This is the first scholarly monograph marking the social justice turn in technical and professional communication (TPC). Social justice often draws attention to structural oppression, but to enact social justice as technical communicators, first, we must be able to trace daily practice to the oppressive structures it professionalizes, codifies, and normalizes. Technical Communication After the Social Justice Turn moves readers from conceptual explorations of oppression and justice to a theoretical framework that allows for the concepts to be applied and implemented in a variety of practical contexts. It historicizes the recent social justice turn in TPC scholarship, models a social justice approach to building theories and heuristics, and presents scenarios that illustrate how to develop sustainable practices of activism and social justice. Its commitment to coalition building, inclusivity, and socially just practices of citation and activism will support scholars, teachers, and practitioners not only in understanding how the work of technical communication is often complicit in oppression but also in recognizing, revealing, rejecting, and replacing oppressive practices.
This diverse anthology of original Buddhist texts in translation provides a historical and conceptual framework that will transform contemporary scholarship on Pure Land Buddhism and instigate its recognition as an essential field of Buddhist studies. Traditional and contemporary primary sources carefully selected from Buddhist cultures across historical, geopolitical, and literary boundaries are organized by genre rather than chronologically, geographically, or by religious lineage—a novel juxtaposition that reveals their wider importance in fresh contexts. Together these fundamental texts from different Asian traditions, expertly translated by eminent and up-and-coming scholars, illustrate that the Buddhism of pure lands is not just an East Asian cult or a marginal type of Buddhism, but a pan-Asian and deeply entrenched religious phenomenon. The volume is organized into six parts: Ritual Practices, Contemplative Visualizations, Doctrinal Expositions, Life Writing and Poetry, Ethical and Aesthetic Explications, and Worlds beyond Sukhāvatī. Each part is introduced and summarized, and each translated piece is prefaced by its translator to supply historical and sectarian context as well as insight into the significance of the work. Common and less-common issues of practice, doctrine, and intra-religious transfer are explored, and deeper understandings of the meaning of “pure lands” are gained through the study of the celestial, cosmological, internal, and earthly pure lands associated with various buddhas, bodhisattvas, and devotional figures. The introduction by the volume editors ties the diverse themes of the book together and provides a historical background to Pure Land Buddhist studies. Scholars of Buddhism and Asian religion, including graduate and post-graduate students, as well as Buddhist practitioners, will appreciate the range of translated materials and accompanied discussions made accessible in one essential collection, the first of its kind to center on the formerly-neglected topic of Buddhist pure lands.
Beauty Masters brings together some exceptional beauty therapists, beauty trainers and suppliers. These experts bring their insights into the beauty industry. They tell their stories of how they got where they are today and advice on how you can become more successful. This book is an essential read for anyone studying in the beauty therapy field as well as experienced therapists as continual professional development.
