A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic.
During World War II, as women stepped in to fill jobs vacated by men in the armed services, the federal government established public child care centers in local communities for the first time. When the government announced plans to withdraw funding and terminate its child care services at the end of the war, women in California protested and lobbied to keep their centers open, even as these services rapidly vanished in other states. Analyzing the informal networks of cross-class and cross-race reformers, policymakers, and educators, Demanding Child Care: Women's Activism and the Politics of Welfare, 1940–1971 traces the rapidly changing alliances among these groups. During the early stages of the childcare movement, feminists, Communists, and labor activists banded together, only to have these alliances dissolve by the 1950s as the movement welcomed new leadership composed of working-class mothers and early childhood educators. In the 1960s, when federal policymakers earmarked child care funds for children of women on welfare and children described as culturally deprived, it expanded child care services available to these groups but eventually eliminated public child care for the working poor. Deftly exploring the possibilities for partnership as well as the limitations among these key parties, Fousekis helps to explain the barriers to a publically funded comprehensive child care program in the United States.
The highly anticipated new novel from the author of A Snicker of Magic Everyone in Emma's family is special. Her ancestors include Revolutionary War spies, brilliant scientists, and famous musicians--every single one of which learned of their extraordinary destiny through a dream. For Emma, her own dream can't come soon enough. Right before her mother died, Emma promised that she'd do whatever it took to fulfill her destiny, and she doesn't want to let her mother down. But when Emma's dream finally arrives, it points her toward an impossible task--finding a legendary treasure hidden in her town's cemetery. If Emma fails, she'll let down generations of extraordinary ancestors . . . including her own mother. But how can she find something that's been missing for centuries and might be protected by a mysterious singing ghost? With her signature blend of lyrical writing, quirky humor, and unforgettable characters, Natalie Lloyd's The Key to Extraordinary cements her status as one of the most original voices writing for children today.
From high fantasy to cyberpunk - romance for every taste! Hoping to reveal all shades of romance, we have gathered together ten authors from around the world, including Canada, England, Lithuania, and the United States, for this sweet speculative fiction romance anthology, A Season for Romance. In twenty stories, you will find true love in a variety of genres and styles, from first kisses to second chances, on epic journeys and in bittersweet moments. Nine of these stories feature main characters who identify as LGBTQ+. In this first flash fiction anthology of A Season for Romance: Spring Blossoms, the characters in our stories are just starting to acknowledge their budding feelings for one another. There is beauty, tenderness, angst, and even humor in these carefully crafted stories meant to transport you to distant, fantastical worlds where love is just moments away. We hope you enjoy them.
She's the only one who knows what it's like to be the only one. When Claire's best friend, Bess, moves away, she becomes the only girl left in her entire school. At first, she thinks she'll be able to deal with this -- after all, the girls' bathroom is now completely hers, so she can turn it into her own private headquarters and draw on the walls. When it comes to soccer games or sailing races, she can face off against any boy. The problem is that her other best friend, Henry, has begun to ignore her. And Webby, a super-annoying bully, won't leave her alone. And Yucky Gilbert, the boy who has a crush on her, also won't leave her alone.It's never easy being the only one -- and over the course of a wacky school year, Claire is going to have to make it through challenges big and small. The boys may think they rule the school, but when it comes to thinking on your feet, Claire's got them outnumbered.
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