An unnerving, sinister, and brilliant dystopian novel about the choices we make at the end of the world, posing the question: Who can you trust when there’s almost no one left? Years after complete antibiotic resistance has brought about global devastation, Kit ekes out an existence on a remote island alongside the taciturn Crevan, who has more recently fled the mainland. With once-curable diseases running riot, desperate measures are in place there: Those not yet infected are given experimental vaccines, and those for whom it’s already too late are culled. But Kit and Crevan are safe, protected on their island by a collapsing castle that holds a greenhouse and a well-stocked bunker within its ruins. When a woman washes ashore—near drowned but clinging to life—the question of her fate threatens the fragile balance of Kit and Crevan’s isolated world. While Crevan wants to keep her alive, Kit isn’t so sure. And there’s more to wrestle with: Kit and Crevan each have secrets—secrets they have been keeping both from each other and from themselves. As the crisis brought about by the drowned woman’s appearance consumes them, the fictions of their shared existence crumble, and the truth begins to emerge. Whether Violent or Natural is a startlingly original and thrilling novel for readers of Susanna Clarke’s Piranesi, Shirley Jackson’s We Have Always Lived in the Castle, and Emily St. John Mandel’s Station Eleven. In the tenseness of its plotting, the gradual unfolding of truth, and in the strange and gripping intensity of its narrator’s voice, Whether Violent or Natural is an intelligent, unputdownable novel that welcomes a huge new talent to the genre.
Winner of the 2018 International Standing Conference for the History of Education's First Book Award Drawing on a rich array of archival sources and historical detail, The Politics of 1930s British Literature tells the story of a school-minded decade and illuminates new readings of the politics and aesthetics of 1930s literature. In a period of shifting political claims, educational policy shaped writers' social and gender ideals. This book explores how a wide array of writers including Virginia Woolf, W.H. Auden, George Orwell, Winifred Holtby and Graham Greene were informed by their pedagogic work. It considers the ways in which education influenced writers' analysis of literary style and their conception of future literary forms. The Politics of 1930s British Literature argues that to those perennial symbols of the 1930s, the loudspeaker and the gramophone, should be added the textbook and the blackboard.
The facilitator's guide brings to life the content of the survey text, Leadership Theory. It offers instructive advice on how to prepare for the use of a critical perspective as well as providing practical resources to translate survey text content to practice. The facilitator's guide consists of: An overview of how to use the guide as well as recommended skills and reflection questions for educators prior to implementing material. Objectives, critical concepts, a chapter overview, and a chapter framework for each chapter from Leadership Theory Lesson plan "walk-throughs" containing 2-3 activities for each chapter of the survey text, with information for learning outcomes, activity setup, and additional notes for facilitation.
Spanning a hundred years (1910 – 2010) and three geographical locations – Europe, Japan and North America – this unique book examines the capacity of performance to recode reality. It argues for a seamless continuity between philosophy, critical theory and artistic practice. Each chapter ends with scores, providing readers with the opportunity to explore the discussed ideas in an embodied, and, where applicable, interactional way. The book's analysis of such landmark phenomena as the ready-made, action painting, intermedia, feminine writing, identity politics, cyborgian bio-art and ludic (h)activism make it an invaluable source for practical theorists, and undergraduate and Masters-level students of performance studies, performing arts, fine and visual arts and cultural studies.
This biography is the story of how a bankrupt refugee without a studio managed to produce several of the greatest films of all time: "The African Queen, On the Waterfront, The Bridge on the River Kwai, " and "Lawrence of Arabia." Film credits aside, Sam Spiegel led a flamboyant and uncompromising life, and the full story has never been told--until now. of photos.
