Once described as "the best crime writer you've never heard of," James Sallis is a largely underexplored figure in contemporary American literature. Best known for his thriller novel Drive--later adapted into the acclaimed 2011 movie of the same name starring Ryan Gosling and Carey Mulligan--Sallis has written across a range of genres and forms, including short fiction, poetry, musicology, science fiction, biography, nonfiction essays, literary reviews, and criticism. This companion, the first comprehensive examination of Sallis' writings, locates him as a vital voice within mystery fiction. In addition to an alphabetized analysis of his works, it includes a biography, career chronology, and an interview with the author. Readers will gain a deeper understanding of Sallis' extraordinary life and career, as well as insight into the recurrent themes and motifs of his rich and varied writings. This book is both an introduction to Sallis' work for new readers and a thorough reference guide for established fans and scholars.
James Ellroy is an acclaimed yet controversial popular novelist. Since the publication of his first novel Brown’s Requiem in 1981, Ellroy’s eccentric “Demon Dog” persona and his highly stylized, often pornographically violent crime novels have continued to polarize both public and academic opinion. This book addresses the voyeuristic dimensions of Ellroy’s fiction, one of the most significant yet underexplored issues in his work. Focusing exclusively on Ellroy’s two collections of epic noir fiction, The L.A. Quartet and The Underworld U.S.A. Trilogy, it critically reflects on a vivid preoccupation with eyes, visual culture, and visual technologies that spans across both these bodies of work. Using a combination of psychoanalysis and postmodern and cultural theory, Nathan Ashman argues that Ellroy’s fiction traces the development of the voyeur from a deviant and perverse “peeping tom” into a recognizable, contemporary “social type,” a paranoid and obsessive viewer who is a product of the decentered and hallucinatory ”cinematic” world that he inhabits. In particular, James Ellroy and Voyeur Fiction illuminates a convergence between voyeurism and recurring patterns of “ocularcentric crisis” in Ellroy’s texts, as characters become continually unable to understand or interpret through vision. Alongside a thematic analysis of obsessive watching, Ashman also argues that Ellroy’s works—particularly his later novels—are themselves voyeuristic, implicating the reader in these broader narrative patterns of both visual and epistemophilic obsession.
David Myers’ new partnership with coauthor C. Nathan DeWall matches two dedicated educators and scholars, each passionate about teaching psychological science through writing and interactive media. With this new edition of the #1 bestselling Psychology, Myers and DeWall take full advantage of what an integrated text/media learning combination can do. New features move students from reading the chapter to actively learning online: How Would You Know puts students in the role of scientific researcher and includes tutorials on key research design principles; Assess Your Strengths self-tests help students learn a little more about themselves, and include tips about nurturing key strengths. These and other innovations rest on the same foundations that have always distinguished a new David Myers edition—exhaustive updating (hundreds of new citations), captivating writing, and the merging of rigorous science with a broad human perspective that engages both the mind and heart.
In this version of Psychology, Twelfth Edition, David Myers and Nathan DeWall break down the new edition's?16 chapters into 53 modules, assignable in any sequence and brief enough to be read in one sitting. It's a format favored by a wide range of students and instructors, one that's supported by substantial research showing that students working with shorter reading assignments develop a deeper understanding of the material. The new edition of Modules includes the same new features and content of Psychology, Twelfth Edition, including hundreds of new citations and new infographics. And like Psychology, Twelfth Edition is more than ever a fully integrated text/media learning package, with the modular edition's LaunchPad now featuring dozens of new Concept Practice activities.
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