On a beautiful spring day in 1970, the Vietnam War came to Ohio. In less than 15 seconds, rifles fired by 28 Ohio National Guardsmen killed four college students and injured nine others. The shootings at Kent State University on May 4, 1970, were sparked by protests against the Vietnam War. And like the war itself, the shootings remain a sources of bitter arguments and strong emotions.
Want to be a writer? This is the perfect place to start. The write your own series will teach you hot to craft believable characters and intense plots, along with satisfying beginnings, middles, and endings. Examples from numerous books appear throughout the text, along with tips from published authors to help you along.
Traces the origins of comic books and discusses the emergence of superheroes, censorship issues, their depiction of increased social diversity, and their impact on society.
Explores the life and career of author Amy Tan, from her childhood in Oakland, California, through her struggle to accept her Chinese heritage, to her career as a writer.
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.
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