The ... never-before-told story of Hollywood icon Natalie Wood's glamorous life, sudden death, and lasting legacy, written by her daughter, Natasha Gregson Wagner"--
The heartbreaking, never-before-told story of Hollywood icon Natalie Wood’s glamorous life, sudden death, and lasting legacy, written by her daughter, Natasha Gregson Wagner. More Than Love is a memoir of loss, grief, and coming-of-age by a daughter of Hollywood royalty. Natasha Gregson Wagner’s mother, Natalie Wood, was a child actress who became a legendary movie star, the dark-haired beauty of Splendor in the Grass, Rebel Without a Cause, and West Side Story. She and Natasha’s stepfather, the actor Robert Wagner, were a Hollywood it-couple twice over, first in the 1950s, and then again when they remarried in the 70s. But Natalie’s sudden death by drowning off Catalina Island at the age of forty-three devastated her family, made her stepfather a person of interest, and turned a vibrant wife, mother, and actress into a tragic figure. The events of that weekend have long been a mystery, and despite the rumors, scandalous media coverage, and accusations of wrongdoing, there has never been an account of how the tragedy was experienced by her daughter. For the first time Natasha addresses the questions surrounding that night to clear her beloved stepfather’s name. More Than Love begins on the morning after her mother’s death in November 1981 when eleven-year-old Natasha hears the news on the radio that her mother’s body has been found off the coast of Catalina after her parents had spent the weekend on the family boat, The Splendour. From this profound and shattering loss, Natasha shares her memories of her earliest bonds with her mother; her warm, loving, and slightly chaotic childhood as the daughter of two stars; the lost and confused years of her adolescence; and her halting attempts to move forward as a young woman. Beautifully told, More Than Love is an emotionally powerful tale of a daughter coming to terms with her grief, as well as a riveting portrait of a famous mother and a vanished Hollywood.
An Indie Next Pick Now in paperback, Natasha Pulley's "witty, entrancing novel . . . burnishes her reputation as a gifted storyteller" (Publishers Weekly, starred review). In 1859, ex–East India Company smuggler Merrick Tremayne is trapped at home in Cornwall with an injury that almost cost him his leg. When the India Office recruits him for an expedition to fetch quinine--essential for the treatment of malaria--from deep within Peru, he knows it's a terrible idea; nearly every able-bodied expeditionary who's made the attempt has died, and he can barely walk. But Merrick is eager to escape the strange events plaguing his family's crumbling estate, so he sets off, against his better judgment, for the edge of the Amazon. There he meets Raphael, a priest around whom the villagers spin unsettling stories of impossible disappearances, cursed woods, and living stone. Merrick must separate truth from fairy tale, and gradually he realizes that Raphael is the key to a legacy left by generations of Tremayne explorers before him, one which will prove more valuable than quinine, and far more dangerous.
Shakespeare's Domestic Economies explores representations of female subjectivity in Shakespearean drama from a refreshingly new perspective, situating The Taming of the Shrew, The Merry Wives of Windsor, Othello, and Measure for Measure in relation to early modern England's nascent consumer culture and competing conceptions of property. Drawing evidence from legal documents, economic treatises, domestic manuals, marriage sermons, household inventories, and wills to explore the realities and dramatic representations of women's domestic roles, Natasha Korda departs from traditional accounts of the commodification of women, which maintain that throughout history women have been "trafficked" as passive objects of exchange between men. In the early modern period, Korda demonstrates, as newly available market goods began to infiltrate households at every level of society, women emerged as never before as the "keepers" of household properties. With the rise of consumer culture, she contends, the housewife's managerial function assumed a new form, becoming increasingly centered around caring for the objects of everyday life—objects she was charged with keeping as if they were her own, in spite of the legal strictures governing women's property rights. Korda deftly shows how their positions in a complex and changing social formation allowed women to exert considerable control within the household domain, and in some areas to thwart the rule of fathers and husbands.
Sad and funny and bitter and true, a novel about grief, discovering your own story, and trying to listen for those stories that are not yours to tell. August 2014. Two friends, writers Damaris Caleemootoo and Oliver Pablo Herzberg, arrive in Edinburgh from London, the city that killed Daniel—his brother, her frenemy and loved by them both. Every day is different but the same. Trying to get to the library, they get distracted by bickering—will it rain or not and what should they do about their tanking bitcoin?—in the end failing to write or resist the sadness which follows them as they drift around the city. On such a day they meet Diego, a poet. They learn that Diego’s mother was from the Chagos Archipelago, that she and her community were forced to leave their ancestral islands by soldiers in 1973 to make way for a military base. They become obsessed with this notorious episode in British history and the continuing resistance of the Chagossian people, and feel urged to write in solidarity. But how to share a story that is not theirs to tell? Sad, funny and angry, this collaborative fiction builds on the true fact of another: a collaborative fiction created by the British and US governments to dispossess a people of their homeland.
