The first ever English language biography of Erich Honecker, covering his entire life and career. In The Man Who Built the Berlin Wall, Nathan Morley brings to life the story of the longtime leader of the German Democratic Republic. Drawing from a wealth of untapped archival sources – and firsthand interviews with Honecker’s lawyers, journalists, and contemporary witnesses – Morley paints a vivid portrait of how an uneducated miner’s son from the Saarland rose to the highest ranks of the German Communist Party. Having survived a decade of brutality in Nazi prisons, Honecker emerged as an ambitious political player and became the shadowy mastermind behind the construction of the Berlin Wall in 1961, a crucial moment in twentieth-century history. Although frequently on the verge of being relegated to obscurity, he managed to overthrow strongman Walter Ulbricht at the height of the Cold War and reigned supreme over the GDR between 1971-1989. However, by 1980, the Honecker honeymoon was on the wane as a decade of economic and social difficulties blighted the GDR. Then, as tumultuous changes swept through the Soviet bloc, everything in and around him collapsed in 1989. His health, his certainties, his ideology, his apparatus of power, and his beloved SED party. Terminally ill, he was literally kidnapped from Russia to answer for his crimes in a Berlin court. A controversial figure, Honecker’s notorious philandering, his difficult relationship with his wife Margot, penchant for porn, addiction to hunting, and gilded lifestyle at a forest settlement north of Berlin are all brought into sharp focus. Although haunted by the fall of the Berlin Wall, Erich Honecker died in 1994, still believing the GDR was the envy of the world.
A wonderful account of a life filled with far more ups and downs than its subject's languid demeanour ever suggested.' Miles Jupp. Even if the name doesn't ring a bell, you'd recognise David Tomlinson's face – genial and continually perplexed, he was Mr Banks in Mary Poppins, Professor Browne in Bedknobs and Broomsticks and Peter Thorndyke in The Love Bug. To many, he's the epitome of post-war British comedy. But at times his life was more tragedy than comedy. A distinguished RAF pilot in the Second World War, his first marriage was to end in horrific tragedy and his next romance ended with his lover marrying the founder of the American Nazi Party. He did find love and security in his second marriage, but drama still played its part in his life – from the uncovering of an earthshattering family secret to the fight for an autism diagnosis for his son, up against the titans of the British medical establishment. Tomlinson may have died over twenty years ago, but his star continues to shine. In Disney's British Gentleman, Nathan Morley reveals the remarkable story of one of Disney's most beloved icons for the very first time.
Holidays with Hitler tells the story of Germans having state-sponsored fun, and how they spent their leisure time. It looks at consumerism, entertainment and travel in National Socialist Germany. Meticulously researched and written with real verve, this is a fascinating insight into everyday life under the Nazi regime.
The first in-depth look at German home service radio stations during WW2, this is a fascinating insight into how the Nazi war machine sought to shape public opinion at home and abroad. Based on original research and unlimited access of German archives, Radio Hitler is an important new addition to the literature surrounding Nazi Germany.
This is the extraordinary story of Naafi - The Navy, Army and Air Force Institutes - a quietly fantastic retail operation that has seen action in almost every theatre of war over the last century.Beginning with the origins of regimental canteens, through the First World War, World War Two, Suez, Korea, Cyprus, the Falklands, Iraq and Afghanistan, Canteen Army charts the impact that Naafi has had on every aspect of military lives and British culture. It describes how Naafi was never willing to be just a spectator, and maintained the highest standards under shellfire, rocket attacks, air-raids and in the galleys of Navy ships on the high seas. Using diaries, exclusive interviews, news archives, letters, and company records, Canteen Army takes a lively journey to tell the story of how Naafi has worked alongside the remarkable men and women ensuring Britain's survival in the Second World War, and its continued security since then. There are vivid descriptions of what life was like working this vast retail operation, which operated thousands of canteens, pubs, cafes, shops and hotels from the deserts of North Africa to the freezing wastelands of Iceland. Naafi was also responsible for ENSA, the much-ribbed entertainment branch, which chalked up countless wartime shows around the world, featuring stars like Gracie Fields, Arthur Askey and George Formby. Those who have served with the British forces know what a remarkable job Naafi do in both war and peacetime. The men and women of the institute, while sharing the dangers of their comrades in uniform, provide the small luxuries that make life in a war zone more bearable. From the Dunkirk to the battle of the Falklands, Nathan Morley's Canteen Army brings to life the far-reaching history of this much-loved institution."Where our armed forces go Naafi is never far behind. They provide a wonderful service. They build morale. They are there when it matters." - Michael Heseltine
