A meditation on the conversions, betrayals, and divine revelations of motherhood. What if Augustine's Confessions had been written not by a man, but by a mother? How might her tales of desire, temptation, and transformation differ from his? In this memoir, Natalie Carnes describes giving birth to a daughter and beginning a story of conversion strikingly unlike Augustine's—even as his journey becomes a surprising companion to her own. The challenges Carnes recounts will be familiar to many parents. She wonders what and how much she should ask her daughter to suffer in resisting racism, patriarchy, and injustice. She wrestles with an impulse to compel her child to flourish, and reflects on what this desire reveals about human freedom. She negotiates the conflicting demands of a religiously divided home, a working motherhood, and a variety of social expectations, and traces the hopes and anxieties such negotiations expose. The demands of motherhood continually open for her new modes of reflection about deep Christian commitments and age-old human questions. Addressing first her child and then her God, Carnes narrates how a child she once held within her body grows increasingly separate, provoking painful but generative change. Having given birth, she finds that she herself is reborn.
Beauty engages fourth-century bishop Gregory of Nyssa to address beauty's place in theology and the broader world. With the recent resurgence of attention to beauty among theologians, questions still remain about what exactly beauty is, how it is perceived, and whether we should celebrate its return. If beauty fell out of favor because it was seen to distract from the weightier concerns of poverty and suffering--because it can even be a tool of oppression--why should we laud it now? Gregory's writings offer surprisingly rich and relevant reflections that can move contemporary conversations beyond current impasses and critiques of beauty. Drawing Gregory into conversation with such disparate voices as novelist J. M. Coetzee and art theorist Kaja Silverman, Beauty displays the importance of beauty to theology and theology to beauty in a discussion that bridges ancient and modern, practical and theoretical, secular and religious.
Images increasingly saturate our world, making present to us what is distant or obscure. Yet the power of images also arises from what they do not make present—from a type of absence they do not dispel. Joining a growing multidisciplinary conversation that rejects an understanding of images as lifeless objects, this book offers a theological meditation on the ways images convey presence into our world. Just as Christ negates himself in order to manifest the invisible God, images, Natalie Carnes contends, negate themselves to give more than they literally or materially are. Her Christological reflections bring iconoclasm and iconophilia into productive relation, suggesting that they need not oppose one another. Investigating such images as the biblical golden calf and paintings of the Virgin Mary, Carnes explores how to distinguish between iconoclasms that maintain fidelity to their theological intentions and those that lead to visual temptation. Offering ecumenical reflections on issues that have long divided Protestant, Catholic, and Orthodox traditions, Image and Presence provokes a fundamental reconsideration of images and of the global image crises of our time.
A meditation on the conversions, betrayals, and divine revelations of motherhood. What if Augustine's Confessions had been written not by a man, but by a mother? How might her tales of desire, temptation, and transformation differ from his? In this memoir, Natalie Carnes describes giving birth to a daughter and beginning a story of conversion strikingly unlike Augustine's—even as his journey becomes a surprising companion to her own. The challenges Carnes recounts will be familiar to many parents. She wonders what and how much she should ask her daughter to suffer in resisting racism, patriarchy, and injustice. She wrestles with an impulse to compel her child to flourish, and reflects on what this desire reveals about human freedom. She negotiates the conflicting demands of a religiously divided home, a working motherhood, and a variety of social expectations, and traces the hopes and anxieties such negotiations expose. The demands of motherhood continually open for her new modes of reflection about deep Christian commitments and age-old human questions. Addressing first her child and then her God, Carnes narrates how a child she once held within her body grows increasingly separate, provoking painful but generative change. Having given birth, she finds that she herself is reborn.
What is a feminist theologian to do with Christianity's patriarchal inheritance? She can avoid the most patriarchal aspects of the theological tradition and seek resources for constructive work elsewhere. Or she can critique misogynistic texts and artifacts, exposing their strategies of domination to warn against replicating them. Both approaches have merits and yet, without other interpretive strategies, they reaffirm that the theological tradition does not belong to women and others marginalized by gender. They cannot transform the discourse. But within feminist theology are the seeds of another approach, aimed at just such transformation by reworking the theological landscape to become hospitable to all those marginalized by gender. Attunement: The Art and Politics of Feminist Theology identifies trajectories resonant with this alternative approach and from them, describes and develops attunement as a third, generative path for feminist theologians. Attunement is an aesthetically-invested approach to texts and artifacts that self-consciously co-creates as it interprets. Aware of what the text affords the reader, attunement constellates images, texts, and insights to build or augment positive affordances in the text and diminish negative ones. Natalie Carnes describes why this approach is significant for feminist theology, maps its roots in a long history of gender-marginalized individuals claiming authority, describes how it casts interpretation as both an aesthetic and political event, and notes how it might provide a way forward in vexed topics in feminist theology.
