Venezuela's most prominent community television station, Catia TVe, was launched in 2000 by activists from the barrios of Caracas. Run on the principle that state resources should serve as a weapon of the poor to advance revolutionary social change, the station covered everything from Hugo Chávez’s speeches to barrio residents' complaints about bureaucratic mismanagement. In Channeling the State, Naomi Schiller explores how and why Catia TVe's founders embraced alliances with Venezuelan state officials and institutions. Drawing on long-term ethnographic research among the station's participants, Schiller shows how community television production created unique openings for Caracas's urban poor to embrace the state as a collective process with transformative potential. Rather than an unchangeable entity built for the exercise of elite power, the state emerges in Schiller's analysis as an uneven, variable process and a contentious terrain where institutions are continuously made and remade. In Venezuela under Chávez, media activists from poor communities did not assert their autonomy from the state but rather forged ties with the middle class to question whose state they were constructing and who it represented.
Venezuela's most prominent community television station, Catia TVe, was launched in 2000 by activists from the barrios of Caracas. Run on the principle that state resources should serve as a weapon of the poor to advance revolutionary social change, the station covered everything from Hugo Chávez’s speeches to barrio residents' complaints about bureaucratic mismanagement. In Channeling the State, Naomi Schiller explores how and why Catia TVe's founders embraced alliances with Venezuelan state officials and institutions. Drawing on long-term ethnographic research among the station's participants, Schiller shows how community television production created unique openings for Caracas's urban poor to embrace the state as a collective process with transformative potential. Rather than an unchangeable entity built for the exercise of elite power, the state emerges in Schiller's analysis as an uneven, variable process and a contentious terrain where institutions are continuously made and remade. In Venezuela under Chávez, media activists from poor communities did not assert their autonomy from the state but rather forged ties with the middle class to question whose state they were constructing and who it represented.
Bestselling author Naomi Wolf was brought up to believe that happiness is something that can be taught -- and learned. In this magical book, Naomi shares the enduring wisdom of her father, Leonard Wolf, a poet and teacher who believes that every person is an artist in their own unique way, and that personal creativity is the secret of happiness. Leonard Wolf is a true eccentric. A tall, craggy, good-looking man in his early eighties, he's the kind of person who likes to use a medieval astrolabe, dress in Basque shepherd's clothing, and convince otherwise sensible people to quit their jobs and follow their passions. A gifted teacher, he's dedicated his life to honoring individualism, creativity, and the inspirational power of art. Leonard believes, and has made many others believe, that inside everyone is an artist, and success and happiness in life depend on whether or not one values and acts upon one's creative impulse. In The Treehouse, Naomi Wolf's most personal book yet, Naomi outlines her father's lessons in creating lasting happiness and offers inspiration for the artist in all of us. The book begins when Naomi asks Leonard to help build a treehouse for his granddaughter. Inspired by his dedication to her daughter's imaginative world, Naomi asks her father to walk her through the lessons of his popular poetry class and show her how he teaches people to liberate their creative selves. Drawn from Leonard's handwritten lecture notes, the chapters of The Treehouse remind us to "Be Still and Listen," "Use Your Imagination," "Do Nothing Without Passion," and that "Your Only Wage Will Be Joy," and "Mistakes Are Part of the Draft." More than an education in poetry writing, this is a journey of self-discovery in which the creative endeavor is paramount. Naomi also offers glimpses into her father's past -- from his youth during the Depression to his bohemian years as a poet in 1950s San Francisco -- and the evolution of Leonard's highly individualistic vision of the artist's way. She reconsiders her own childhood and realizes the transformative effect Leonard's philosophy has had on her own life, as well as the lives of her students and friends. The Treehouse is ultimately a stirring personal history, a meditation on fathers and daughters, an argument for honoring the creative impulse, and unique instruction in the art of personal happiness.
This book explores van Gogh's and Gauguin's concepts of spirituality in life and art, and the ways in which their ideas and the events of their personal lives shaped their creation of repertoires of meaningful symbolic motifs.
