Fans of Chasing Vermeer will love this clever mystery about art, artifice, and the power of community. WATCHER. SHADOW. FUGITIVE.Harlem is home to all kinds of kids. Jin sees life passing her by from the window of her family's bodega. Alex wants to help the needy one shelter at a time, but can't tell anyone who she really is. Elvin's living on Harlem's cold, lonely streets, surviving on his own after his grandfather was mysteriously attacked.When these three strangers join forces to find out what happened to Elvin's grandfather, their digging leads them to an enigmatic artist whose missing masterpieces are worth a fortune-one that might save the neighborhood from development by an ambitious politician who wants to turn it into Harlem World, a ludicrous historic theme park. But if they don't find the paintings soon, nothing in their beloved neighborhood will ever be the same . . .In this remarkable tale of daring and danger, debut novelist Natasha Tarpley explores the way a community defines itself, the power of art to show truth, and what it really means to be home.
Now in a board book format--the bestseller that encourages young black children to not only feel good about their special hair but to also feel proud of their heritage. Full color. 11 spreads. Baby/Preschool.
Fans of Chasing Vermeer will love this clever mystery about art, artifice, and the power of community. WATCHER. SHADOW. FUGITIVE.Harlem is home to all kinds of kids. Jin sees life passing her by from the window of her family's bodega. Alex wants to help the needy one shelter at a time, but can't tell anyone who she really is. Elvin's living on Harlem's cold, lonely streets, surviving on his own after his grandfather was mysteriously attacked.When these three strangers join forces to find out what happened to Elvin's grandfather, their digging leads them to an enigmatic artist whose missing masterpieces are worth a fortune-one that might save the neighborhood from development by an ambitious politician who wants to turn it into Harlem World, a ludicrous historic theme park. But if they don't find the paintings soon, nothing in their beloved neighborhood will ever be the same . . .In this remarkable tale of daring and danger, debut novelist Natasha Tarpley explores the way a community defines itself, the power of art to show truth, and what it really means to be home.
Joe-Joe’s father works at the local airport, one of the first in the area, at a time when segregation rules. Even though the men who work at the airport, including Joe-Joe’s dad, were promised flying jobs, the owner refuses to let them fly. The town of Blind Eye has lost hope over the men’s heartbreak and the injustice being done to them, so much so that the moon won’t shine down on it any longer. More than anything, Joe-Joe wants to bring the moon back to Blind Eye so he can return hope to the townspeople. This is an extraordinary storybook about lost hope and what can happen when dreams are allowed to flourish.
In this companion book to the bestselling "I Love My Hair!, " a young boy, Miles, makes his first trip to the barbershop with his father. With the support of his dad, the barber, and the other men in the barbershop, Miles bravely sits through his first haircut.
In this companion book to the bestselling "I Love My Hair!, " a young boy, Miles, makes his first trip to the barbershop with his father. With the support of his dad, the barber, and the other men in the barbershop, Miles bravely sits through his first haircut.
In this study Natasha Constantinidou considers the views articulated by the scholars Pierre Charron (1541-1603), Justus Lipsius (1547-1606), Paolo Sarpi (1552-1623) and King James VI and I (1566-1625), in response to the religious ruptures of their time. Though rarely juxtaposed, all four authors were deeply affected by the religious divisions. In their works, they denounced religious zeal, focusing on non-dogmatic piety. Drawing on classical tradition and church history, they set out to offer consolation to the people of a war-torn continent and to discuss means of reconciliation. Their responses sought to define the role of religion in public and private. They emphasised the need for lay control of religious affairs as the only way of ensuring peace, whilst circumscribing belief and its practice to the private realm.
This volume uses interviews and narratives data from self-identified Black women reflecting on their childhood in the Canadian public school system, to explore voice and agency, girlhood, and identity in Canada’s elementary schools. Exploring themes of race, gender, identity, friendship, dreams, authority, and success, the author showcases diversity in Black Canadian feminism and gives voice and agency to Black female stories that have traditionally been absent amongst the literary canon of education. An intimate and compelling scholarly exploration, it contributes to conversations around transforming the Black girl narrative in public education and will appeal to researchers, faculty, and post-graduate students with interests in race and ethnicity in education, gender studies, and multicultural education.
Joe-Joe’s father works at the local airport, one of the first in the area, at a time when segregation rules. Even though the men who work at the airport, including Joe-Joe’s dad, were promised flying jobs, the owner refuses to let them fly. The town of Blind Eye has lost hope over the men’s heartbreak and the injustice being done to them, so much so that the moon won’t shine down on it any longer. More than anything, Joe-Joe wants to bring the moon back to Blind Eye so he can return hope to the townspeople. This is an extraordinary storybook about lost hope and what can happen when dreams are allowed to flourish.
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