How were eighteenth-century dissenting women writers able to ensure their unique biblical interpretation was preserved for posterity? And how did their careful yet shrewd tactics spur early nineteenth-century women writers into vigorous theological debate? Why did the biblical engagement of such women prompt their commitment to causes such as the antislavery movement? Veiled Intent traces the pattern of tactical moves and counter-moves deployed by Anna Barbauld, Phillis Wheatley, Helen Maria Williams, Joanna Baillie, and Mary Anne Schimmelpenninck. These female poets and philosophers veiled provocative hermeneutical claims and calls for social action within aesthetic forms of discourse viewed as more acceptably feminine forms of expression. In between the lines of their published hymns, sonnets, devotional texts for children, and works of aesthetic theory, the perceptive reader finds striking theological insights shared from a particularly female perspective. These women were not only courageously interjecting their individual viewpoints into a predominantly male domain of formal study--biblical hermeneutics--but also intentionally supporting each other in doing so. Their publications reveal they were drawn to biblical imagery of embodiment and birth, to stories of the apparently weak vanquishing the tyrannical on behalf of the oppressed, and to the metaphor of Christ as strengthening rock.
Gut Microbiota: Interactive Effects on Nutrition and Health focuses on the fascinating intestinal microbiome as it relates to nutrition. The book covers the core science in the microbiome field and draws links between the microbiome and nutrition in medicine. Reflecting the most current state of evidence available in the field, the early chapters introduce key concepts about the microbiome, and the latter focus on the application of the gut microbiome and nutrition science. Both human studies and animal studies (where appropriate) are discussed throughout the work. Addressing topics such as gut microbiota throughout the lifespan, gut microbiota in health and disease, and genetic and environmental influences on gut microbiota, this book will provide scientists and clinicians who have an interest in the microbiome with an understanding of the future potential and limitations of this tool as they strive to make use of evidence-based diet information for the maintenance of good health. - Explores how diet influences gut microbiota - Consolidates new research on how gut microbiota affects nutrition - Identifies how the research applies to food science - Provides practical diet suggestions for improving health
On March 28, 1979, the worst nuclear reactor accident in U.S. history occurred at the Three Mile Island power plant in Central Pennsylvania. Radiation Nation tells the story of what happened that day and in the months and years that followed, as local residents tried to make sense of the emergency. The near-meltdown occurred at a pivotal moment when the New Deal coalition was unraveling, trust in government was eroding, conservatives were consolidating their power, and the political left was becoming marginalized. Using the accident to explore this turning point, Natasha Zaretsky provides a fresh interpretation of the era by disclosing how atomic and ecological imaginaries shaped the conservative ascendancy. Drawing on the testimony of the men and women who lived in the shadow of the reactor, Radiation Nation shows that the region's citizens, especially its mothers, grew convinced that they had sustained radiological injuries that threatened their reproductive futures. Taking inspiration from the antiwar, environmental, and feminist movements, women at Three Mile Island crafted a homegrown ecological politics that wove together concerns over radiological threats to the body, the struggle over abortion and reproductive rights, and eroding trust in authority. This politics was shaped above all by what Zaretsky calls "biotic nationalism," a new body-centered nationalism that imagined the nation as a living, mortal being and portrayed sickened Americans as evidence of betrayal. The first cultural history of the accident, Radiation Nation reveals the surprising ecological dimensions of post-Vietnam conservatism while showing how growing anxieties surrounding bodily illness infused the political realignment of the 1970s in ways that blurred any easy distinction between left and right.
Engaging, modern fables with a feminist tang' Sunday Times DARK, POTENT AND UNCANNY, HAG BURSTS WITH THE UNTOLD STORIES OF OUR ISLES, CAPTURED IN VOICES AS VARIED AS THEY ARE VIVID. Here are sisters fighting for the love of the same woman, a pregnant archaeologist unearthing impossible bones and lost children following you home. A panther runs through the forests of England and pixies prey upon violent men. From the islands of Scotland to the coast of Cornwall, the mountains of Galway to the depths of the Fens, these forgotten folktales howl, cackle and sing their way into the 21st century, wildly reimagined by some of the most exciting women writing in Britain and Ireland today. 'A thoroughly original package that has a hint of Angela Carter' The Times 'Sharp writing and cleverly done' Spectator
Britney Spears barely survived 2007. She divorced her husband, lost custody of her kids, went to rehab, shaved her head and assaulted a paparazzo. In the midst of her public breakdown, she managed to record an album, Blackout. Critics thought it spelled the end for Britney Spears' career. But Blackout turned out to be one of the most influential albums of the aughts. It not only brought glitchy digital noise and dubstep into the Top 40, but also transformed Britney into a new kind of pop star, one who shrugged off mainstream ubiquity for the devotion of smaller groups of fans who worshipped her idiosyncratic sound. This book returns to the grimy clubs and paparazzi hangouts of LA in the 2000s as well as the blogs and forums of the early internet to show how Blackout was a crucial hinge between twentieth and twenty-first-century pop.