The spinster, once a ubiquitous figure in American popular culture, has all but vanished from the scene. Intrigued by the fact that her disappearance seems to have gone unnoticed, Naomi Braun Rosenthal traces the spinster's life and demise by using stories from the Ladies' Home Journal (from 1890, 1913, and 1933), along with Hollywood films from the 1940s and 1950s, such as It's a Wonderful Life; Now, Voyager; and Summertime, among others. Originally invoked as a symbol of female independence a hundred years ago, when marriage and career were considered to be incompatible choices for women, spinsterhood was advocated as an alternate path by some and viewed as a threat to family life by others. Today, there are few traces of the spinster's existence—the options open to women have dramatically changed—but we continue to grapple with concerns about women's desires and "the future of the family.
The Oxford Handbook of Philosophy and Race provides up-to-date explanation and analyses by leading scholars of contemporary issues in African American philosophy and philosophy of race. These original essays encompass the major topics and approaches in this emerging philosophical subfield that supports demographic inclusion and diversity while at the same time strengthening the conceptual arsenal of social and political philosophy. Over the course of the volume's ten topic-based sections, ideas about race held by Locke, Hume, Kant, Hegel, and Nietzsche are supplemented by suppressed thought from the African diaspora, early twentieth-century African American perspectives and Native-, Asian-, and Latin-, American views. The contributors bring philosophical analysis to bear on the status of racial divisions as categories of humanity in the biological sciences, as well as within contemporary criticism and conceptual analysis. Essays present the special applications of American philosophy and continental philosophy to ideas of race as methodological alternatives to more analytic approaches. As a collection of analyses and assessments of 'race' in the real world, the volume pays trenchant and relevant attention to historical and contemporary racism and what it means to say that 'race' and racial identities are socially constructed. The essays analyze contemporary social issues including the importance of racial difference and identity in education, public health, medicine, IQ and other standardized tests, and sports. Additionally, the essays consider the societal limitations and structures provided by public policy and law. As a critical theory, the volume compares the study of race to feminism. Historical and contemporary, academic and popular, racisms pertaining to male and female gender receive special consideration throughout the volume. While this comprehensive collection may have the effect of a textbook, each of the original essays is a fresh and authentic development of important present thought.
A sanctuary for the soul—In The Rabbi, the Goddess, and Jung, Naomi Ruth Lowinsky shows us how to create a sacred space by cultivating one’s inner life. Admitting that this is not an easy practice in our hectic, fearful times, she demonstrates how the word from within orients—whether it comes as gift or disturbance, guest or ghost, riddle or revelation. It may force a confrontation with one’s worst fears. It may visit in nightmare images, such as the enormous spider with hairy legs and eight baleful eyes that appeared in a dream, come to warn, it would seem, of the perils facing human nature and Mother Nature. It is essential, especially in difficult times, to make space for what the Kabbalah calls “the beyond that lies within”—the still small voice of the Self, the long view of the wisdom traditions. In this collection of poetic, visionary essays, Lowinsky tells stories of the Lady Tree who showed up when she was six, and has wandered in and out of her life, revealing her Goddess nature. Active imagination enables her to work out unfinished business with ancestors including her father and Jung. Dreams introduce her to her spirit guides, and to a dancing rabbi who insists she study Kabbalah. And that scary spider turns out to be Grandmother Spider, a creator goddess who has the power, if we recognize Her, to help us reweave our relationship with earth.
In what ways is music implicated in the politics of belonging? How is the proper at stake in listening? What role does the ear play in forming a sense of community? Music and Belonging argues that music, at the level of style and form, produces certain modes of listening that in turn reveal the conditions of belonging. Specifically, listening shows the intimacy between two senses of belonging: belonging to a community is predicated on the possession of a particular property or capacity. Somewhat counter-intuitively, Waltham-Smith suggests that this relation between belonging-as-membership and belonging-as-ownership manifests itself with particular clarity and rigor at the very heart of the Austro-German canon, in the instrumental music of Haydn, Mozart, and Beethoven. Music and Belonging provocatively brings recent European philosophy into contact with the renewed music-theoretical interest in Formenlehre, presenting close analyses to show how we might return to this much-discussed repertoire to mine it for fresh insights. The book's theoretical landscape offers a radical update to Adornian-inspired scholarship, working through debates over relationality, community, and friendship between Derrida, Nancy, Agamben, Badiou, and Malabou. Borrowing the deconstructive strategies of closely reading canonical texts to the point of their unraveling, the book teases out a new politics of listening from processes of repetition and liquidation, from harmonic suppressions and even from trills. What emerges is the enduring political significance of listening to this music in an era of heightened social exclusion under neoliberalism.
