Revised and updated through "O" Is for Outlaw, the Edgar Award Winner for Best Biographical Work is the essential reader's companion to the world of Sue Grafton's Kinsey Millhone With the cooperation of Sue Grafton, who provided unprecedented access to her working journals, authors Natalie Hevener Kaufman and Carol McGinnis Kay have created a fully dimensional biography of Kinsey Millhone that will answer every question readers have ever had. Here is a feast for Kinsey's fans, including such features as time lines, maps, floor plans, case logs, and photographs. But this book is also a revealing journey into the mind and work habits of Kinsey's creator. You'll learn why Grafton chose to write detective fiction and how she responds to runaway plot lines and unruly characters. You will find out what titles she has discarded in the series, what she plans for Kinsey's future, and how she sees their evolving relationship. Ultimately, you'll understand why Grafton is so esteemed in the field of detective fiction and, from an analysis of her craft, why she has earned so prominent a place in American letters.
This book draws on literary, cultural, and critical examples forming a menstrual imaginary—a body of work by women writers and poets that builds up a concept of women’s creativity in an effort to overturn menstrual prejudice. The text addresses key arbiters of the menstrual imaginary in a series of letters, including Sylvia Plath the initiator of ‘the blood jet’, Hélène Cixous the pioneer of a conceptual red ink and the volcanic unconscious, and Luce Irigaray the inaugurator of women’s artistic process relative to a vital flow of desire based in sexual difference. The text also undertakes provocative against-the-grain re-readings of the Medusa, the Sphinx, Little Red Riding Hood, and The Red Shoes, as a means of affirmatively and poetically re-imagining a woman’s flow. Natalie Rose Dyer argues for re-envisioning menstrual bleeding and creativity in reaction and resistance to ongoing and problematic societal views of menstruation.
Revised and updated through "O" Is for Outlaw, the Edgar Award Winner for Best Biographical Work is the essential reader's companion to the world of Sue Grafton's Kinsey Millhone With the cooperation of Sue Grafton, who provided unprecedented access to her working journals, authors Natalie Hevener Kaufman and Carol McGinnis Kay have created a fully dimensional biography of Kinsey Millhone that will answer every question readers have ever had. Here is a feast for Kinsey's fans, including such features as time lines, maps, floor plans, case logs, and photographs. But this book is also a revealing journey into the mind and work habits of Kinsey's creator. You'll learn why Grafton chose to write detective fiction and how she responds to runaway plot lines and unruly characters. You will find out what titles she has discarded in the series, what she plans for Kinsey's future, and how she sees their evolving relationship. Ultimately, you'll understand why Grafton is so esteemed in the field of detective fiction and, from an analysis of her craft, why she has earned so prominent a place in American letters.
Quila MacFarlane is devastated by the death of her mother, especially now that it’s just her and her father on Devils Rock where her father is the lighthouse keeper. They can’t leave and almost no one ever comes to visit them. But the morning after a storm, something floats ashore that changes their lives forever: Two small mattresses strapped together, and inside, a baby! They name her Cecelia, which means “a gift from the sea,” and call her Celia. She makes them a family again–and helps heal the hurt left by Quila’s mother’s passing. Two years later, though, another stranger arrives, one who changes everything all over again: A woman named Margaret, come looking for the final resting place of her sister, whose ship had gone down in a storm two years before. Her sister’s baby had never been found, either, she explains, and now she has no family of her own. Could this be Celia’s aunt? Will Quila have to give up Celia so Margaret can have her own family back? This is a gripping tale full of love, loss, and healing.
Worried that the coming of a new baby and her grandmother's serious illness will change the warm familiar life on her family's Vermont farm, ten-year-old Ariel combines her artistic talent with her grandmother's knowledge to make a very special quilt.
At Helen’s home, there are no telephones or electric lights. Cars have not yet been invented, so she and her sister and brothers must walk a mile to school, even in freezing weather. Without refrigeration, they must harvest ice from the pond. But at night she and her family gather around the woodstove to hear stories of castles and princes in hiding. They take horse-drawn sleigh rides, snug under buffalo robes and wool blankets; skate in the moonlight; and on Christmas morning have real maple syrup for breakfast. With absorbing details of country life and elegant, hand-colored woodcuts, this book captures the strength of family, the magic of Christmas, and the love of place all year long.
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