Where the Wind Blows Us unites critical practice with a community-based approach to archaeology. Author Natasha Lyons describes an inclusive archaeology that rests on a flexible but rigorous approach to research design and demonstrates a responsible, ethical practice. She traces the rise and application of community archaeologies, develops a wide-ranging set of methods for community practice, and maps out a “localized critical theory” that is suited to the needs of local and descendant communities as they pursue self-defined heritage goals. Localized critical theory aims to decenter the focus on global processes of capitalism in favor of the local processes of community dynamics. Where the Wind Blows Us emphasizes the role of individuals and the relationships they share with communities of the past and present. Lyons offers an extended case study of her work with the Inuvialuit community of the Canadian Western Arctic. She documents the development of this longstanding research relationship and presents both the theoretical and practical products of the work to date. Integrating knowledge drawn from archaeology, ethnography, oral history, and community interviews, Lyons utilizes a multivocal approach that actively listens to Inuvialuit speak about their rich and textured history. The overall significance of this volume lies in outlining a method of practicing archaeology that embraces local ways of knowing with a critically constructed and evolving methodology that is responsive to community needs. It will serve as a handbook to mine for elements of critical practice, a model of community-based archaeology, and a useful set of concepts and examples for classroom study.
This book takes the concept of postmemory, developed in Holocaust studies, and applies it for the first time to novels by contemporary British writers. Focusing on war fiction, Alden builds upon current scholarship on historical fiction and memory studies, and extends the field by exploring how the use of historical research within fiction illuminates the ways in which we remember and recreate the past. Using postmemory to unlock both the transgenerational aspects of the novels discussed and the development of historiographic metafiction, Alden provides a ground-breaking analysis of the nature and potential of contemporary historical fiction. By examining the patterns and motivations behind authors’ translations of material from the historical record into fiction, Alden also asks to what extent such writing is, necessarily, metafictional. Ultimately, this study offers an updated answer to the question that historical fiction has always posed: what can fiction do with history that history cannot?
The word “terroir” refers to the climate and soil in which something is grown. Natasha Sajé applies this idea to the environments that nurture and challenge us, exploring in particular how the immigrant experience has shaped her identity. She revisits people and literature across her life, including her experiences as the child of European refugees in suburban New Jersey, taken under the wing of a widowed neighbor; a winter spent waitressing in Switzerland; her marriage to a Jamaican man in Baltimore; and finally her marriage to a woman in Salt Lake City. This memoir-in-essays combines poetic lyricism with incisive commentary on nationality, race, ethnicity, gender, sexual orientation, and class. Reminding us that change is constant in our lives, Sajé asks how terroir creates identity. Throughout, the English language is her most fertile ground.
A stunning reinvention of the myth of Narcissus as a modern novel of manners, about two young, well-heeled couples whose parallel lives converge and intertwine over the course of a summer, by a sharp new voice in fiction Wes and Diana are the kind of privileged, well-educated, self-involved New Yorkers you may not want to like but can't help wanting to like you. With his boyish good looks, blue-blood pedigree, and the recent tidy valuation of his tech startup, Wes would have made any woman weak in the knees—any woman, that is, except perhaps his wife. Brilliant to the point of cunning, Diana possesses her own arsenal of charms, handily deployed against Wes in their constant wars of will and rhetorical sparring. Vivien and Dale live in Philadelphia, but with ties to the same prep schools and management consulting firms as Wes and Diana, they’re of the same ilk. With a wedding date on the horizon and carefully curated life of coupledom, Vivien and Dale make a picture-perfect pair on Instagram. But when Vivien becomes a visiting curator at The Metropolitan Museum of Art just as Diana is starting a new consulting project in Philadelphia, the two couples’ lives cross and tangle. It’s the summer of 2015 and they’re all enraptured by one another and too engulfed in desire to know what they want—despite knowing just how to act. In this wickedly fun debut, A. Natasha Joukovsky crafts an absorbing portrait of modern romance, rousing real sympathy for these flawed characters even as she skewers them. Shrewdly observed, whip-smart, and shot through with wit and good humor, The Portrait of a Mirror is a piercing exploration of narcissism, desire, self-delusion, and the great mythology of love.
