This book retells the history of Israeli film in the 1960s and 1970s in sex scenes. Through close readings of the first sex scenes in mainstream Israeli movies from this period, it explores the cultural and social contexts in which these movies were made. More specifically, it discusses how notions of collective identity, individual agency, and the public and private spheres are inscribed into and negotiated in sex scenes, especially in light of the historical events that marked these decades. This study thus pushes away from the traditional academic perception of Israeli film and opens up new ways of understanding how it has developed in recent decades. It draws on a growing international body of academic literature on the cinematic representation of sex in order to illuminate the particularities of the Israeli context in the 1960s and 1970s. Apart from film scholars and scholars of Israeli film, this study also addresses readers interested in Israeli cultural history more broadly.
In August, 1929, Arabs in Palestine rose up in bloody riots against Jews. More than 130 Jews were killed, among them eight young American students. American Jews, hampered by the postwar mood of disillusionment and isolationism and by the vicious anti-Semitic attacks of the 1920s, failed to mount an effective campaign to influence either the government or public opinion. In addition, the community itself was hopelessly divided. Rival factions, some led by men who frequently sacrificed issue for ego, could not counter the anti-Zionist case. In The Year After the Riots, Naomi W. Cohen makes the first in-depth study of American responses to the riots and reveals the isolation and weaknesses of American Jewry. Official noninvolvement, anti-Semitism, and Jewish disunity are presented as an ominous prologue to the Hitler era.
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