Winner, 2019 Science Fiction & Technoculture Studies Book Prize Radical Botany excavates a tradition in which plants participate in the effort to imagine new worlds and envision new futures. Modernity, the book claims, is defined by the idea of all life as vegetal. Meeker and Szabari argue that the recognition of plants’ liveliness and animation, as a result of scientific discoveries from the seventeenth century to today, has mobilized speculative creation in fiction, cinema, and art. Plants complement and challenge notions of human life. Radical Botany traces the implications of the speculative mobilization of plants for feminism, queer studies, and posthumanist thought. If, as Michael Foucault has argued, the notion of the human was born at a particular historical moment and is now nearing its end, Radical Botany reveals that this origin and endpoint are deeply informed by vegetality as a form of pre- and posthuman subjectivity. The trajectory of speculative fiction which this book traces offers insights into the human relationship to animate matter and the technological mediations through which we enter into contact with the material world. Plants profoundly shape human experience, from early modern absolutist societies to late capitalism’s manipulations of life and the onset of climate change and attendant mass extinction. A major intervention in critical plant studies, Radical Botany reveals the centuries-long history by which science and the arts have combined to posit plants as the model for all animate life and thereby envision a different future for the cosmos.
Winner, 2019 Science Fiction & Technoculture Studies Book Prize Radical Botany excavates a tradition in which plants participate in the effort to imagine new worlds and envision new futures. Modernity, the book claims, is defined by the idea of all life as vegetal. Meeker and Szabari argue that the recognition of plants’ liveliness and animation, as a result of scientific discoveries from the seventeenth century to today, has mobilized speculative creation in fiction, cinema, and art. Plants complement and challenge notions of human life. Radical Botany traces the implications of the speculative mobilization of plants for feminism, queer studies, and posthumanist thought. If, as Michael Foucault has argued, the notion of the human was born at a particular historical moment and is now nearing its end, Radical Botany reveals that this origin and endpoint are deeply informed by vegetality as a form of pre- and posthuman subjectivity. The trajectory of speculative fiction which this book traces offers insights into the human relationship to animate matter and the technological mediations through which we enter into contact with the material world. Plants profoundly shape human experience, from early modern absolutist societies to late capitalism’s manipulations of life and the onset of climate change and attendant mass extinction. A major intervention in critical plant studies, Radical Botany reveals the centuries-long history by which science and the arts have combined to posit plants as the model for all animate life and thereby envision a different future for the cosmos.
“Through all the ages, and in the hearts of men, you will be forgotten.” Married at twelve, and a mother soon after, King Arthur’s sister Anna did not live a young life full of promise. She bore three strong sons and delivered the kingdom of Orkney to her brother by way of her marriage. She did as she was asked, invisible and useful—for her name, her dowry, and her womb. Now, twenty years after she left her home, Anna is summoned back to Carelon with the crown of her now-dead husband, to face the demons of her childhood: her sisters Morgen, Elaine and Morgause; Merlin and his scheming priests; and Bedevere, the man she once loved. Carelon is changing, and Anna must change with it. New threats lurk in the shadows, and a strange power begins to awaken in her. If she is to be more than a pawn in others’ plans, she must bargain her own strength, and family, in pursuit of her ambition—and revenge.
One by one the kings of Braetan kneel before King Arthur under a banner of peace. Hwyfar, eldest daughter of King Leodegraunce and famed libertine of Carelon, has returned to Avillion to find her father ruined by madness and a usurper poised to take the throne. Reluctantly she takes the mantle of Queen Regent to protect her kingdom, but she’ll need an army—which King Arthur pledges to send her, providing she marries one of his knights and surrenders the crown. Arthur’s forces arrive under the command of Gawain of Orkney, who Hwyfar remembers as a brute; but she comes to realise he is not the man she thought he was, and finds herself irresistibly drawn to him. But Arthur has plans for her, and has commanded Gawain to keep well away—and in Arthur’s court, without the King’s blessing, love is treason. Hwyfar and Gawain must navigate both a world of ancient forests and corrupt magic, and the political machinations of two courts, if they have any hope of escaping Arthur’s ever-tightening grasp.
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