Describes the four voyages Columbus made to the Americas including that his discovery was in some terms a disasterous failure, both for himself and for the indigenous people he encountered. Suggested level: intermediate, secondary.
William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived.
#1 NATIONAL BESTELLER • Shortlisted for the 2024 Women's Prize for Non-Fiction • Finalist for the 2024 National Book Critics Circle Award for Criticism • Shortlisted for the 2024 Hubert Evans Non-Fiction Prize • A New York Times Notable Book of 2023 • Vulture’s #1 Book of 2023 •A Guardian Best Ideas Book of 2023 What if you woke up one morning and found you'd acquired another self—a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you'd devoted your life to fighting against? “If I had to name a single book that makes sense of these last few dark years, it would be this one.” ―Katie Roiphe, The New York Times Book Review (Editors’ Choice) Not long ago, Naomi Klein had just such an experience—she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were similar enough to her own that many people confused her for the other. For a vertiginous moment, she lost her bearings. And then she got interested, in a reality that seems to be warping and doubling like a digital hall of mirrors. It’s happening in our politics as New Age wellness entrepreneurs turned anti-vaxxers find common cause with fire-breathing far right propagandists (all in the name of protecting “the children”). It’s happening in our culture as AI gobbles up music, paintings, fiction and everything in between and spits out imitations that threaten to overtake the originals. And it’s happening to many of us as individuals as we create digital doubles of ourselves, filtered and curated just so for all the other duplicates to see. An award-winning journalist, bestselling author, public intellectual and activist, Naomi Klein writes books that orient us in our time. She has offered essential accounts of what branding, austerity, and climate profiteering have done to our societies and souls. Now, as liberal democracies teeter on the edge, Klein takes aim at absurdist authoritarianism, using a keen sense of the ridiculous to face the doubles that haunt us. Part tragicomic memoir, part chilling reportage and cobweb-clearing analysis, Doppelganger invites readers on a wild ride, smashing through the mirror world, charting a path beyond despair towards true solidarity.
Describes the four voyages Columbus made to the Americas including that his discovery was in some terms a disasterous failure, both for himself and for the indigenous people he encountered. Suggested level: intermediate, secondary.
Description'Doodles in Depression' is Lorna Murray's attempt to make sense of her clinical depression. This thoroughly researched, yet gloriously random and spontaneous book delves into Lorna's mind as she 'comes out' as a depressive and attempts to bring herself out of her depression. This is a book that will make sense and possibly bring comfort to fellow sufferers of clinical depression. About the AuthorLorna was born in 1965 in Cape Town, South Africa - the city of sunny skies, briaavleis and chevrolet! Lorna grew up and attended school in South Africa before training as a general nurse and midwife. In 1988 she left South Africa for the bright lights of Europe, she travelled overland through Africa and Europe. In 1990 Lorna arrived in London (where 16 years later she is still living. At first she eked out an existence doing anything and everything before attended Central Saint Martin's School of Art & design. In 1997 she graduated with a 1st class honours Degree in Fine Art Painting. However she struggled as a painter, developed severe depression and had a breakdown. In 2000 Lorna retrained as an anaesthetic nurse and is currently working in the NHS.
This 2001 book concerns the history of the family in eighteenth-century England. Naomi Tadmor provides an interpretation of concepts of household, family and kinship starting from her analysis of contemporary language (in the diaries of Thomas Turner; in conduct treatises by Samuel Richardson and Eliza Haywood; in three novels, Richardson's Pamela and Clarissa and Haywood's The History of Miss Betsy Thoughtless and a variety of other sources). Naomi Tadmor emphasises the importance of the household in constructing notions of the family in the eighteenth century. She uncovers a vibrant language of kinship which recasts our understanding of kinship ties in the period. She also shows how strong ties of 'friendship' formed vital social, economic and political networks among kin and non-kin. Family and Friends in Eighteenth-Century England makes a substantial contribution to eighteenth-century history, and will be of value to all historians and literary scholars of the period.
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