Emma Jarvie is your typical teenager—sure, she’s an Iranian American immigrant living in Santa Ana, CA, a neighborhood becoming notorious for its growing violence. But like every teenage girl, she worries about boys, tries to keep her grades up in school, and shops for makeup with her best friend, Julie. All right, so things aren’t as they seem. So she doesn’t have a father in the picture, and her mother is slowly losing a battle to something unseen. So her older sister says she’ll be applying to a distant university, leaving Emma to take care of their mother alone. So she’s turned to the streets to try and make something out of nothing from her riches-to-rags life. She can still handle this. But when she turns to Julie for support, she encounters Julie’s seductive ex-boyfriend, Joseph, and everything she’s worked so hard to build starts crumbling apart. Danger is closer to her than ever—but with building frustration about her constant struggles at school and at home, she’s willing to risk it all. Based on true events and infused with tenderness and dark humor, Staring at Medusa is a meditation on family and friendship, isolation and belonging, violence and care, as Emma navigates being a typical teenager against a backdrop of unique circumstances.
Epigenetics is the study of heritable changes in gene expression and has been heralded as one of the most promising new fields of scientific inquiry. Current large-scale pregnancy studies draw on epigenetics to connect pregnant women's behavioral choices, like diet and exercise, to future health risks for unborn babies. As the first ethnography of its kind, Weighing the Future examines the sociopolitical implications of ongoing pregnancy trials in the United States and the United Kingdom, illuminating how processes of scientific knowledge production are linked to capitalism, surveillance, and environmental reproduction. The environments we imagine to shape our genes, bodies, and future health are tied to race, gender, and structures of inequality. This groundbreaking book makes the case that science, and how we translate it, is a reproductive project that requires feminist vigilance. Instead of fixating on a future at risk, this book brings attention to the present at stake"--
In tracing the evolution of Kurdish nationalism, Denise Natali shows that, contrary to popular theories, there is nothing natural or fixed about Kurdish identity or the configuration that Kurdish nationalism assumes. Rather, Kurdish nationalism has been shaped by the development of nation-states in the region. Although Kurdish communities have maintained some shared sense of Kurdishness, Kurdayeti (the mobilization of Kurdish identity) is interwoven with a much larger series of identities within the "political space" of each Kurdish group. Different notions of inclusion and exclusion have modified the political and cultural opportunities of Kurds to express their ethnic identities, and opening the possibility of assuming alternative identities over time. With this book Natali makes a significant contribution to theoretical, empirical, and policy-based scholarship on the Middle East, the plight of the Kurds, ethnonationalism, and ethnopolitical conflict. Hers is the first comparative work to examine Kurdish nationalism as a function of diverse political spaces. As a vital addition to the literature in the field, this book will supplant a number of standard texts on the Kurds.
The years 1676 and 1774 marked two turning points in the social and legal treatment of madness in England. In 1676, London’s Bethlehem Hospital expanded in grand new premises, and in 1774 the Madhouses Act attempted to limit confinement of the insane. This study explores almost a century of the English history of madness through the texts of five poets who were considered mentally troubled according to contemporary standards: James Carkesse, Anne Finch, William Collins, Christopher Smart and William Cowper were hospitalized, sequestered or exiled from society. Their works cope with representations of insanity, medical definitions or practices, imputed illness, and the judging eye of the ‘sane other’, shedding new light on the dis/continuities in the notion of madness of this period.
The stylistic and cultural discourse concerning the narratives of mental disorder is the main focus of Symptoms of Disorder: Reading Madness in British Literature 1744-1845. This collection offers new insights into the representation of madness in British literature between two landmark dates for the social, philosophical and medical history of mental deviance: 1744 and 1845. In 1744, the Vagrancy Act first mentions 'lunatics' as a specific category, which is itself a social 'symptom' of an emerging need for isolation and confinement of the insane. A more sophisticated and attentive care of the 'fool' is testified only by the 1845 Lunatic Asylums Act, which established specific processes safeguarding against the wrongful detention of patients in public and private facilities. In stressing for the first time the momentous change the notion of madness underwent between these years, this book provides a fresh and absolutely unique perspective on some of the major works connected with mental disorder. The chronological boundaries also provide the collection with a definite and unifying frame, which comprises social, cultural, legal and medical aspects of madness as an historical phenomenon. It is within this frame that the eight essays composing the body of the book discuss how madness is recounted, or even experienced, by authors such as Christopher Smart and William Cowper, William Blake, Samuel Taylor Coleridge, John Thomas Perceval, Samuel Richardson, Charlotte Lennox, Eliza Haywood, and Alfred Tennyson. Symptoms of Disorder draws a wide-ranging map of different representations of madness and their historic functioning between the 18th and 19th centuries. The organizational principle of this collection is a double perspective, which allows to suitably articulate the characterizations of insanity into themes and genres. Reflecting the two main ways in which literary madness can be employed as a critical device in literature, the chapters are grouped into theme-oriented and writer-oriented analyses. Other collections dealing with literature and madness have already coped, to a certain degree, with works that represent insane characters and authors who adopt 'deviant' voices as a fictional or rhetoric expedient. Fewer studies of the same kind, instead, have offered a more comprehensive picture by also looking at the alleged insanity of the writer, and at those linguistic, stylistic and semantic elements which at some stage were commonly believed to be an expression of insanity. This is one of the first studies which addresses the representation of madness from both these intertwined perspectives. See www.cambriapress.com/books/9781604979251.cfm for more information.
Emma Jarvie is your typical teenager—sure, she’s an Iranian American immigrant living in Santa Ana, CA, a neighborhood becoming notorious for its growing violence. But like every teenage girl, she worries about boys, tries to keep her grades up in school, and shops for makeup with her best friend, Julie. All right, so things aren’t as they seem. So she doesn’t have a father in the picture, and her mother is slowly losing a battle to something unseen. So her older sister says she’ll be applying to a distant university, leaving Emma to take care of their mother alone. So she’s turned to the streets to try and make something out of nothing from her riches-to-rags life. She can still handle this. But when she turns to Julie for support, she encounters Julie’s seductive ex-boyfriend, Joseph, and everything she’s worked so hard to build starts crumbling apart. Danger is closer to her than ever—but with building frustration about her constant struggles at school and at home, she’s willing to risk it all. Based on true events and infused with tenderness and dark humor, Staring at Medusa is a meditation on family and friendship, isolation and belonging, violence and care, as Emma navigates being a typical teenager against a backdrop of unique circumstances.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.