Why do images of entertainers abound in European literature and art since Romanticism? From Baudelaire to Picasso, from Daumier to Fellini, mimes, clowns, aerialists, and jesters recur in major works by continental artists. In Art as Spectacle, Naomi Ritter investigates this phenomenon and offers explanations that transcend the array of works discussed. Her analysis implies much about the triangle of creator, work, and audience that inevitably controls art. Although a broadly comparative study underlies Art as Spectacle, the book focuses mainly on examples from Germany and France. Three areas of argument-identification, primitivism, and transcendence-account for the performer's ubiquity in the arts of the last two centuries. Ritter shows that writers, painters, choreographers, and filmmakers have persistently identified with the entertainer, whose roots lie in primitive ritual: a source of all art. Accordingly, the artist also sees the player as morally or spiritually elevated. With three chapters on literature, a chapter comparing poetry to painting, and a chapter each on dance, the visual arts, and film, Art as Spectacle offers unprecedented scope on a compelling topic in comparative studies. By integrating such varied material into an original commentary on the image of the entertainers, this book provides an invaluable resource for all the disciplines it touches.
Exploring technology and how it made—and continues to change—the modern world! Technology pervades our daily lives and modern society, and not just when it comes to computers and smart phones. Before there was the computer, there was the abacus. Before the smart phone, there was the telegraph and ball point pen. Electricity, penicillin, and the compass have all led to revolutionary changes in how we live. From the relationship between science and technology to the four major branches of engineering to nanotechnology, robots, and predictions for future technology, The Handy Technology Answer Book is an ideal introduction to technology in everyday life. The newsworthy, the practical, the latest and historical, are all detailed in this entertaining and informative book. It brings the vast changes and major innovations into focus through well-researched answers to more than 1,100 common questions on technology, such as ... What are the major time periods of technology? Who is considered to be the first engineer? Which individual was granted the most U.S. patents? Who is the only U.S. president to receive a patent? How do copyrights differ from patents and trademarks? What is the Turing Award? What are the tasks of an operating system? How did the term “glitch” originate? What was the first computer game? What is "phishing"? What is a Uniform Resource Locator, or URL? How many time zones are there in the world? What is the world population of robots? What is the most destructive non-lethal weapon? Why is mining an important technology? Why are the rare earth elements important? What is “green building”? Who built the Brooklyn Bridge? How are U.S. highways numbered? How popular are electric vehicles in the United States? Why is the right side of a ship called “starboard”? What is the largest aircraft? How long will fossil fuel reserves last? What are the different types of newer, energy-efficient light bulbs? What is the carbon cycle? What products are made from recycled plastic? Who was the first person to receive gene therapy? Can human beings be cloned? What is the future of wearable technology in health care? Providing the facts, stats, science, and a little bit of history, The Handy Technology Answer Book answers important questions about the most important inventions, key breakthroughs, and the towering personalities behind them. It spotlights the tallest, smallest, fastest, longest, and the wide range of human firsts and current bests. This informative and fun book also includes a helpful bibliography and an extensive index, adding to its usefulness.
Like many other American medical schools, Hahnemann has had its share of problems, financial and otherwise. The civil rights and radical student movements of the 1960s and 1970s, however, pushed the College into a more politically conscious view of itself as a health care provider to the inner city and as a producer of health professionals.
In a famous comment made by the poet Chayim Nachman Bialik, Hebrew—the language of the Jewish religious and intellectual tradition—and Yiddish—the East European Jewish vernacular—were “a match made in heaven that cannot be separated.” That marriage, so the story goes, collapsed in the years immediately preceding and following World War I. But did the “exes” really go their separate ways? Lingering Bilingualism argues that the interwar period represents not an endpoint but rather a new phase in Hebrew-Yiddish linguistic and literary contact. Though the literatures followed different geographic and ideological paths, their writers and readers continued to interact in places like Berlin, Tel Aviv, and New York—and imagined new paradigms for cultural production in Jewish languages. Brenner traces a shift from traditional bilingualism to a new translingualism in response to profound changes in Jewish life and culture. By foregrounding questions of language, she examines both the unique literary-linguistic circumstances of Ashkenazi Jewish writing and the multilingualism that can lurk within national literary canons.
