This title was first published in 2000: Care-givers in the early modern period included not only mothers and stepmothers, but also midwives and nurses, tutors and educators, wise women and witches. The contributors to this volume present research and criticism on a wide range of early modern care-giving roles by women in England, Italy, Spain, France, Latin America, Mexico and the New World. The essays are not only cross-cultural but also interdisciplinary, spanning literature, history, music and art history; and they focus on differences of gender, class and race. A wide variety of scholarly and critical approaches are represented. Essays are grouped in categories on conception and lactation; maternal nurture and instruction; domestic production; and social authority.
How does this Jewish history book differ from all others? Instead of burdening the reader with endless details about every single aspect of Jewish history, Pasachoff and Littman provide essential information, easily digested by readers of all ages, that chronicles only the major events and people of the past. The history of the Jews covers a period of over 3,500 years, with an overwhelming number of countries and lands. It is a microcosm of the history of the world. Consequently, even a one-volume work can be difficult to read from cover to cover to gain the sweep of Jewish history. This book speaks to the reader who is interested in individual topics or periods and wants a quick-reference guide to the people and places that truly shaped Jewish history. At the same time, if read from beginning to end, these 'nutshells' will provide a chronological history of the Jews.
This book describes the most important events and people in Jewish history from Abraham to the present day, in a very concise, accessible way. These 'read-bites' include up-to-date essays discussing the impact of 9-11; the Iraq War, Muslim Fundamentalism, and rise of European anti-Semitism on the Jewish People.
Sarah Schenirer and the Bais Yaakov movement she founded represent a revolution in the name of tradition in interwar Poland. The new type of Jewishly educated woman the movement created was a major innovation in a culture hostile to female initiative. A vivid portrait of Schenirer that dispels many myths.
In Hermeneutics of Holiness , Naomi Koltun-Fromm examines the ancient nexus of holiness and sexuality and explores its roots in the biblical texts as well as its manifestations throughout ancient and late-ancient Judaism and early Syriac Christianity. In the process, she tells the story of how the biblical notions of "holy person" and "holy community" came to be defined by the sexual and marriage practices of various interpretive communities in late antiquity. Koltun-Fromm seeks to explain why sexuality, especially sexual restraint, became a primary demarcation of sacred community boundaries among Jews and Christians in fourth-century Persian-Mesopotamia. She charts three primary manifestations of holiness: holiness ascribed, holiness achieved, and holiness acquired through ritual purity. Hermeneutics of Holiness traces the development of these three concepts, from their origin in the biblical texts to the Second Temple literature (both Jewish and Christian) to the Syriac Christian and rabbinic literature of the fourth century. In so doing, this book establishes the importance of biblical interpretation for late ancient Jewish and Christian practices, the centrality of holiness as a category for self-definition, and the relationship of fourth-century asceticism to biblical texts and interpretive history.
There is an academic cottage industry on the "Jewish Freud," aiming to detect Jewish influences on Freud, his own feelings about being Jewish, and suppressed traces of Jewishness in his thought. This book takes a different approach, turning its gaze not on Freud but rather on those who seek out his concealed Jewishness. What is it that propels the scholarly aim to show Freud in a Jewish light? Naomi Seidman explores attempts to "touch" Freud (and other famous Jews) through Jewish languages, seeking out his Hebrew name or evidence that he knew some Yiddish. Tracing a history of this drive to bring Freud into Jewish range, Seidman also charts Freud's responses to (and jokes about) this desire. More specifically, she reads the reception and translation of Freud in Hebrew and Yiddish as instances of the desire to touch, feel, "rescue," and connect with the famous Professor from Vienna.
An introduction to Jewish thinking anyone can read. This unique volume mixes biography, history, and philosophy, to present the lives and work of 16 seminal Jewish thinkers including Maimonides, Isaac Luria, the Baal Shem Tov, Theodor Herzl, Leo Baeck, Abraham Isaac Kook, Abraham Joshua Heschel, and Mordecai Kaplan.A concluding chapter presents current trends in Jewish thought, with contributions from contemporary figures including Eugene Borowitz, Cynthia Ozick, Rachel Adler, Judith Plaskow, Elie Wiesel, and many others.
