As in a good novel, the people, their feelings and reactions are instantly recognisable and as fresh and immediate today as they were then' GUARDIAN 'She writes vividly and movingly' DAILY TELEGRAPH 26th September 1939. I am beginning to wonder whether the point of a place like this may be that it will keep alive certain ideas of freedom which might easily be destroyed in the course of this totalitarian war... Born in Edinburgh, Naomi Mitchison spent most of the Second World War in the fishing village of Carradale on Kintyre, her home until her death aged 101. Her life was crowded with incident, and her attitudes to events predictably forceful, original and honest. Throughout the war she kept a diary at the request of the research organisation Mass Observation, in which she recorded both the momentous events of the time, and also how one (albeit extraordinary) family and their friends lived, what they hoped for and what actually happened. Her diaries developed far beyond the confines of a social document. Written with the passion of a poet combined with the intellectual curiosity of a radial thinker, they provide a unique and valuable document of the period.
As in a good novel, the people, their feelings and reactions are instantly recognisable and as fresh and immediate today as they were then' GUARDIAN 'She writes vividly and movingly' DAILY TELEGRAPH 26th September 1939. I am beginning to wonder whether the point of a place like this may be that it will keep alive certain ideas of freedom which might easily be destroyed in the course of this totalitarian war... Born in Edinburgh, Naomi Mitchison spent most of the Second World War in the fishing village of Carradale on Kintyre, her home until her death aged 101. Her life was crowded with incident, and her attitudes to events predictably forceful, original and honest. Throughout the war she kept a diary at the request of the research organisation Mass Observation, in which she recorded both the momentous events of the time, and also how one (albeit extraordinary) family and their friends lived, what they hoped for and what actually happened. Her diaries developed far beyond the confines of a social document. Written with the passion of a poet combined with the intellectual curiosity of a radial thinker, they provide a unique and valuable document of the period.
An enchanting collection that introduces the author and activist Naomi Mitchison to a new generation of readers The Fourth Pig, originally published in 1936, is a wide-ranging collection of fairy tales, poems, and ballads that reflect the hopes and forebodings of their era but also resonate with those of today. From a retelling of “Hansel and Gretel” to the experimental title story, a dark departure from “The Three Little Pigs,” this book is a testament to the talents of Naomi Mitchison (1897–1999), who was an irrepressible phenomenon—a prominent Scottish political activist as well as a prolific author. Mitchison’s work, exemplified by the tales in this superb new edition, is stamped with her characteristic sharp wit, magical invention, and vivid political and social consciousness. Marina Warner, the celebrated scholar of myths and fairy tales and writer of fiction, provides an insightful introduction to Mitchison as a remarkable writer and personality.
Introduced by Naomi Mitchison. Set over two thousand years ago on the clam and fertile shores of the Black Sea, Naomi Mitchison’s The Corn King and the Spring Queen tells of ancient civilisations where tenderness, beauty and love vie with brutality and dark magic. Erif Der, a young witch, is compelled by her father to marry his powerful rival, Tarrik the Corn King, so becoming the Spring Queen. Forced by her father, she uses her magic spells to try and break Tarrik’s power. But one night Tarrik rescues Sphaeros, an Hellenic philosopher, from a shipwreck. Sphaeros in turn rescues Tarrik from near death and so breaks the enchantment that has bound him. And so begins for Tarrik a Quest – a fabulous voyage of discovery which will bring him new knowledge and which will reunite him with his beautiful Spring Queen. ‘This breathtaking recreation of life in the ancient world welds the power of myth and magic to a stirring plot.’ Ian Rankin
Eschewing Plutarch and Shakespeare's tale of Mark Antony's fatal romance, Naomi Mitchison's 'Cleopatra's People' starts with the next generation, with the children of the Queen and of Charmian, one of her 'mates'. The impact of Cleopatra's life and personality is reflected through them, and their efforts to follow in her wake.