Since the late 1980's the major cities in the Netherlands are home to a growing number of Christian congregations, founded in particular by Africans. This study investigates whether, for African Catholics in the Netherlands, religion contributes to their segregation, integration or assimilation. It contains a comparative case study of the experiences, patterns of affiliation, identity discourse, and social relationships encountered among African Catholics in three faith communities: a Dutch, an international, and an African parish respectively.
This wide-ranging and unique collection of documents on one of the most enduring of literary genres, Tragedy, offers a radical revaluation of its significance in the light of the critical attention that it has received during the past one-hundred and fifty years. The foundations of much contemporary thinking about Tragedy are to be found in the writings of Hegel, Nietzsche, and Kierkegaard; in addition, the dialectical tradition emanating from Marxism, and the psycho-analytical writings of Freud, have extended significantly the horizons of the subject. With the explosion of interest in the areas of post-structuralism, sociology of culture, social anthropology, feminism, deconstruction, and the study of ritual, new questions are being asked about this persistent artistic exploration of human experience. This book seeks to represent a full selection of these divergent interests, in a series of substantial extracts which display the continuing richness of the debate about a genre which has provoked, and challenged categorical discussion since the appearance of Aristotle's Poetics.
Making the "America of Art" demonstrates that beginning in the 1850s, women writers challenged the terms of the Scottish Common Sense philosophy, which had made artistic endeavors acceptable in the new Republic by subordinating aesthetic motivation to moral and educational goals. Harriet Beecher Stowe and Augusta Jane Evans drew on Ruskin to argue for the creation of a religiously based national aesthetic. In the postbellum years Louisa May Alcott, Rebecca Harding Davis, Elizabeth Stuart Phelps, and Constance Fenimore Woolson continued the process in a series of writings that revolved around three central areas of concern: the place of the popular in the realm of high art; the role of the genius; and the legacy of the Civil War." "Sofer significantly revises the history of 19th-century American women's authorship by detailing the gradual process that produced women writers wholly identified with literary high culture at the century's end."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.
The COVID-19 pandemic in the United States is a classic tragedy of destruction following errors in judgment. Naomi Zack presents social and political aspects of this disaster as it unfolded in public health through federal and local government structures, society, culture, and the economy. Federalism combined with politics in facing and denying the SARS-CoV2 pandemic has revealed both weaknesses and strengths. Preparation was woefully inadequate for the 2020 tidal wave of COVID-19 that broke over the medical system, the educational system, the lives of the poor, essential workers, racial and ethnic minorities, the elderly, and women, especially. Rhetoric and conspiracy theories flourished, as Red and Blue Americans politicized the pandemic. Police reform became urgent after billions witnessed George Floyd’s death. The war of the statues evoked new conflicts over free speech. The X-ray nature of COVID-19 has revealed the United States to itself, in character, incompetence, superstition, and injustice, but also in dedication to caring for others and abiding resilience. The core of democracy held after the 2020 election but vigilance is newly important and required. As a record of this US Plague Year and an argument for why we need to prepare for Climate Change, as well as the next pandemic, this book is an essential resource for every student, scholar, and citizen.
Combining a basic history of philosophical thought with the often quirky personal stories of famous philosophers, this comprehensive introduction to the world of philosophy answers more than 1,000 questions, ranging from What was the Enlightenment? to Why did the Pythagorians avoid fava beans? Analyzing the collective effort of philosophers throughout history in the pursuit of truth and wisdom, the guide explores the tangible significance of philosophical thought to modern society and civilization as a whole. With a wide range of information suitable for various knowledge basesÑfrom junior high to junior collegeÑthis is an ideal resource for anyone looking to get a better grasp of the history of thought.
A CHOICE Outstanding Academic Book Literature in Latin America has long been a vehicle for debates over the interpretation of social history, cultural identity, and artistic independence. Indeed, Latin American literature has gained international respect for its ability to present social criticism through works of imaginative creation. In this comprehensive, up-to-the-minute survey of research and opinion by leading Latin American cultural and literary critics, Naomi Lindstrom examines five concepts that are currently the focus of intense debate among Latin American writers and thinkers. Writing in simple, clear terms for both general and specialist readers of Latin American literature, she explores the concepts of autonomy and dependency, postmodernism, literary intellectuals and the mass media, testimonial literature, and gender issues, including gay and lesbian themes. Excerpts (in English) from relevant literary works illustrate each concept, while Lindstrom also traces its passage from the social sciences to literature.