Surreal, vivid, haunting, mischievous, visionary' Lauren Elkin 'Drifts is a stunning achievement. It invites us to see the world differently, as if through a kaleidoscope for the first time' Hassan Melehy 'This is wonderful - we encounter not only the Gulf War and the falling Twin Towers of Manhattan but also London, Bahrain, Texas, Dhahran, souqs, sandstorms, slantways Arabic, and cats with weeping eyes. Read on. Drift on' John Schad Natasha Burge was born and grew up in Saudi Arabia, where her family lived for more than half a century. Through various departures and returns - a year at boarding school in New England, university in London, a small town in Texas where there are more cows than people, back to work in Bahrain - the years of difficulty, isolation and severe anxiety take their toll. Finally, at 37 years old she received the life-changing news that she is autistic. In this striking exploration of identity and place, Burge probes these intertwined strands of her being: what it means to grow up at the interstices of different cultures, and what it is to experience unrecognised neurodivergence and a late diagnosis of autism. From the cosmopolitan heritage of Muharraq's Pearling Path to the jebels of Saudi Arabia's Eastern Province, Burge charts a new course through the stories of the Arabian Gulf and the myths surrounding autism. The result is a work of dazzling insight, sensitivity and awareness.
Winner of the 2018 International Standing Conference for the History of Education's First Book Award Drawing on a rich array of archival sources and historical detail, The Politics of 1930s British Literature tells the story of a school-minded decade and illuminates new readings of the politics and aesthetics of 1930s literature. In a period of shifting political claims, educational policy shaped writers' social and gender ideals. This book explores how a wide array of writers including Virginia Woolf, W.H. Auden, George Orwell, Winifred Holtby and Graham Greene were informed by their pedagogic work. It considers the ways in which education influenced writers' analysis of literary style and their conception of future literary forms. The Politics of 1930s British Literature argues that to those perennial symbols of the 1930s, the loudspeaker and the gramophone, should be added the textbook and the blackboard.
In 1834 Antigua became the only British colony in the Caribbean to move directly from slavery to full emancipation. Immediate freedom, however, did not live up to its promise, as it did not guarantee any level of stability or autonomy, and the implementation of new forms of coercion and control made it, in many ways, indistinguishable from slavery. In Troubling Freedom Natasha Lightfoot tells the story of how Antigua's newly freed black working people struggled to realize freedom in their everyday lives, prior to and in the decades following emancipation. She presents freedpeople's efforts to form an efficient workforce, acquire property, secure housing, worship, and build independent communities in response to elite prescriptions for acceptable behavior and oppression. Despite its continued efforts, Antigua's black population failed to convince whites that its members were worthy of full economic and political inclusion. By highlighting the diverse ways freedpeople defined and created freedom through quotidian acts of survival and occasional uprisings, Lightfoot complicates conceptions of freedom and the general narrative that landlessness was the primary constraint for newly emancipated slaves in the Caribbean.
Join fifteen bestselling, award-winning, and up-and-coming authors as they reimagine some of the most popular tropes in the romance genre. Fake relationships. Enemies to lovers. Love triangles and best friends, mistaken identities and missed connections. This collection of genre-bending and original stories celebrates how love always finds a way, featuring powerful flora, a superhero and his nemesis, a fantastical sled race through snow-capped mountains, a golf tournament, the wrong ride-share, and even the end of the world. With stories written by Rebecca Barrow, Ashley Herring Blake, Gloria Chao, Mason Deaver, Sara Farizan, Claire Kann, Malinda Lo, Hannah Moskowitz, Natasha Ngan, Rebecca Podos, Lilliam Rivera, Laura Silverman, Amy Spalding, Rebecca Kim Wells, and Julian Winters this collection is sure to sweep you off your feet.
Looking at Andy Warhol’s legacy as maker and muse, this book offers a critical examination of the coalescence of commerce and style. Merchants of Style explores the accelerating convergence of art and fashion, looking at the interplay of artists and designers, and the role of institutions—both public and commercial—that have brought about this marriage of aesthetic industries. The book argues that one figure more than any other anticipated this moment: Andy Warhol. Beginning with an overview of art and fashion’s deeply entwined histories, and then picking up where Warhol left off, Merchants of Style tells the story of art’s emboldened forays into commerce and fashion’s growing embrace of art. As the two industries draw closer together than ever before, this book addresses urgent questions about what this union means and what the future holds.