The Nuremberg Miscellany [Germanisches Nationalmuseum Nürnberg, Bibliothek, 8° Hs. 7058 (Rl. 203)] is a unique work of scribal art and illumination. Its costly parchment leaves are richly adorned and illustrated with multicolour paint and powdered gold. It was penned and illustrated in southern Germany – probably Swabia – in 1589 and is signed by a certain Eliezer b. Mordechai the Martyr. The Miscellany is a relatively thin manuscript. In its present state, it holds a total of 46 folios, 44 of which are part of the original codex and an additional bifolio that was attached to it immediately or soon after its production. The book is a compilation of various Hebrew texts, most of which pertain to religious life. Others are home liturgies, Biblical exegeses, comments on rites and customs, moralistic texts, homiletic and ethical discourses, and an extensive collection of home liturgies, its major part being dedicated to the life cycle. The unparalleled text compilation of the Nuremberg Miscellany on the one hand, and the naïve, untrained illustrations on the other hand, are puzzling. Its illustrations are hardly mindful of volume, depth or perspective, and their folk-art nature suggests that an unprofessional artist, possibly even the scribe himself, may have executed them. Whoever the illustrator was, his vast knowledge of Jewish lore unfolds layer after layer in a most intricate way. His sharp eye for detail renders the images he executed a valid representation of contemporary visual culture. The iconography of the Nuremberg Miscellany, with its 55 decorated leaves, featuring 25 text illustrations, falls into two main categories: biblical themes, and depictions of daily life, both sacred and mundane. While the biblical illustrations rely largely on artistic rendering and interpretation of texts, the depictions of daily life are founded mainly on current furnishings and accoutrements in Jewish homes. The customs and rituals portrayed in the miscellany attest not only to the local Jewish Minhag, but also to the influence and adaptation of local Germanic or Christian rites. They thus offer first-hand insights to the interrelations between the Jews and their neighbors. Examined as historical documents, the images in the Nuremberg Miscellany are an invaluable resource for reconstructing Jewish daily life in Ashkenaz in the early modern period. In a period from which only scanty relics of Jewish material culture have survived, retrieving the pictorial data from images incorporated in literary sources is of vital importance in providing the missing link. Corroborated by similar objects from the host society and with descriptions in contemporary Jewish and Christian written sources, the household objects, as well as the ceremonial implements depicted in the manuscript can serve as effective mirrors for the material culture of an affluent German Jewish family in the Early Modern period. The complete Nuremberg Miscellany is reproduced in the appendix of this book.
In a famous comment made by the poet Chayim Nachman Bialik, Hebrew—the language of the Jewish religious and intellectual tradition—and Yiddish—the East European Jewish vernacular—were "a match made in heaven that cannot be separated." That marriage, so the story goes, collapsed in the years immediately preceding and following World War I. But did the "exes" really go their separate ways? Lingering Bilingualism argues that the interwar period represents not an endpoint but rather a new phase in Hebrew-Yiddish linguistic and literary contact. Though the literatures followed different geographic and ideological paths, their writers and readers continued to interact in places like Berlin, Tel Aviv, and New York—and imagined new paradigms for cultural production in Jewish languages. Brenner traces a shift from traditional bilingualism to a new translingualism in response to profound changes in Jewish life and culture. By foregrounding questions of language, she examines both the unique literary-linguistic circumstances of Ashkenazi Jewish writing and the multilingualism that can lurk within national literary canons.
It is indeed remarkable that although Philo has quoted extensively from the Pentateuch, his works contain no more than forty-six references to the Prophets and Writings. The author provides a convincing explanation for every one of these citations. It corroborates the thesis that Philo availed himself of lexicographic aids and midrashic material, and further, that even when the language of their composition was Hebrew/Aramaic, that he used them in Greek translation. It identifies a circle engaged in esoteric philosophic allegorization of Scriptures, with which Philo associated, and it finds that the specific quotations from the Prophets point to the existence, already in the 1st century CE, of a traditional Haftarah Cycle. The book fills a long felt lacuna.