In Forms of Empire, Nathan K. Hensley shows how the modern state's anguished relationship to violence pushed writers to expand the capacities of literary form. The Victorian era is often imagined as an "age of equipoise," but the period between 1837 and 1901 included more than two hundred separate wars. What is the difference, though, between peace and war? Forms of Empire unpacks the seeming paradoxes of the Pax Britannica's endless conflict, showing that the much vaunted equipoise of the nineteenth-century state depended on physical force to guarantee it. But the violence hidden in the shadows of all law --the violence of sovereign power itself--shuddered most visibly into being at the edges of law's reach, in the Empire, where emergency was the rule and death perversely routinized. This book follows some of the nineteenth century's most astute literary thinkers--George Eliot, Charles Dickens, Wilkie Collins, A.C. Swinburne, H. Rider Haggard, and Robert Louis Stevenson among them--as they wrestled with the sometimes sickening interplay between order and force, and generated new formal techniques to account for fact that an Empire built on freedom had death coiled at its very heart. In contrast to the progressive idealism we have inherited from the Victorians, the writers at the core of Forms of Empire moved beyond embarrassment and denial in the face of modernity's uncanny relation to killing. Instead they sought effects--free indirect discourse, lyric tension, and the idea of literary "character" itself--that might render thinkable the conceptual vertigoes of liberal violence. In the process, they touched up to the dark core of our post-Victorian modernity. Drawing on archival work, literary analyses, and a theoretical framework that troubles the distinction between "historicist" and "formalist" approaches, Forms of Empire links the Victorian period to the present and articulates a forceful vision of why literary thinking matters now.
Does fiction do more than just represent space? Can our experiences with fictional storytelling be in themselves spatial? In Constructing Spain: The Re-imagination of Space and Place in Fiction and Film, Nathan Richardson explores relations between cultural representation and spatial transformation across fifty years of Spanish culture. Beginning in 1953, the year Spanish space was officially reopened to Western thought and capital, and culminating in 2003, the year of Aznar's unpopular involvement of his country in the second Iraq War, Richardson traces in popular and critically acclaimed fiction and film an evolution in Spanish storytelling that, while initially representative in nature, increasingly engages its audience in spatial practices that go beyond mere perception or conception of local material geographies. In original readings of films by Luis Berlanga, Luis Bu uel, Alex de la Iglesia, Alejandro Amen bar, and Julio Medem, and novels by Juan Goytisolo, Antonio Mu oz Molina, and Javier Mar as, Richardson shows this formal evolution as a necessary response to developments, restorations, and transformations of local landscapes that resulted during these years from various human migrations, tourist-invasions, urban development plans, resurgent nationalisms, and finally globalization. As these changes occur, Richardson traces a shift in the works studied from mere representation of spatial change toward actual engagement with shifting physical and social geographies, as they inch ever closer toward the production of an actual spatial experience for their audiences. In the final chapters of this book, Richardson offers in-depth and highly original readings of the storytelling projects of Medem and Mar as in particular, showing how these two artists invite readers to not only reconceive hegemonic notions of space and place, but to practice alternative notions of being-in-place. In these final readings, Constructing Spain, points to the newest developments in contemporary Spanish narrative and film, a rise of new grammars of creation to challenge the ongoing capital-driven creative destruction of globalized Spanish geography.
Covering the full spectrum of clinical issues and options in anesthesiology, Barash, Cullen, and Stoelting’s Clinical Anesthesia, Ninth Edition, edited by Drs. Bruce F. Cullen, M. Christine Stock, Rafael Ortega, Sam R. Sharar, Natalie F. Holt, Christopher W. Connor, and Naveen Nathan, provides insightful coverage of pharmacology, physiology, co-existing diseases, and surgical procedures. This award-winning text delivers state-of-the-art content unparalleled in clarity and depth of coverage that equip you to effectively apply today’s standards of care and make optimal clinical decisions on behalf of your patients.