Companion volume to the bestselling Gut & Psychology Syndrome—the book that launched the GAPS diet—which has been translated into 22 languages and sold more than 300,000 copies. Since the publication of the first GAPS book, Gut and Psychology Syndrome, in 2004, the GAPS concept has become a global phenomenon. People all over the world have been using the GAPS Nutritional Protocol for healing from physical and mental illnesses. The first GAPS book focused on learning disabilities and mental illness. This new book, Gut and Physiology Syndrome, focuses on the rest of the human body and completes the GAPS concept. Allergies, autoimmune illness, digestive problems, neurological and endocrine problems, asthma, eczema, chronic fatigue syndrome and fibromyalgia, psoriasis and chronic cystitis, arthritis and many other chronic degenerative illnesses are covered. Dr. Campbell-McBride believes that the link between physical and mental health, the food and drink that we take, and the condition of our digestive system is absolute. The clinical experience of many holistic doctors supports this position.
In A New Type of Womanhood, Natasha Kirsten Kraus retells the history of the 1850s woman’s rights movement. She traces how the movement changed society’s very conception of “womanhood” in its successful bid for economic rights and rights of contract for married women. Kraus demonstrates that this discursive change was a necessary condition of possibility for U.S. women to be popularly conceived as civil subjects within a Western democracy, and she shows that many rights, including suffrage, followed from the basic right to form legal contracts. She analyzes this new conception of women as legitimate economic actors in relation to antebellum economic and demographic changes as well as changes in the legal structure and social meanings of contract. Enabling Kraus’s retelling of the 1850s woman’s rights movement is her theory of “structural aporias,” which takes the institutional structures of any particular society as fully imbricated with the force of language. Kraus reads the antebellum relations of womanhood, contract, property, the economy, and the nation as a fruitful site for analysis of the interconnected power of language, culture, and the law. She combines poststructural theory, particularly deconstructive approaches to discourse analysis; the political economic history of the antebellum era; and the interpretation of archival documents, including woman’s rights speeches, petitions, pamphlets, and convention proceedings, as well as state legislative debates, reports, and constitutional convention proceedings. Arguing that her method provides critical insight not only into social movements and cultural changes of the past but also of the present and future, Kraus concludes A New Type of Womanhood by considering the implications of her theory for contemporary feminist and queer politics.
The international ceramics scene is enjoying the highest profile it has had for many years. Breaking the Mould looks at ceramic artists working within this versatile medium. Drawing on the rich history of pottery these artists are pushing the techniques, objectives and perceptions of the medium into new, exciting territory. The book profiles the work of over 70 ceramicists, including Suzanne King, Simon Fell, Grayson Perry, Barnaby Barford, Carina Ciscato and Amy Houghton. Their work ranges from interpretations of utilitarian pots, to abstract sculpture and a revisioning of kitch porcelain ornaments, all of which are brought to life in beautiful colour reproductions. Essays by prolific makers and academics look at the history and inspirations behind the medium today. Following in the footsteps of New Directions in Jewellery, Fashioning Fabrics and The Cutting Edge of Wallpaper, Breaking the Mould is a definitive overview of a craft scene that is simultaneously building upon and breaking with its roots, and in doing so creating a brave new future for itself.
DIY enthusiasts, tiny house-lovers, and van-lifers will find inspiration and step-by-step instructions in Tin Can Homestead, the ultimate resource for living small in your own Airstream paradise. The Airstream trailer is the ultimate symbol of vintage wanderlust-and the classic touring vehicle's resurgent popularity has dovetailed with the tiny house movement, resonating with design-minded individuals looking to live small. Tin Can Homestead, based on the popular Instagram of the same name, is the ultimate resource for these would-be DIY-ers, and the perfect coffee-table addition for anyone looking for streamlined, modern lifestyle inspiration. Part practical how-to, part lushly illustrated design inspiration, Tin Can Homestead follows the story of one couple as they build themselves a new life in an old Airstream. Through personal stories and down-and-dirty checklists, this book guides readers through all stages of creating their own Airstream homes-from buying a trailer to plumbing and electrical work. With a hip, bohemian aesthetic and a fresh authorial voice, the authors pair their DIY knowledge with lifestyle advice-including dér, design, and entertaining-and abundant illustrations, from in-process photographs to hand-drawn illustrations.