Introduced by Donald Smith. Set in Rome during Nero’s reign of terror, The Blood of the Martyrs is a disciplined historical novel tracing the destruction of one cell of the early church. With a cast of slaves, ordinary Roman people, exiles and entertainers, it is thorough in its historical interpretation and in its determination to make the past accessible and readable. Written in 1938-9, the novel contains many symbolic parallels to the rise of European fascism in the 1930s and the desperate plight of persecuted minorities such as the Jews and the left-wing activists with whom Naomi Mitchison personally campaigned at the time. With the invasion of Britain a real possibility, she felt compelled to write a testament to the power of human solidarity which, even faced with death, can overcome the worst that human evil can achieve. The Blood of the Martyrs is the least autobiographical of Mitchison’s major works of fiction, yet, with its implicit credo, is her most passionately self-revealing. ‘ . . . when a novelist is historically faithful in these treacherous waters of the human psyche, the results are tremendous. As a twentieth-century woman, it no doubt hurt Naomi Mitchison a good deal to describe the savagery of the early Christian persecution in The Blood of the Martyrs . . . But it is the pain that gives the history its lifeblood. The imagination that is a novelist’s fuel must be harnessed to serve history as history was, not as anyone wishes it had been.’ Joanna Trollope
A classic epic fantasy set in ancient civilizations along the Black Sea where tenderness, beauty and love vie with brutality and dark magic. Erif Der, a young witch, is compelled by her father to marry his powerful rival, Tarrik the Corn King, so becoming the Spring Queen. Forced by her father, she uses her magic spells to try and break Tarrik’s power. But one night Tarrik rescues Sphaeros, a Hellenic philosopher, from a shipwreck. Sphaeros in turn rescues Tarrik from near death and so breaks the enchantment that has bound him. And so begins for Tarrik a Quest—a fabulous voyage of discovery which will bring him new knowledge, and which will reunite him with his beautiful Spring Queen. “This breathtaking recreation of life in the ancient world welds the power of myth and magic to a stirring plot.” —Ian Rankin “Originally published in 1931, this dense, epic-length fantasy is a quest story cunningly woven of history and myth. . . . In scenes of beauty and power, Mitchison breathes life into such perennial themes as courage, forgiveness, the search for meaning, and self-sacrifice.” —Publishers Weekly
The cadaver industry in Britain and the United States, its processes and profits Except for organ transplantation little is known about the variety of stuff extracted from corpses and repurposed for medicine. A single body might be disassembled to provide hundreds of products for the millions of medical treatments performed each year. Cadaver skin can be used in wound dressings, corneas used to restore sight. Parts may even be used for aesthetic enhancement, such as liquefied skin injections to smooth wrinkles. This book is a history of the nameless corpses from which cadaver stuff is extracted and the entities involved in removing, processing, and distributing it. Pfeffer goes behind the mortuary door to reveal the technical, imaginative, and sometimes underhanded practices that have facilitated the global industry of transforming human fragments into branded convenience products. The dead have no need of cash, but money changes hands at every link of the supply chain. This book refocuses attention away from individual altruism and onto professional and corporate ethics.
Before the Second World War and long before the second wave of feminism, Virginia Woolf argued that women's experience, particularly in the women's movement, could be the basis for transformative social change. Grounding Virginia Woolf's feminist beliefs in the everyday world, Naomi Black reclaims Three Guineas as a major feminist document. Rather than a book only about war, Black considers it to be the best, clearest presentation of Woolf's feminism. Woolf's changing representation of feminism in publications from 1920 to 1940 parallels her involvement with the contemporary women's movement (suffragism and its descendants, and the pacifist, working-class Women's Co-operative Guild). Black guides us through Woolf's feminist connections and writings, including her public letters from the 1920s as well as "A Society," A Room of One's Own, and the introductory letter to Life As We Have Known It. She assesses the lengthy development of Three Guineas from a 1931 lecture and the way in which the form and illustrations of the book serve as a feminist subversion of male scholarship. Virginia Woolf as Feminist concludes with a discussion of the continuing relevance of Woolf's feminism for third-millennium politics.
Early in Orcadia was first published in 1987, and consists of five stories, set hundreds of years apart in time and dealing with different characters, but connected by their location in a particular corner of Orkney during the period known as the Stone Age. Mitchison links them formally by interpolating passages of fact and explanation between the fictional episodes, and by speculating in her own voice about what happened in prehistory, as far as it can be known from archaeological research, and how it fits in with the world of today. The slightly awkward jumps from one story to the next indicate that the development of the human race was not a completely smooth and seamless process. There must have been significant moments when a highly important discovery or invention took place. The structure of the book is demonstrating its theme - that there are sudden advances but just one story running from the earliest times to the present day, and it is the story of humankind. From the Introduction.
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