Available for the first time in English, this is the definitive account of the practice of sexual slavery the Japanese military perpetrated during World War II by the researcher principally responsible for exposing the Japanese government's responsibility for these atrocities. The large scale imprisonment and rape of thousands of women, who were euphemistically called "comfort women" by the Japanese military, first seized public attention in 1991 when three Korean women filed suit in a Toyko District Court stating that they had been forced into sexual servitude and demanding compensation. Since then the comfort stations and their significance have been the subject of ongoing debate and intense activism in Japan, much if it inspired by Yoshimi's investigations. How large a role did the military, and by extension the government, play in setting up and administering these camps? What type of compensation, if any, are the victimized women due? These issues figure prominently in the current Japanese focus on public memory and arguments about the teaching and writing of history and are central to efforts to transform Japanese ways of remembering the war. Yoshimi Yoshiaki provides a wealth of documentation and testimony to prove the existence of some 2,000 centers where as many as 200,000 Korean, Filipina, Taiwanese, Indonesian, Burmese, Dutch, Australian, and some Japanese women were restrained for months and forced to engage in sexual activity with Japanese military personnel. Many of the women were teenagers, some as young as fourteen. To date, the Japanese government has neither admitted responsibility for creating the comfort station system nor given compensation directly to former comfort women. This English edition updates the Japanese edition originally published in 1995 and includes introductions by both the author and the translator placing the story in context for American readers.
In May 2003, President George W. Bush declared victory in Iraq. But while we won the war, we catastrophically lost the peace. Our failure prompted a fundamental change in our foreign policy. Confronted with the shortcomings of "shock and awe," the U.S. military shifted its focus to "stability operations": counterinsurgency and the rebuilding of failed states. In less than a decade, foreign assistance has become militarized; humanitarianism has been armed. Combining recent history and firsthand reporting, Armed Humanitarians traces how the concepts of nation-building came into vogue, and how, evangelized through think tanks, government seminars, and the press, this new doctrine took root inside the Pentagon and the State Department. Following this extraordinary experiment in armed social work as it plays out from Afghanistan and Iraq to Africa and Haiti, Nathan Hodge exposes the difficulties of translating these ambitious new theories into action. Ultimately seeing this new era in foreign relations as a noble but flawed experiment, he shows how armed humanitarianism strains our resources, deepens our reliance on outsourcing and private contractors, and leads to perceptions of a new imperialism, arguably a major factor in any number of new conflicts around the world. As we attempt to build nations, we may in fact be weakening our own. Nathan Hodge is a Washington, D.C.-based writer who specializes in defense and national security. He has reported from Iran, Iraq, Afghanistan, Russia, and a number of other countries in the Middle East and former Soviet Union. He is the author, with Sharon Weinberger, of A Nuclear Family Vacation, and his work has appeared in Slate, the Financial Times, Foreign Policy, and many other newspapers and magazines.
Popol Wujis considered one of the oldest books in the Americas. Various elements of Popol Wuj have appeared in different written forms over the last two millennia and several parts of Popol Wuj likely coalesced in hieroglyphic book form a few centuries before contact with Europeans. Popol Wuj offers a unique interpretation of the Maya world and ways of being from a Maya perspective. However, that perspective is often occluded since the extant Popol Wuj is likely a copy of a copy of a precontact Indigenous text that has been translated many times since the fifteenth century. Reading Popol Wujoffers readers a path to look beyond Western constructions of literature to engage with this text through the philosophical foundation of Maya thought and culture. This guide deconstructs various translations to ask readers to break out of the colonial mold in approaching this seminal Maya text. Popol Wuj, or Popol Vuh, in its modern form, can be divided thematically into three parts: cosmogony (the formation of the world), tales of the beings who inhabited the Earth before the coming of people, and chronicles of different ethnic Maya groups in the Guatemala area. Examining thirteen translations of the K’iche’ text, Henne offers a decolonial framework to read between what translations offer via specific practice exercises for reading, studying, and teaching. Each chapter provides a close reading and analysis of a different critical scene based on a comparison of several translations (English and Spanish) of a key K’iche’ word or phrase in order to uncover important philosophical elements of Maya worldviews that resist precise expression in Indo-European languages. Charts and passages are frontloaded in each chapter so the reader engages in the comparative process before reading any leading arguments. This approach challenges traditional Western reading practices and enables scholars and students to read Popol Wuj—and other Indigenous texts—from within the worldview that created them.
The standard university-level text for decades, this volume offers exercises in construction problems, harmonic division, circle and triangle geometry, and other areas. 1952 edition, revised and enlarged by the author.
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