At the turn of the twenty-first century, with the amount of money emigrants sent home soaring to new highs, governments around the world began searching for ways to capitalize on emigration for economic growth, and they looked to nations that already had policies in place. Morocco and Mexico featured prominently as sources of "best practices" in this area, with tailor-made financial instruments that brought migrants into the banking system, captured remittances for national development projects, fostered partnerships with emigrants for infrastructure design and provision, hosted transnational forums for development planning, and emboldened cross-border political lobbies. In Creative State, Natasha Iskander chronicles how these innovative policies emerged and evolved over forty years. She reveals that the Moroccan and Mexican policies emulated as models of excellence were not initially devised to link emigration to development, but rather were deployed to strengthen both governments' domestic hold on power. The process of policy design, however, was so iterative and improvisational that neither the governments nor their migrant constituencies ever predicted, much less intended, the ways the new initiatives would gradually but fundamentally redefine nationhood, development, and citizenship. Morocco's and Mexico's experiences with migration and development policy demonstrate that far from being a prosaic institution resistant to change, the state can be a remarkable site of creativity, an essential but often overlooked component of good governance.
For the millions of menstruating women who suffer from debilitating pain, erratic periods, heavy bleeding, or the effects of premenstrual syndrome every month, this book explores a crucial missing link: stress. Drawing on personal experience of overcoming crippling period pain and clinical expertise as a medical herbalist, Natasha Richardson gives practical advice on using simple herbal remedies and how to change the way we approach our daily schedules - from sleep to nutrition. Common menstrual problems are explored with advice on how to treat their underlying causes. Heavy bleeding, erratic cycles, missed periods, painful cramps, acne, breast tenderness, PMS, migraine, and anxiety are featured plus the red flag symptoms to watch out for. Conditions such as endometriosis, PCOS, and fibroids are looked at in depth with accompanying treatment plans.
Discover the rich biodiversity of Earth's biomes - and how they might be saved - with this STEAM-based subset of True Books. Did you know that it stays dark, 24-hours-a-day, for months at a time in the tundra? This frigid biome also has permanently frozen ground! Get ready to investigate some of Earth's most unforgiving ecosystems, as well as the plants and animals that have adapted to survive in them. You'll also learn about the many threats facing this fascinating biome - and what each of us can do to help - all in the pages of Tundra in Danger. ABOUT THE SERIES: There are five major biomes on Earth: desert, forest, grassland, aquatic, and tundra. These rich, wild places are home to a wide variety of plants and animals - many of which are found nowhere else. Unfortunately, these ecosystems have been put at risk by human activities. This STEAM-based set of True Books introduces students to the incredible biodiversity of Earth's amazing biomes, as well as the threats they face in the era of climate change. Interesting information is presented in a fun, friendly way - and in the simplest terms possible - and will inspire kids to think about how they can help stop the destruction of Earth's wild spaces.
A moving story of family and a life-long love affair in 1950s London, from the New York Times bestselling author of The House at Tyneford. London, 1958. It's the eve of the sexual revolution, but in Juliet Montague's conservative Jewish community where only men can divorce women, she finds herself a living widow, invisible. Ever since her husband disappeared seven years ago, Juliet has been a hardworking single mother of two and unnaturally practical. But on her thirtieth birthday, that's all about to change. A wealthy young artist asks to paint her portrait, and Juliet, moved by the powerful desire to be seen, enters into the burgeoning art world of 1960s London, which will bring her fame, fortune, and a life-long love affair.
Tara Narang is freshly divorced. Arpita Bhatia is a clichéd South-Delhi daughter-in-law. Upasana Qazi is in a live-in relationship. Sana Chopra is a serial dater. The gossip-driven friendship of these four women is truly tested, when over the course of a fateful evening, catastrophic secrets are revealed that makes them question how well they really know each other! Their lives are now twisted and intertwined in ways that they never imagined! Can these women piece their lives back together and become a true Foursome?
This book examines traditional theories of linguistic vitality in the context of subcultural languages. It argues that traditional methods of investigating linguistic vitality are, according to existing literature, not as reliable as they appear and therefore limited in their testability. The author looks at themes such as the relationships between language and culture, ethnicity within the scope of sociolinguistics, and the notion of ideolinguistic vitality where traditional views intersect with more contextually current ones. She also highlights the importance of studying the nature and principles of subcultural languages which help better inform our understanding of the superdiverse linguistic world. The volume makes a major contribution to modern sociolinguistics by offering a detailed account of developing a unique measuring instrument to gauge the vitality of subcultural languages, which is applicable to more than just subcultural linguistics. An indispensable text in the study of ethnolinguistic vitality, the book will be of interest to students and researchers of sociolinguistics, applied linguistics, identity theory, philology, language and literature, cultural studies, and postcolonial studies.
