Boston Boy is Nat Hentoff's memoir of growing up in the Roxbury section of Boston in the 1930s and 1940s. He grapples with Judaism and anti-Semitism. He develops a passion for outspoken journalism and First Amendment freedom of speech. And he discovers his love of jazz music as he follows, and is befriended by, the great jazz musicians of the day, including Duke Ellington and Lester Young. "Nat Hentoff knows jazz. And it comes alive in this wonderful, touching memoir." —Ken Burns, creator of the PBS series "Jazz" "This memoir of [Hentoff's] youth should be appreciated not only by adults who grew up through the fires of their own youthful rebellion, but by those restless young people who are now bringing their own views and questions to the world they are inheriting. They could learn from this example that rebels can be gentle as well as enraged and compassionate in their commitment." —New York Times Book Review "[A] charmingly bittersweet memoir." —Boston Globe "This is a touching book about a painful, wonderful time in Boston…I loved it." —Anthony Lewis "[A] richly textured, vivid memoir of growing up in Boston's Roxbury neighborhood…It weaves a colorful and varied tapestry." —Senator Paul Wellstone
This book is a selective tribute and guide to the jazz life, the players, and the music. It is not a chronological or comprehensive history, but rather a personal exploration through variegated seminal figures of a nature of the music (and how it keeps changing). And it is about the nature of those who make the music - temperaments as disparate as those of Louis Armstrong and Charlie Parker. It tells, too, of the political economy of jazz, its internationalization, the continuing surprises of its futher frontiers.
In this marvelous oral history, the words of such legends as Louis Armstrong, Fats Waller, Jelly Roll Morton, Duke Ellington, and Billy Holiday trace the birth, growth, and changes in jazz over the years.
A history of free speech in our country from earliest times to some of the controversial court cases of today involving school demonstrations and the right of Nazis to march.
Writing about music-about what it is and what it means-is akin to describing the act of love. Somehow, the reduction of the experience to an unblushingly detailed exposition of how, where, when, and why who does what to whom, from prelude to resolu tion, loses everything in the translation. The other extreme, the one wherein the writer, in desperation, resorts to metaphor (with or without benefit of meter and rhyme), most often results in im agery that is banal, vulgar, inane, obscure, pretentious, and almost always insufferably romantic. To achieve good and accurate writing about music is as rare an accomplishment as expert wine-tasting, lion-taming, diamond-cut ting, truffie-finding and (if one just happens to be an unconverted Mohican brave) deer-tracking. Only the intuitive, the pure, the sensual, and the intrepid need apply. Professional musicians often evidence a fixed tendency either to rudely ignore or else to actively despise those of us who bravely try to understand, define, and describe their art. To many composers and instrumentalists, those outsiders (nonmusicians) who have the temerity to discuss anything more abstract than the digital dexterity of a fiddler, the particular vanity of a conductor, or the wage scales for overtime recording sessions are judged worthy only of contempt or-at the most-patronizing tolerance. "Music means itself," insists one of the contributors to the collection that follows, and many practitioners of the art of organ ized sound would prefer to leave it at that.
Biography of "America's number one pacifist", Hentoff's excellent work captures the many facets of Muste's life -- from the mainline ministry, to organizing labor unions, to activist pacifism. A compelling biography and also a first-rate look at the United States in the first sixty years of the twnetieth century.
Phil Stern: A Life's Work is the long-awaited magnum opus from one of the twentieth century's premier celebrity and documentary photographers. His three great bodies of work on World War II, Jazz, and Hollywood are collected and presented for the first time in this stunning tribute.
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