A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more private and more public associations than is commonly recalled. The contributors to this volume explore a broad range of venues, singers, and audiences in distinct places and time periods—including the United States, the United Kingdom, Russia, and Germany—from the mid-19th century through the early 20th century. These historical case studies are set alongside reflections from a selection of today's leading musicians, offering insights on current Lied practices that will inform future generations of performers, scholars, and connoisseurs. Together these case studies unsettle narrow and elitist assumptions about what it meant and still means to present German song onstage by providing a transnational picture of historical Lieder performance, and opening up discussions about the relationship between history and performance today.
It is your eighteenth birthday and one of your parents must die. You are the one who decides. Who do you pick? In a dying world, the Offset ceremony has been introduced to counteract and discourage procreation. It is a rule that is simultaneously accepted, celebrated and abhorred. But in this world, survival demands sacrifice so for every birth, there must be a death. Professor Jac Boltanski is leading Project Salix, a ground-breaking new mission to save the world by replanting radioactive Greenland with genetically-modified willow trees. But things aren’t working out and there are discrepancies in the data. Has someone intervened to sabotage her life’s work? In the meantime, her daughter Miri, an anti-natalist, has run away from home. Days before their Offset ceremony where one of her mothers must be sentenced to death, she is brought back against her will following a run-in with the law. Which parent will Miri pick to die: the one she loves, or the one she hates who is working to save the world? File Under: Science Fiction [ Only One Leaves | The Choice is Yours | Last Hope | Counting Down ]
This book is a compilation of high-yield, at-a-glance summaries for various topics on which pathologists frequently need information in a quick reference format while at the microscope (or when cramming for the boards). The authors are early-career pathologists who have compiled this book from the perspective of pathologists-in-training. The focus is not organ-based histologic criteria, but rather everything else that goes into pathologic diagnoses but is difficult to keep committed to memory. The emphasis is on immunohistochemistry, special stains, grading systems, molecular markers, tumor syndromes, and helpful clinical references. The book has a unique format in that the information is presented primarily in tables and diagrams accompanied by minimal explanatory text. It is intended to serve as a ‘peripheral brain’ for pathology residents and also practicing pathologists, where frequently needed information is readily accessible and easy to navigate.
This book contains a compilation of high-yield, at-a-glance summaries in quick reference format for various topics that are frequently encountered by pathologists in the daily practice or on the boards. The focus is not organ-based histologic criteria, but rather everything else that goes into pathologic diagnoses but is difficult to keep committed to memory. The emphasis is on immunohistochemistry, special stains, grading systems, molecular markers, tumor syndromes, and helpful clinical references. Also included are morphologic summaries that encompass high-yield material cutting across all organ systems, such as an illustrated guide for microorganisms, tumor differentials, and an illustrated glossary of pathologic descriptors. The book has a unique format in that the information is presented primarily in tables and diagrams accompanied by brief and to-the-point explanatory text. The guiding principle was to boil the information down to the essentials but with just enough commentary to be accessible to a newcomer to pathology and to serve as a quick reference to a practicing pathologist. In the 7 years since its initial publication, there have been considerable advances in surgical pathology, particularly immunohistochemical stains, molecular diagnostics, and histologic grading schemes. In the second edition, the content has been thoroughly updated to incorporate these developments, while retaining the overall scope and concise format of the first edition. In addition, the reader will find summaries for many new topics as well as multiple new cartoon illustrations and diagrams.