What do we mean by failed states and why is this concept important to study? The “failed states” literature is important because it aims to understand how state institutions (or lack thereof) impact conflict, crime, coups, terrorism and economic performance. In spite of this objective, the “failed state” literature has not focused enough on how institutions operate in the developing world. This book unpacks the state, by examining the administrative, security, judicial and political institutions separately. By doing so, the book offers a more comprehensive and clear picture of how the state functions or does not function in the developing world, merging the failed state and institutionalist literatures. Rather than merely describing states in crisis, this book explains how and why different types of institutions deteriorate. Moreover, the book illustrates the impact that institutional decay has on political instability and poverty using examples not only from Africa but from all around the world.
Breath-takingly fierce, smart and tender, Only the Ocean is a story of survival, and courage in the midst of darkness that will thrill fans of Patrick Ness and Sarah Crossan The two girls sat at opposite ends of the boat and Kel dug and stretched the oars into the ocean like her life depended upon it because it did. 'Just so you know,' said Rose, 'everything, and I mean everything, is your fault.' Kel Crow lives in a dead-end swamp with her deadbeat family and a damaged heart. But she has a plan to escape. It's a one-two-three fortune story that goes: stow away on the ship, kidnap the girl, swap the girl to pay for passage to America and a life-saving operation. But the ocean is an untameable force, and wrecks ships and plans alike ... Sweet, raw and uncompromising – this is the story of an unforgettable relationship forged on an epic journey.
Fans of Chasing Vermeer will love this clever mystery about art, artifice, and the power of community. WATCHER. SHADOW. FUGITIVE.Harlem is home to all kinds of kids. Jin sees life passing her by from the window of her family's bodega. Alex wants to help the needy one shelter at a time, but can't tell anyone who she really is. Elvin's living on Harlem's cold, lonely streets, surviving on his own after his grandfather was mysteriously attacked.When these three strangers join forces to find out what happened to Elvin's grandfather, their digging leads them to an enigmatic artist whose missing masterpieces are worth a fortune-one that might save the neighborhood from development by an ambitious politician who wants to turn it into Harlem World, a ludicrous historic theme park. But if they don't find the paintings soon, nothing in their beloved neighborhood will ever be the same . . .In this remarkable tale of daring and danger, debut novelist Natasha Tarpley explores the way a community defines itself, the power of art to show truth, and what it really means to be home.
On a frozen Cornish moor, Ennor lives in a trailer with her dad and little brother. Her mother left years ago - and slowly their world has fallen apart. Now her father's gravely ill, and Ennor knows they're going to take her brother away if things don't pick up soon. So Ennor packs a blanket, a map, a saucepan and a gun into her rucksack, and sets off to find her mum and bring her home, a journey that will change her life for ever.
When her husband arrives home carrying a crate of colorful orchids, Ada Caswell Pryce thinks he is bringing her a gift, a peace offering during an unhappy time in their marriage; little does she know how much these strange looking flowers are going to change her life. By Boston standards of the 1890’s, Ada is not a good wife. Strong-willed and beautiful, she longs for the days at university when she was free to be herself. Her husband Edward is intent on curbing her wild behavior, but she thwarts him at every turn -- she drinks wine with the housekeepers, gives feminist books to her maid, and sneaks out for midnight horseback rides along the Charles River. To treat Ada’s “hysteria,” Edward restricts her daily activities and her relationships, then carefully choreographs her sexuality. Unable to bear another day of her stultifying and demeaning existence, Ada secretly plots ways to leave. Ultimately, it is her husband’s all-consuming passion for collecting rare orchids that provides Ada with a daring opportunity for escape. Once free, Ada’s lust for adventure takes her through the dangerous slums of New York, across the high seas of the Atlantic, and finally deep into the lush jungles of Brazil.
Acts of Repair explores how ordinary people grapple with decades of political violence and genocide in Argentina—a history that includes the Holocaust, the political repression of the 1976–1983 dictatorship, and the 1994 AMIA bombing. Although the struggle against impunity seems inevitably incomplete, Argentines have created possibilities for repair through cultural memory, yielding spaces for transformation and agency critical to personal and political recovery.