There is an academic cottage industry on the "Jewish Freud," aiming to detect Jewish influences on Freud, his own feelings about being Jewish, and suppressed traces of Jewishness in his thought. This book takes a different approach, turning its gaze not on Freud but rather on those who seek out his concealed Jewishness. What is it that propels the scholarly aim to show Freud in a Jewish light? Naomi Seidman explores attempts to "touch" Freud (and other famous Jews) through Jewish languages, seeking out his Hebrew name or evidence that he knew some Yiddish. Tracing a history of this drive to bring Freud into Jewish range, Seidman also charts Freud's responses to (and jokes about) this desire. More specifically, she reads the reception and translation of Freud in Hebrew and Yiddish as instances of the desire to touch, feel, "rescue," and connect with the famous Professor from Vienna.
Get the inside scoop on the hottest cities and destinations in Europe. From celeb-studded nightclubs in London to scuba-diving off Croatia, MTV Europe shows you where you want to be, with choices for every budget to help you travel the way you want to. Alternative accommodations, cheap eats, great clubs and bars, world-class museums, and offbeat attractions—you’ll find them all in MTV Europe. Check out a free podcast featuring authors of MTV Europe talking about their travels in Europe.
In the early twentieth century, American earth scientists were united in their opposition to the new--and highly radical--notion of continental drift, even going so far as to label the theory "unscientific." Some fifty years later, however, continental drift was heralded as a major scientific breakthrough and today it is accepted as scientific fact. Why did American geologists reject so adamantly an idea that is now considered a cornerstone of the discipline? And why were their European colleagues receptive to it so much earlier? This book, based on extensive archival research on three continents, provides important new answers while giving the first detailed account of the American geological community in the first half of the century. Challenging previous historical work on this episode, Naomi Oreskes shows that continental drift was not rejected for the lack of a causal mechanism, but because it seemed to conflict with the basic standards of practice in American geology. This account provides a compelling look at how scientific ideas are made and unmade.
A reanalysis of Sand's major writing, ranging from her early short stories to her later fiction, which identifies her writing as an example of an aesthetic mode often associated with femininity. The study compares Sand's place in the history of the realist novel to that of her male counterparts.
Schelling came of age during the pivotal and exciting years at the end of the eighteenth century, as Kant's philosophy was being incorporated into the German academic world. Distinguishing himself from other thinkers of this period, in addition to delving into the new Kantian philosophy, Schelling engaged in an intense study of Plato's dialogues and was immersed in a Neoplatonic intellectual culture. Throughout the first decade of his adult life, from 1792-1802, Schelling was a mystical Platonist. Attention to these aspects of Schelling's early philosophical development illuminates his fundamental commitments.
In this bold book, A. Naomi Paik grapples with the history of U.S. prison camps that have confined people outside the boundaries of legal and civil rights. Removed from the social and political communities that would guarantee fundamental legal protections, these detainees are effectively rightless, stripped of the right even to have rights. Rightless people thus expose an essential paradox: while the United States purports to champion inalienable rights at home and internationally, it has built its global power in part by creating a regime of imprisonment that places certain populations perceived as threats beyond rights. The United States' status as the guardian of rights coincides with, indeed depends on, its creation of rightlessness. Yet rightless people are not silent. Drawing from an expansive testimonial archive of legal proceedings, truth commission records, poetry, and experimental video, Paik shows how rightless people use their imprisonment to protest U.S. state violence. She examines demands for redress by Japanese Americans interned during World War II, testimonies of HIV-positive Haitian refugees detained at Guantanamo in the early 1990s, and appeals by Guantanamo's enemy combatants from the War on Terror. In doing so, she reveals a powerful ongoing contest over the nature and meaning of the law, over civil liberties and global human rights, and over the power of the state in people's lives.