An unnerving, sinister, and brilliant dystopian novel about the choices we make at the end of the world, posing the question: Who can you trust when there’s almost no one left? Years after complete antibiotic resistance has brought about global devastation, Kit ekes out an existence on a remote island alongside the taciturn Crevan, who has more recently fled the mainland. With once-curable diseases running riot, desperate measures are in place there: Those not yet infected are given experimental vaccines, and those for whom it’s already too late are culled. But Kit and Crevan are safe, protected on their island by a collapsing castle that holds a greenhouse and a well-stocked bunker within its ruins. When a woman washes ashore—near drowned but clinging to life—the question of her fate threatens the fragile balance of Kit and Crevan’s isolated world. While Crevan wants to keep her alive, Kit isn’t so sure. And there’s more to wrestle with: Kit and Crevan each have secrets—secrets they have been keeping both from each other and from themselves. As the crisis brought about by the drowned woman’s appearance consumes them, the fictions of their shared existence crumble, and the truth begins to emerge. Whether Violent or Natural is a startlingly original and thrilling novel for readers of Susanna Clarke’s Piranesi, Shirley Jackson’s We Have Always Lived in the Castle, and Emily St. John Mandel’s Station Eleven. In the tenseness of its plotting, the gradual unfolding of truth, and in the strange and gripping intensity of its narrator’s voice, Whether Violent or Natural is an intelligent, unputdownable novel that welcomes a huge new talent to the genre.
Fans of Chasing Vermeer will love this clever mystery about art, artifice, and the power of community. WATCHER. SHADOW. FUGITIVE.Harlem is home to all kinds of kids. Jin sees life passing her by from the window of her family's bodega. Alex wants to help the needy one shelter at a time, but can't tell anyone who she really is. Elvin's living on Harlem's cold, lonely streets, surviving on his own after his grandfather was mysteriously attacked.When these three strangers join forces to find out what happened to Elvin's grandfather, their digging leads them to an enigmatic artist whose missing masterpieces are worth a fortune-one that might save the neighborhood from development by an ambitious politician who wants to turn it into Harlem World, a ludicrous historic theme park. But if they don't find the paintings soon, nothing in their beloved neighborhood will ever be the same . . .In this remarkable tale of daring and danger, debut novelist Natasha Tarpley explores the way a community defines itself, the power of art to show truth, and what it really means to be home.
The first edition of the Time Out South of France Guide gives you the insider's view of Le Midi, from the wide open spaces of the Camargue to the glitz of the Riviera. With colour photographs throughout and 24 pages of regional and city maps, the guide offers a lively, informed account of the history and culture of the South and picks out the best places to eat, sleep, shop, party and work that tan.
It is your eighteenth birthday and one of your parents must die. You are the one who decides. Who do you pick? In a dying world, the Offset ceremony has been introduced to counteract and discourage procreation. It is a rule that is simultaneously accepted, celebrated and abhorred. But in this world, survival demands sacrifice so for every birth, there must be a death. Professor Jac Boltanski is leading Project Salix, a ground-breaking new mission to save the world by replanting radioactive Greenland with genetically-modified willow trees. But things aren’t working out and there are discrepancies in the data. Has someone intervened to sabotage her life’s work? In the meantime, her daughter Miri, an anti-natalist, has run away from home. Days before their Offset ceremony where one of her mothers must be sentenced to death, she is brought back against her will following a run-in with the law. Which parent will Miri pick to die: the one she loves, or the one she hates who is working to save the world? File Under: Science Fiction [ Only One Leaves | The Choice is Yours | Last Hope | Counting Down ]
Raise a glass in a toast to Edgar Allan Poe with this jam-packed gothic anthology, including 12 themed issues containing 48 short stories and 7 poems from 55 masterful weavers of gothic fiction. Take a tour through Poe's Baltimore home, experience "The Tell-Tale Heart" through the old man's eyes, go corporate at Raven Corp., witness "The Fall of the House of Usher" from the perspective of a hidden Usher sibling, and much more. Don't miss the award-nominated stories "The Heart of Alderman Kane" by Eleanor Sciolistein and "Midnight Rider" by Melanie Cossey, both nominees for Poe Baltimore's Saturday 'Visiter' Awards.Curl up with Love Letters to Poe and enjoy these haunting tales!
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