His Perfect Wife proves how unknowable those closest to us can be. “This smart, mirror maze of a thriller bristles with sharp edges, twisting familiar Gone Girl themes into Bell’s own intense creation.”—Kirkus Reviews Before she disappeared, Alexandra Southwood lived an average, happy life: devoted to the care and upkeep of her husband, Marc, and their two beautiful daughters. But now, held in a room against her will, Alexandra is forced to imagine how her family is coping in the wake of her disappearance. She finds solace in memories of their past, recalling her courtship with Marc and their marriage—all that he saved her from, all that she’s lost. Marc’s pain is visceral. He thinks of nothing but Alexandra. Even when the police discover her bloody belongings, he cannot accept that she is gone. Marc is the only one who believes she’s still alive, and he channels his pain into action, embarking on his own journey to find his wife, one that will lead him to discover answers to questions he never wanted to ask. Previously published as Exhibit Alexandra “An astutely written, complex debut.”—The Guardian “Beautifully insidious, a novel that outwits expectation at every turn.”—Francis Spufford, author ofGolden Hill “[A] provocative debut thriller . . . Bell’s daring performance can’t be ignored.”—Publishers Weekly(starred review)
New York Times bestselling author Natasha Lester delivers a brilliant blend of feminism, fashion, and history in this bold novel set against the real-life designers’ showdown in Versailles in the 1970s. French countryside, Present Day: Blythe Bricard is the daughter of famous fashion muses but that doesn't mean she wants to be one. She turned her back on that world, and her dreams, years ago. Fate, however, has a different plan, and Blythe will discover there is more to her iconic mother and grandmother than she ever knew. New York, 1970: Designer Astrid Bricard arrives in bohemian Chelsea determined to change the fashion world forever. And she does―cast as muse to her lover, Hawk Jones. And when they're both invited to compete in the fashion event of the century―the Battle of Versailles―Astrid sacrifices everything to showcase her talent. But then, just as her career is about to take off, she mysteriously vanishes, leaving behind only a white silk dress. Paris, 1917: Parentless sixteen year old Mizza Bricard has made a vow: to be remembered on her own terms. Her promise sustains her through turbulent decades and volatile couture houses until, finally, her name is remembered and a legend is born―one that proves impossible for Astrid and Blythe to distance themselves from.
He thought he knew everything about her until she went missing. Before she disappeared, Alexandra Southwood lived an average, happy life: devoted to her wonderful husband, Marc, and caring for her two beautiful daughters. But now, held in a room against her will, Alexandra is forced to think about all she’s lost, and imagine how Marc and her daughters are coping in the wake of her disappearance. She's shown news clips of Marc, desperately appealing to the public for information on her whereabouts. She tortures herself with visions of her family's devastated new reality. And as she envisions Marc’s distress, she can’t help but remember their courtship, their marriage—all that he saved her from and all that they’ve built together. Marc's pain is visceral. He thinks of nothing but her. Even when the police discover Alexandra's bloody belongings by the river, turning their missing-persons case into a murder investigation, he cannot accept that she is lost to him. He shifts from total despair to frantic action, embarking on his own journey through the dark maze of secrets she kept and passions he never understood. Following a trail that leads him to find answers to questions he never meant to ask, he’s forced to confront how frighteningly little he’s grasped about the woman he loves. EXHIBIT ALEXANDRA is a shocking psychological portrait, an original and unrelenting thriller that ultimately proves how unknowable even those closest to us can be.
Colour, Art and Empire explores the entanglements of visual culture, enchanted technologies, waste, revolution, resistance and otherness. The materiality of colour offers a critical and timely force-field for approaching afresh debates on colonialism. This book analyses the formation of colour and politics as qualitative overspill. Colour can be viewed both as central and supplemental to early photography, the totem, alchemy, tantra and mysticism. From the eighteenth-century Austrian Empress Maria Theresa to Rabindranath Tagore and Gandhi, to 1970s Bollywood, colour makes us adjust our take on the politics of the human sensorium as defamiliarising and disorienting. The four chapters conjecture how European, Indian and Papua New Guinean artists, writers, scientists, activists, anthropologists or their subjects sought to negotiate the highly problematic stasis of colour in the repainting of modernity. Specifically, the thesis of this book traces Europeans' admiration and emulation of what they termed 'Indian colour' to its gradual denigration and the emergence of a 'space of exception'. This space of exception pitted industrial colours against the colonial desire for a massive workforce whose slave-like exploitation ignited riots against the production of pigments - most notably indigo. Feared or derided, the figure of the vernacular dyer constituted a force capable of dismantling the imperial machinations of colour. Colour thus wreaks havoc with Western expectations of biological determinism, objectivity and eugenics. Beyond the cracks of such discursive practice, colour becomes a sentient and nomadic retort to be pitted against a perceived colonial hegemony. The ideological reinvention of colour as a resource for independence struggles make it fundamental to multivalent genealogies of artistic and political action and their relevance to the present.
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