Wrestling with Angels For over twenty years, psychotherapist, lecturer, and Bible teacher Naomi H. Rosenblatt has been leading some of the nation's best and brightest minds through the Bible, from Wall Street boardrooms to weekly sessions in the U.S. Congress, in what William Safire has called "the best Bible class for the layman." Drawing upon insights into human nature gleaned from decades of private practice and a lifelong study of the Bible, she sifts through the Bible's epic stories, filled with vivid characters in dramatic circumstances, to show how the lessons of their lives empower us today as parents, spouses, businesspeople, citizens, and lovers. In Wrestling with Angels, she and her co-author Joshua Horwitz retell and interpret the multigenerational saga of the first family of the Bible, showing how their all-too-human struggles are decidedly relevant to the issues confronting us today. The Bible? Relevant today? Many readers will be surprised by how truly relevant the Book of Genesis is. It discusses, among other things, the first recorded case of sexual harassment; surrogate parenting and the problems it raises; siblings battling over the love of a parent; rape and its consequences; and vigilante justice. The issues faced by Adam and Eve, Abraham and Sarah, and their descendants are remarkably similar to those that arise in all of our lives, including: The strenuous demands of adulthood The challenges of faith The joys of sexuality The nature of leadership and heroism The responsibilities of parenting The role of values in building character The empowerment of a spiritual identity In this extraordinary book of timeless and profound wisdom, Naomi Rosenblatt invites both Christians and Jews to revisit our common spiritual heritage: "For the humanist, the religious, the agnostic, or the merely inquisitive, Wrestling with Angels is an open invitation to probe the mystery, the miracle, and the drama of adult life in an imperfect world." A book to be read again and again, Wrestling with Angels is a poignant and pragmatic guide to the bestselling self-help book of all time.
This book takes important or ordinary words and explores their meaning and ways in which they can explain a difficulty, encourage action, or explore a positive component. Words have meaning, and what they mean can help us lead a better life and be a better person. Each word in the book is accompanied by a famous quotation. Each word is aimed at encouraging the reader to enjoy a happy, successful life of good humor, good friends, good times, doing good things for yourself and those who share it with you" --back cover.
For nineteenth-century Eastern European Jews, modernization entailed the abandonment of arranged marriage in favor of the "love match." Romantic novels taught Jewish readers the rules of romance and the choreography of courtship. But because these new conceptions of romance were rooted in the Christian and chivalric traditions, the Jewish embrace of "the love religion" was always partial. In The Marriage Plot, Naomi Seidman considers the evolution of Jewish love and marriage though the literature that provided Jews with a sentimental education, highlighting a persistent ambivalence in the Jewish adoption of European romantic ideologies. Nineteenth-century Hebrew and Yiddish literature tempered romantic love with the claims of family and community, and treated the rules of gender complementarity as comedic fodder. Twentieth-century Jewish writers turned back to tradition, finding pleasures in matchmaking, intergenerational ties, and sexual segregation. In the modern Jewish voices of Sigmund Freud, Erica Jong, Philip Roth, and Tony Kushner, the Jewish heretical challenge to the European romantic sublime has become the central sexual ideology of our time.
This book examines the transnational phenomenon of Japonisme in the exoticist and “autoexoticist” literature of the late nineteenth century. Focusing on the way in which reciprocal processes of transcultural acquisition – by Japan and from Japan – were portrayed in the medium of literature, the book illustrates how literary Japonisme and the wider processes whereby Japan, with its alien exotic culture and unique refined aestheticism, was absorbing Western civilization in its own way in the late nineteenth century at the same time as the phenomenon of Japonisme was occurring in Western fine arts, which were inspired by traditional Japanese artistic practices. Specifically, the book focuses on the literary works of Lafcadio Hearn and Pierre Loti, who travelled from France and America, respectively, to Japan, and Mori Ōgai and Natsume Sōseki, who in turn went, respectively, to Germany and England from Japan. Exploring the eclectic hybridity of Japan’s modernization during the late nineteenth century, this book will appeal to students and scholars of Japanese Studies, Postcolonial Studies and Comparative Literature.
A major new account of Victorian poetry and its place in the field of literary studies. The Burden of Rhyme shows how the nineteenth-century search for the origin of rhyme shaped the theory and practice of poetry. For Victorians, rhyme was not (as it was for the New Critics, and as it still is for us) a mere technique or ahistorical form. Instead, it carried vivid historical fantasies derived from early studies of world literature. Naomi Levine argues that rhyme’s association with the advent of literary modernity and with a repertoire of medievalist, Italophilic, and orientalist myths about love, loss, and poetic longing made it a sensitive historiographic instrument. Victorian poets used rhyme to theorize both literary history and the most elusive effects of aesthetic form. This Victorian formalism, which insisted on the significance of origins, was a precursor to and a challenge for twentieth-century methods. In uncovering the rich relationship between Victorian poetic forms and a forgotten style of literary-historical thought, The Burden of Rhyme reveals the unacknowledged influence of Victorian poetics—and its repudiation—on the development of modern literary criticism.
