A laugh-out-loud funny collection of insightful and razor-sharp essays on motherhood in our post-apocalyptic world from comedian Natasha Leggero. When Natasha Leggero got pregnant at forty-two after embarking on the grueling IVF process, she was over the moon. But once her feelings of bliss dissipated, she couldn’t help but shake the lingering question: Am I doing this right? And then, Should I be doing this if the world is about to end? In The World Deserves My Children, Natasha explores themes like “geriatric” motherhood, parenting in an environmental panic, fear and love, discipline (and conflicting schools of thought on how not to raise a brat), and more. Ultimately, Natasha determines that motherhood is worth it. After all, where do you think the next five generations of humans will be if the only people who are having kids don’t believe in science? The world deserves my children.
Follow the adventurous life of Natasha Tse Stone in vivid pictures, images and historical documents, as she makes her way from pre-Revolutionary Mainland China, through Hong Kong, to the United States, with a world of adventures along the way. This is a companion volume to "Natasha's Legend: the Story of a Resolute, Courageous and Determined Musketeer in Her Rough Life.
The stand-up comedian presents a funny collection of essays on being a mom that explores themes like "geriatric" motherhood, parenting in an environmental panic, fear and love, and conflicting advice on raising children.
Femininity in the form of the donna-crisi, or “crisis-woman,” was a fixture of fascist propaganda in the early 1930s. A uniquely Italian representation of the modern woman, she was cosmopolitan, dangerously thin, and childless, the antithesis of the fascist feminine ideal – the flashpoint for a range of anxieties that included everything from the changing social roles of urban women to the slippage of stable racial boundaries between the Italian nation and its colonies. Using a rich assortment of scientific, medical, and popular literature, Natasha V. Chang’s The Crisis-Woman examines the donna-crisi’s position within the gendered body politics of fascist Italy. Challenging analyses of the era which treat modern and transgressive women as points of resistance to fascist power, Chang argues that the crisis-woman was an object of negativity within a gendered narrative of fascist modernity that pitted a sterile and decadent modernity against a healthy and fertile fascist one.
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