The Little Book of Leicestershire is a compendium full of information which will make you say, 'I never knew that!' Contained within is a plethora of entertaining facts about Leicestershire's famous and occasionally infamous men and women, its literary, artistic and sporting achievements, customs ancient and modern, transport, battles and ghostly appearances. A reliable reference book and a quirky guide, this can be dipped in to time and time again to reveal something new about the people, the heritage, the secrets and the enduring fascination of the county. A remarkably engaging little book, this is essential reading for visitors and locals alike.
This book is a lyrical journey through the emotions and experiences that shape our lives. From the gentle embrace of love to the poignant ache of loss, these poems weave together the threads of human existence with grace and insight. Each verse is a delicate dance of words, inviting readers to immerse themselves in the beauty of language and explore the depths of the human soul. With themes ranging from nature's splendor to the complexities of the human heart, this collection offers solace, inspiration, and a profound appreciation for the power of poetry to illuminate the experience.
From the New York Times bestselling author of The House at Tyneford comes a captivating 1940s English country novel of a love triangle, family obligations, and rediscovering joy in the face of grief—perfect for fans of Kate Morton and Downton Abbey. New Year’s Eve, Dorset, England, 1946. Candles flicker, a gramophone scratches out a tune as guests dance and sip champagne—for one night Hartgrove Hall relives better days. Harry Fox-Talbot and his brothers have returned from World War II determined to save their once grand home from ruin. But the arrival of beautiful Jewish wartime singer Edie Rose tangles the threads of love and duty, and leads to a devastating betrayal. Fifty years later, now a celebrated composer, Fox reels from the death of his adored wife, Edie. Until his connection with his four-year old grandson—a music prodigy—propels him back into life, and ultimately to confront his past. An enthralling novel about love and treachery, joy after grief, and a man forced to ask: is it ever too late to seek forgiveness?
Get ready for another heart-racing, twist-filled thriller from the #1 NEW YORK TIMES bestselling author NATASHA PRESTON. WOULD YOU ACCEPT THE DARE? In Marley's town, senior student pranks are a rite of passage. They start out simple: Marley and her friends - Atlas, Lucia and Jesse - egg houses, fill the headteacher's office with glitter-filled balloons and set chickens loose in the halls. But when Jesse accepts a dare to drive Danger Alley, a ten-mile stretch of winding road that's notorious for car crashes, with no headlights, things take a turn for the worse. With her friends never backing down, Marley is caught between keeping the peace and keeping herself safe. Just how far will they all go to finish a dare? And, more importantly, will any of them make it back the same?
Engaging, modern fables with a feminist tang' Sunday Times DARK, POTENT AND UNCANNY, HAG BURSTS WITH THE UNTOLD STORIES OF OUR ISLES, CAPTURED IN VOICES AS VARIED AS THEY ARE VIVID. Here are sisters fighting for the love of the same woman, a pregnant archaeologist unearthing impossible bones and lost children following you home. A panther runs through the forests of England and pixies prey upon violent men. From the islands of Scotland to the coast of Cornwall, the mountains of Galway to the depths of the Fens, these forgotten folktales howl, cackle and sing their way into the 21st century, wildly reimagined by some of the most exciting women writing in Britain and Ireland today. 'A thoroughly original package that has a hint of Angela Carter' The Times 'Sharp writing and cleverly done' Spectator
Arianne knew Luc before he went away, of course she did. Everyone in Samaroux knows each other. When he returns after five years, the spark between them reignites and becomes something more, but will the war let them be together? As the two teens fall deeply in love, their world starts to crumble around them. German forces, reeling from defeats in the east, are closing in, and Luc, desperate to atone for his family's past, wants to join the resistance. Arianne will do anything to keep him safe, but in such a small village, Luc is not alone in his love for Arianne. And Luc's rival just might be a traitor. How far will they go to protect what they believe in? And what will they do for love?
Winner of 2010 Meyer-Whitworth Award The 2012 Olympics spells eviction for the generations of Romany Gypsies living in East London. 17 year old Pearl Penfold is one of them. As the bulldozers close in, Pearl falls in love with Joe, a boy from the local estate.Can Joe prove himself to Pearl and her family before they are gone forever?
The first in-depth study of Hendrick ter Brugghen to address questions beyond connoisseurship and attribution, this book illuminates the complex meanings of some of the Dutch master's works. The author explores in particular Caravaggio's influence, his use of archaism, and materiality in Ter Brugghen's paintings. At the same time, she offers insights into the image debates and status of devotional art in Italy and Utrecht in the seventeenth century.
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