The Nuremberg Miscellany [Germanisches Nationalmuseum Nürnberg, Bibliothek, 8° Hs. 7058 (Rl. 203)] is a unique work of scribal art and illumination. Its costly parchment leaves are richly adorned and illustrated with multicolour paint and powdered gold. It was penned and illustrated in southern Germany – probably Swabia – in 1589 and is signed by a certain Eliezer b. Mordechai the Martyr. The Miscellany is a relatively thin manuscript. In its present state, it holds a total of 46 folios, 44 of which are part of the original codex and an additional bifolio that was attached to it immediately or soon after its production. The book is a compilation of various Hebrew texts, most of which pertain to religious life. Others are home liturgies, Biblical exegeses, comments on rites and customs, moralistic texts, homiletic and ethical discourses, and an extensive collection of home liturgies, its major part being dedicated to the life cycle. The unparalleled text compilation of the Nuremberg Miscellany on the one hand, and the naïve, untrained illustrations on the other hand, are puzzling. Its illustrations are hardly mindful of volume, depth or perspective, and their folk-art nature suggests that an unprofessional artist, possibly even the scribe himself, may have executed them. Whoever the illustrator was, his vast knowledge of Jewish lore unfolds layer after layer in a most intricate way. His sharp eye for detail renders the images he executed a valid representation of contemporary visual culture. The iconography of the Nuremberg Miscellany, with its 55 decorated leaves, featuring 25 text illustrations, falls into two main categories: biblical themes, and depictions of daily life, both sacred and mundane. While the biblical illustrations rely largely on artistic rendering and interpretation of texts, the depictions of daily life are founded mainly on current furnishings and accoutrements in Jewish homes. The customs and rituals portrayed in the miscellany attest not only to the local Jewish Minhag, but also to the influence and adaptation of local Germanic or Christian rites. They thus offer first-hand insights to the interrelations between the Jews and their neighbors. Examined as historical documents, the images in the Nuremberg Miscellany are an invaluable resource for reconstructing Jewish daily life in Ashkenaz in the early modern period. In a period from which only scanty relics of Jewish material culture have survived, retrieving the pictorial data from images incorporated in literary sources is of vital importance in providing the missing link. Corroborated by similar objects from the host society and with descriptions in contemporary Jewish and Christian written sources, the household objects, as well as the ceremonial implements depicted in the manuscript can serve as effective mirrors for the material culture of an affluent German Jewish family in the Early Modern period. The complete Nuremberg Miscellany is reproduced in the appendix of this book.
Who cares about details? As Naomi Schor explains in her highly influential book, we do-but it has not always been so. The interest in detail--in art, in literature, and as an aesthetic category--is the product of the decline of classicism and the rise of realism. But the story of the detail is as political as it is aesthetic. Secularization, the disciplining of society, the rise of consumerism, the invention of the quotidian, have all brought detail to the fore. In this classic work of aesthetic and feminist theory, now available in a new paperback edition, Schor provides ways of thinking about details and ornament in literature, art, and architecture, and uncovering the unspoken but powerful ideologies that attached gender to details. Wide-ranging and richly argued, Reading in Detailpresents ideas about reading (and viewing) that will enhance the study of literature and the arts.
Replays addresses the challenging behaviors of children with autism spectrum disorders through interactive symbolic play. It shows parents and professionals how to help children access their emotions, whether the child is verbal or not, cognitively able or impaired, even-tempered or volatile. The chapters introduce and show readers how to implement Replays, and describe ways of adapting this intervention to address specific issues in different settings and circumstances. Levine and Chedd present more than just behavioral management strategies in the context of social, emotional and communication development: they have developed a technique that helps children to re-experience, play through and master the complex emotional response states that often lead to ongoing behavioral challenges. Replays is an easy and fun tool that provides numerous step-by-step examples and illustrations. It enables parents and professionals to guide children with autism spectrum disorders towards mastering, and changing, their emotional and behavioral responses.