Images increasingly saturate our world, making present to us what is distant or obscure. Yet the power of images also arises from what they do not make present—from a type of absence they do not dispel. Joining a growing multidisciplinary conversation that rejects an understanding of images as lifeless objects, this book offers a theological meditation on the ways images convey presence into our world. Just as Christ negates himself in order to manifest the invisible God, images, Natalie Carnes contends, negate themselves to give more than they literally or materially are. Her Christological reflections bring iconoclasm and iconophilia into productive relation, suggesting that they need not oppose one another. Investigating such images as the biblical golden calf and paintings of the Virgin Mary, Carnes explores how to distinguish between iconoclasms that maintain fidelity to their theological intentions and those that lead to visual temptation. Offering ecumenical reflections on issues that have long divided Protestant, Catholic, and Orthodox traditions, Image and Presence provokes a fundamental reconsideration of images and of the global image crises of our time.
From the colonial era to the beginning of the twentieth century, horse racing was by far the most popular sport in America. Great numbers of Americans and overseas visitors flocked to the nation’s tracks, and others avidly followed the sport in both general-interest newspapers and specialized periodicals. Thoroughbred Nation offers a detailed yet panoramic view of thoroughbred racing in the United States, following the sport from its origins in colonial Virginia and South Carolina to its boom in the Lower Mississippi Valley, and then from its post–Civil War rebirth in New York City and Saratoga Springs to its opulent mythologization of the “Old South” at Louisville’s Churchill Downs, home of the Kentucky Derby. Natalie A. Zacek introduces readers to an unforgettable cast of characters, from “plungers” such as Virginia plantation owner William Ransom Johnson (known as the “Napoleon of the Turf”) and Wall Street financier James R. Keene (who would wager a fortune on the outcome of a single competition) to the jockeys, trainers, and grooms, most of whom were African American. While their names are no longer known, their work was essential to the sport. Zacek also details the careers of remarkable, though scarcely remembered, horses, whose achievements made them as famous in their day as more recent equine celebrities such as Seabiscuit or Secretariat. Based upon exhaustive research in print and visual sources from libraries, archives, and museums across the United States, Thoroughbred Nation will be of interest both to those who love the sport of horse racing for its own sake and to those who are fascinated by how this pastime reflects and influences American identities.
The most important theatrical movement in sixteenth- and early seventeenth-century Europe, the commedia dell’arte has inspired playwrights, artists, and musicians including Molière, Dario Fo, Picasso, and Stravinsky. Because of its stock characters, improvised dialogue, and extravagant theatricalism, the commedia dell’arte is often assumed to be a superficial comic style. With Befriending the Commedia dell’Arte of Flaminio Scala, Natalie Crohn Schmitt demolishes that assumption. By reconstructing the commedia dell’arte scenarios published by troupe manager Flaminio Scala (1547–1624), Schmitt demonstrates that in its Golden Age the commedia dell’arte relied as much on craftsmanship as on improvisation and that Scala’s scenarios are a treasure trove of social commentary on early modern daily life in Italy. In the book, Schmitt makes use of her intensive research into the social and cultural history of sixteenth-century Italy and the aesthetic principles of the period. She combines this research with her insights drawn from studying with contemporary commedia dell’arte performers and from directing a production of one of Scala’s scenarios. The result is a new perspective on the commedia dell’arte that illuminates the style’s full richness.
This true-to-life journal encompasses two years in the authors early nursing career spent working side-by-side with physicians-in-training as part of their residency program in Womens Health. The setting is a high-risk obstetrics unit at a large metropolitan hospital serving the citys poor and immigrant women and their infants. Doctors and nurses are described responding to an array of emergencies and a crushing workload in this labor-intensive setting. The medical situations are eye openersthe interpersonal dynamics even more so. There are plenty of ethical dilemmas to traverse for the staff, and a measure of humor to leaven the stark circumstances. The work also describes the personal journey of the author as she morphs from a shy and insecure new nurse to a strong and assertive person able to act on behalf of patients who are in a highly vulnerable position.
