline of science and religion. Focusing on three areas of Russell's work - methodology, cosmology, and divine action in quantum physics - this book celebrates Robert John Russell's contribution to the interdisciplinary engagement between the natural sciences and theology.
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