The tenth anniversary edition of the international bestseller with an updated introduction by Naomi Klein. In the last decade No Logo has become an international phenomenon. Equal parts journalistic expose, mall-rat memoir, and political and cultural analysis, it vividly documents the invasive economic practices and damaging social effects of the ruthless corporatism that characterizes many of our powerful institutions. As the world faces another depression, Naomi Klein's analysis of the branded world we all live in proves not only astonishingly prescient but more vital and timely than ever. No Logo became "the movement bible" that put the new grassroots resistance to corporate manipulation into clear perspective. It tells a story of rebellious rage and self-determination in the face of our branded world, calling for a more just, sustainable economic model and a new kind of proactive internationalism. Since her book The Shock Doctrine was published last year, Klein, now thirty-eight, has become the most visible and influential figure on the American left-what Howard Zinn and Noam Chomsky were thirty years ago.
Hugo Gryn made a huge impression on the general public with his Radio 4's The Moral Maze: his wisdom, humour and compassion shone through the programme so that his sudden death in 1996 was greeted with great sadness. Few people knew though of his extraordinary life. This book consists of two separate memoirs written 40 years apart, which tell of his idyllic childhood in Berehovo in the Carpathian mountains and the increasing shadows thrown by the Nazis - until Hugo and his family were deported to Auschwitz. He describes the horrors but also the small acts of human courage and kindness.
Wilfrid Israel was a most unlikely hero. Heir to a Jewish business dynasty in Berlin, he was a contemporary of Einstein and Spender in the cosmopolitan circles of Weimar Berlin, and emerged from his world of privilege to become German Jewry's chief (and often anonymous) emissary to the outside world and one of the great unsung heroes of the Holocaust. In the dark days of the 1930s, the ever tightening persecution of German Jews made the diffident Wilfrid Israel assume a major role in their escape. Using his British passport and high connections, he lobbied British diplomats and politicians with plans for Jewish support and rescue. At home he faced down stormtroopers and the Gestapo, enabled the emigration of the Jewish employees of his firm, and ransomed thousands of Jewish and anti-Nazi prisoners from the concentration camps. When the Nazis finally requisitioned the Israel firm, and the Jewish leadership disintegrated, he ran the Jewish emigration office which enabled thousands to find refuge abroad, partly by his connection with the head of British intelligence in Berlin. After the Kristallnacht pogrom of November 1938, through the Council for German Jewry in London, and with the help of his Quaker friends and German Jewish women's organisations, he set in motion the famous Kindertransport. This was the admission to Britain without formalities of nearly ten thousand unaccompanied Jewish children. Leaving Germany days before the outbreak of the war, he lobbied on behalf of German Jews interned as enemy aliens. In 1942 he was recruited by the British Foreign Office to put his extensive knowledge of German politics and economics at the disposal of the government – also his expertise in rescue to its Refugee Department. Wilfrid Israel was one of the first to warn of the Nazis' plans to exterminate the Jews of Europe and the dimensions of the Holocaust. His final mission, to distribute certificates of admission to Palestine among the Jews of Spain and Portugal, ended when the plane in which he was returning to England was shot down by the Luftwaffe. This biography, first published in 1984 and now revised with a new foreword, restores Wilfrid Israel to his rightful place in the history of the Holocaust. It also brings into new focus the disturbing indifference of Allied leaders to the plight of the Jews, early arguments over the emerging Palestinian homeland, and questions still unresolved today about the politics of rescue and the practicality of humanist ideals.
Childhood and Migration in Europe explores the under-researched and often misunderstood worlds of migrant children and young people, drawing on extensive empirical research with children and young people from diverse migrant backgrounds living in a rapidly changing European society. Through in-depth exploration and analysis of the experiences of children who moved to Ireland in the first decade of the 21st century, it addresses the tendency of migration research and policy to overlook the presence of children in migratory flows. Challenging dominant adult-centric perspectives on contemporary global migration flows and presenting understandings of the lives of migrant children and young people from their own experiences, this book presents a detailed exploration of children's lives in four different migrant populations in Ireland. With a unique comparative perspective, Childhood and Migration in Europe advances upon current conceptualisations of migration and integration by interrogating accepted views of migrant children and focusing on children's own voices and experiences. It challenges the prevailing assimilationist discourses underlying much existing research and policy, which often construct migrant children as deficient in different ways and in need of 'being integrated'.
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