People have been experimenting with different ways to write history for 2,500 years, yet we have experimented with film in the same way for only a century. Noted professor and historian Natalie Zemon Davis, consultant for the film The Return of Martin Guerre, argues that movies can do much more than recreate exciting events and the external look of the past in costumes and sets. Film can show millions of viewers the sentiments, experiences and practices of a group, a period and a place; it can suggest the hidden processes and conflicts of political and family life. And film has the potential to show the past accurately, wedding the concerns of the historian and the filmmaker. To explore the achievements and flaws of historical films in differing traditions, Davis uses two themes: slavery, and women in political power. She shows how slave resistance and the memory of slavery are represented through such films as Stanley Kubrick's Spartacus, Steven Spielberg's Amistad and Jonathan Demme's Beloved. Then she considers the portrayal of queens from John Ford's Mary of Scotland and Shekhar Kapur's Elizabeth to John Madden's Mrs. Brown and compares them with the cinematic treatments of Eva Peron and Golda Meir. This visionary book encourages readers to consider history films both appreciatively and critically, while calling historians and filmmakers to a new collaboration.
Walmart provides a detailed assessment of the world's largest retailer that forever changed the face of retailing. The book examines Walmart's successes, failures, and whether it can stay ahead for the next 50 years. Despite being a source for best practice in procurement, logistics, systems and store format innovation, the retail giant is now facing several issues that affect its future development. Starting from its inception in rural Arkansas in 1962, this objective analysis of Walmart's history addresses the rapid change of retail, including the rise of e-commerce and multi-channel retailing; Walmart International and its 'everyday low prices' philosophy; the saturation of the superstore format, and much more. In a time of rapid change, will the world's largest retailer be able to reconfigure? Walmart provides the necessary insights for retailers, advertisers, other business professionals and students to understand how Walmart became a retail giant, the lessons that can be learned, and what is in store for the future.
A biography of one of the Gilded Age’s most fascinating and mysterious society women that “reads as well as any page-turning novel” (Library Journal). At twenty-eight, Clover Adams, a fiercely intelligent Boston Brahmin, married the soon-to-be-eminent American historian Henry Adams. She thrived in her role as an intimate of power brokers in Gilded Age Washington, where she was admired for her wit and taste by such luminaries as Henry James, H. H. Richardson, and General William Tecumseh Sherman. Clover so clearly possessed, as one friend wrote, “all she wanted, all this world could give.” Yet at the center of her story is a haunting mystery. Why did Clover, having begun in the spring of 1883 to capture her world vividly through photography, end her life less than three years later by drinking a chemical developer she used in the darkroom? The key to the mystery lies, as Natalie Dykstra’s searching account makes clear, in Clover’s photographs themselves. The aftermath of Clover’s death is equally compelling. Dykstra probes Clover’s enduring reputation as a woman betrayed, and, most movingly, she untangles the complex, poignant—and universal—truths of her shining and impossible marriage.
The Rights of Woman as Chimera examines Mary Wollstonecraft's intellectual relationship to Rousseau, Locke, and Aristotle. Although she learned much from each philosopher, her own thought cannot be said to be simply derivative of these thinkers. In considering "the woman question," Wollstonecraft levels important, but friendly, critiques of her male predecessors. She puts forth a conception of the nature of woman, which is informed by and consistent with her larger political philosophy, and this study endeavors to outline this conception of the nature of woman.
The greatest mystery of life is how a single fertilized egg develops into a fully functioning, sometimes conscious multicellular organism. Embryogenesis Explained offers a new theory of how embryos build themselves, and combines simple physics with the most recent biochemical and genetic breakthroughs, based on the authors' prediction and then discovery of differentiation waves. They explain their ideas in a form accessible to the lay person and a broad spectrum of scientists and engineers. The diverse subjects of development, genetics and evolution, and their physics, are brought together to explain this major, previously unanswered scientific question of our time.As a follow up on The Hierarchical Genome, this book is a shorter but conceptually expanded work for the reader who is interested in science. It is useful as a starting point for the curious layman or the scientist or professional encountering the problem of embryogenesis without the formal biology background. There is also material useful for the seasoned biologist caught up in the new rush of information about the role of mechanics in developmental biology and cellular level mechanics in medicine.