Lady Mary Wroth (c. 1587-1653) wrote the first sonnet sequence in English by a woman, one of the first plays by a woman, and the first published work of fiction by an Englishwoman. Yet, despite her status as a member of the distinguished Sidney family, Wroth met with disgrace at court for her authorship of a prose romance, which was adjudged an inappropriate endeavor for a woman and was forcibly withdrawn from publication. Only recently has recognition of Wroth's historical and literary importance been signaled by the publication of the first modern edition of her romance, The Countess of Mountgomeries Urania. Naomi Miller offers an illuminating study of this significant early modern woman writer. Using multiple critical/theoretical perspectives, including French feminism, new historicism, and cultural materialism, she examines gender in Wroth's time. Moving beyond the emphasis on victimization that shaped many previous studies, she considers the range of strategies devised by women writers of the period to establish voices for themselves. Where previous critics have viewed Wroth primarily in relation to her male literary predecessors in the Sidney family, Miller explores Wroth's engagement with a variety of discourses, reading her in relation to a broad range of English and continental authors, both male and female, from Sidney, Spenser, and Shakespeare to Aemilia Lanier, Elizabeth Cary, and Marguerite de Navarre. She also contextualizes Wroth's writing in relation to a variety of nonliterary texts of the period, both political and domestic. Thanks to Miller's sensitive readings, Wroth's writings provide a lens through which to view gender relations in the early modern period.
This book retells the history of Israeli film in the 1960s and 1970s in sex scenes. Through close readings of the first sex scenes in mainstream Israeli movies from this period, it explores the cultural and social contexts in which these movies were made. More specifically, it discusses how notions of collective identity, individual agency, and the public and private spheres are inscribed into and negotiated in sex scenes, especially in light of the historical events that marked these decades. This study thus pushes away from the traditional academic perception of Israeli film and opens up new ways of understanding how it has developed in recent decades. It draws on a growing international body of academic literature on the cinematic representation of sex in order to illuminate the particularities of the Israeli context in the 1960s and 1970s. Apart from film scholars and scholars of Israeli film, this study also addresses readers interested in Israeli cultural history more broadly.
With more than half a million copies of her novels sold, Naomi Ragen has connected with the hearts of readers as well as reviewers who have met her work with unanimous praise. In The Saturday Wife, Ragen utilizes her fluid writing style--rich with charm and detail--to break new ground as she harnesses satire to expose a world filled with contradiction. Beautiful, blonde, materialistc Delilah Levy steps into a life she could have never imagined when in a moment of panic she decides to marry a sincere Rabbinical student. But the reality of becoming a paragon of virtue for a demanding and hypocritical congregation leads sexy Delilah into a vortex of shocking choices which spiral out of control into a catastrophe which is as sadly believeable as it is wildly amusing. Told with immense warmth, fascinating insight, and wicked humor, The Saturday Wife depicts the pitched and often losing battle of all of us as we struggle to hold on to our faith and our values amid the often delicious temptations of the modern world.
This title was first published in 2000: Care-givers in the early modern period included not only mothers and stepmothers, but also midwives and nurses, tutors and educators, wise women and witches. The contributors to this volume present research and criticism on a wide range of early modern care-giving roles by women in England, Italy, Spain, France, Latin America, Mexico and the New World. The essays are not only cross-cultural but also interdisciplinary, spanning literature, history, music and art history; and they focus on differences of gender, class and race. A wide variety of scholarly and critical approaches are represented. Essays are grouped in categories on conception and lactation; maternal nurture and instruction; domestic production; and social authority.
Drawing on art history, literary studies and social history, the essays in this volume explore a range of intersections between gender and constructions of childhood in the 15th, 16th and 17th centuries in Italy, England, France and Spain. Contributors examine representations of children and childhood in a range of sources from the period, from paintings and poetry to legal records and personal correspondence.
This title was first published in 2001. Focusing attention on the neglected area of relations between brothers and sisters during the early modern period, this volume explores the sibling dynamics that shaped family relations in Italy, England, France, Spain, and Germany. Using an array of feminist and cultural studies approaches, prominent scholars consider sibling ties from a range of interdisciplinary perspectives - including art history, musicology, literary studies, and social history - to articulate underlying paradigms according to which sibling relations were constructed."--Provided by publisher.
Naomi Ragen's first play, which premiered in July 2002 at Habima National Theater in Tel Aviv. It is based on a true story: a Haredi (ultra-Orthodox) woman, wife of a rabbi, mother of 12, leaves her home and stays with a friend. The community's "modesty squad" tries in vain to force her to go back. Her friend is physically attacked, her arm and leg broken. The rabbi's wife is punished: she is cut off from her children, against her will.
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