Issues related to nutrition are among the most pressing public health concerns in modern times. Worldwide, malnutrition affects nearly 1 billion individuals, or more than one in seven people. Many Protein-energy malnutrition and micronutrient deficiencies play roles in more than half of all childhood deaths. Effects of malnutrition include mortality, decreased economic productivity, morbidities, such as blindness and stunting, and development of chronic diseases. With a unique focus on Global Health, this book is a comprehensive introduction to Public Health Nutrition. Designed for MPH programs, this book will prepare students to become successful global public health professionals, with a clear understanding of the critical need for public health nutrition programs around the globe. Unlike other texts of its kind, Public Health Nutrition: Principles and Practice for Community and Global Health offers a unique focus on nutrients. Readers will come away with a solid understanding of the specific roles of nutrients including macronutrients and the most relevant micronutrients enabling them to be more effective in improving public health nutrition. With 19 chapters divided into 6 parts, this book covers: Nutrition around the World Policy and Public Health Nutrition Hunger and Malnutrition Maternal and Child Nutrition Nutritional Scenes in Developing Nations Nutrition and the Environment.
Beauty engages fourth-century bishop Gregory of Nyssa to address beauty's place in theology and the broader world. With the recent resurgence of attention to beauty among theologians, questions still remain about what exactly beauty is, how it is perceived, and whether we should celebrate its return. If beauty fell out of favor because it was seen to distract from the weightier concerns of poverty and suffering--because it can even be a tool of oppression--why should we laud it now? Gregory's writings offer surprisingly rich and relevant reflections that can move contemporary conversations beyond current impasses and critiques of beauty. Drawing Gregory into conversation with such disparate voices as novelist J. M. Coetzee and art theorist Kaja Silverman, Beauty displays the importance of beauty to theology and theology to beauty in a discussion that bridges ancient and modern, practical and theoretical, secular and religious.
What is a feminist theologian to do with Christianity's patriarchal inheritance? She can avoid the most patriarchal aspects of the theological tradition and seek resources for constructive work elsewhere. Or she can critique misogynistic texts and artifacts, exposing their strategies of domination to warn against replicating them. Both approaches have merits and yet, without other interpretive strategies, they reaffirm that the theological tradition does not belong to women and others marginalized by gender. They cannot transform the discourse. But within feminist theology are the seeds of another approach, aimed at just such transformation by reworking the theological landscape to become hospitable to all those marginalized by gender. Attunement: The Art and Politics of Feminist Theology identifies trajectories resonant with this alternative approach and from them, describes and develops attunement as a third, generative path for feminist theologians. Attunement is an aesthetically-invested approach to texts and artifacts that self-consciously co-creates as it interprets. Aware of what the text affords the reader, attunement constellates images, texts, and insights to build or augment positive affordances in the text and diminish negative ones. Natalie Carnes describes why this approach is significant for feminist theology, maps its roots in a long history of gender-marginalized individuals claiming authority, describes how it casts interpretation as both an aesthetic and political event, and notes how it might provide a way forward in vexed topics in feminist theology.
“From a comedic cast of supporting characters to an emphasis on the importance of community... A vibrant second-chance love story about repairing community and romantic connection." —Kirkus Reviews (STARRED) “It’s a pleasure to watch [Caña's characters] develop over the course of the novel. This is a treat.”—Publishers Weekly (STARRED) Santiago "Saint" Vega gets a second shot at love with Lola León, but when duty to his family forces him to do something she'll never forgive, will everything he's built come crumbling down? Years ago, Saint walked away from the girl he loved to fulfill his duty. Now he’s struggling to build bridges between his drifting family, take on more responsibilities at his uncle’s construction company, figure out why his daughter refuses to talk at school and curtail his mischievous abuelo’s escalating pranks. Then she walks back into his life. Social justice advocate Lola León has returned to Humboldt Park for two reasons: to help care for her dear abuelo and to serve the community center she loved, particularly the shelter for unhoused LGBTQIA+ youths. When she finds out that the Vegas are responsible for endangering both, she is more than ready to go to war—even if the boy she never forgot is standing at the front of the battlefield. Neither of them expects to become allies in saving the shelter, helping Saint’s daughter or ending the decades-long feud between their grandfathers. They definitely don’t expect all of their old feelings to come rushing back. As Saint and Lola enter combat, they can’t help but wonder where the other’s true allegiance lies, and whether they’ll win these battles only to lose each other. Vega Family Love Stories Book 1: A Proposal They Can't Refuse Book 2: A Dish Best Served Hot
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