Sketching A Whole New Life Won’t Be Easy Life comes full circle for Sadie as she heads back to Menlo Park, California. But Sadie finds she no longer fits in, especially when one of her dad’s cases thrusts her into the spotlight and puts her in danger. She turns to her faith, but the youth group just isn’t the same, and Sadie has a lot to think about when she hears what some kids believe. She returns to Owl Creek for a reprieve, but everything feels different. She just wants things to go back the way they used to be. Will her faith be strong enough to get her through?
In this four-eBook bind-up of the Faithgirlz Sadie’s Sketchbook series by Naomi Kinsman, readers meet twelve-year-old Sadie Douglas. Sadie is a regular girl struggling with everyday things like friendships, moving, family, and faith … and relying on that faith to survive. This eBook collection includes: Shades of Truth: It’s Going to Be a Bear of a Year Sadie thought she’d have a perfect fresh start when she moved to Owl Creek, Michigan, but finding her place in her new school proves harder than she expected. In this divided town, Sadie’s father’s job mediating between bear hunters and researchers doesn’t help her social life. Sadie’s art instructor encourages her to explore her beliefs and express herself through her sketchbook, and things improve after Sadie befriends a kind girl from school and a researcher’s son---but she can’t stop worrying about the bears. As everything swirls around her, Sadie must learn what it means to have faith when you don’t have all the answers. Flickering Hope: Can You Ever Trust the Enemy? Things finally seem to be falling into place for Sadie. Bear season is over, and her relationship with her art teacher is on the mend. Her home life is going better than ever, and even her enemy, Frankie, wants to be friends. But can Frankie be trusted? Ruth and Andrew think she’s spying for her father, helping him find a way to capture Sadie’s favorite bear. But Sadie suspects something else is going on with Frankie. She must decide who to trust and find out if---and how---her growing faith can get her through. Waves of Light: Where is God when you need him? After struggling to fit into a new town and school, Sadie faces questions about her faith, family, and friendships, questioning all she has come to believe. Sadie’s life is spinning out of control. Her friend moved away, her mom remains ill, and her dad wants to leave town. At least the play Sadie is helping produce appears to be going well. After all, she gets to create the sets with her art teacher’s help. But even that falls apart when a flash flood destroys her teacher’s home and art. How can she trust or even believe in a God who would allow all this? God isn’t fair. With everything crumbling and her faith on the edge, Sadie must find strength in the God she’s questioning in order to hold on in the midst of her struggles. Brilliant Hues: Sketching A Whole New Life Won’t Be Easy Life comes full circle for Sadie as she heads back to Menlo Park, California. But Sadie finds she no longer fits in, especially when one of her dad’s cases thrusts her into the spotlight and puts her in danger. She turns to her faith, but the youth group just isn’t the same, and Sadie has a lot to think about when she hears what some kids believe. She returns to Owl Creek for a reprieve, but everything feels different. She just wants things to go back the way they used to be. Will her faith be strong enough to get her through?
Sadie is a strong, extroverted 12-year-old who sees the move from Menlo Park, CA to Eagle’s Nest, MI as a grand adventure. In this new place, she can be whoever she wants to be. She has a strong relationship with her fun-loving dad, and together they work hard to help her mom, who is emotionally fragile. They both hope that this new place will be a fresh start for Sadie’s mom. Quickly Sadie learns she is not welcome in Eagle’s Nest. Her father, a mediator called in by the DNR, is tasked with creating compromise between the hunters in the community who think the bears are a nuisance and should be shot, and the scientist who is studying the bears. Sadie has never been on the outside and isn’t sure what to do with the hostile treatment from many of the kids at school. She connects with one girl at school, which helps, and also starts to befriend the (good-looking) son of the scientist. Sadie also meets a local artist, who recognizes Sadie’s talent and offers her art lessons. As Sadie learns to draw, she starts to see her community in a new way. Her art teacher takes her to Compline (evening prayers) and Sadie is drawn in by the mystery of it all. She starts asking questions about what she believes, both in terms of faith, and in terms of the issues in her community. When her father doesn’t stand up to the hunters in the way she thinks he should, she questions his values. The focus of this first book is on Sadie stumbling into questions of faith, wrestling with them, and becoming more comfortable in the space of not knowing all the answers.
Where is God when you need him? After struggling to fit into a new town and school, Sadie faces questions about her faith, family, and friendships, questioning all she has come to believe. Sadie’s life is spinning out of control. Her friend moved away, her mom remains ill, and her dad wants to leave town. At least the play Sadie is helping produce appears to be going well. After all, she gets to create the sets with her art teacher’s help. But even that falls apart when a flash flood destroys her teacher’s home and art. How can she trust or even believe in a God who would allow all this? God isn’t fair. With everything crumbling and her faith on the edge, Sadie must find strength in the God she’s questioning in order to hold on in the midst of her struggles.
Can You Ever Trust the Enemy?Things finally seem to be falling into place for Sadie. Bear season is over, and her relationship with her art teacher is on the mend. Her home life is going better than ever, and even her enemy, Frankie, wants to be friends. But can Frankie be trusted? Ruth and Andrew think she’s spying for her father, helping him find a way to capture Sadie’s favorite bear. But Sadie suspects something else is going on with Frankie. She must decide who to trust and find out if—and how—her growing faith can get her through.
Join twins Mia and Maddie and their little sister, LuLu, as they travel the world finding adventure, mystery, and mischief; the fourth book in the Glimmer Girls series.
A collection of stories and poems by talented first- to eighth-grade writers, plus editorial letters explaining each child's revision process. A wonderful tool for educators, parents of young writers, and budding young writers themselves!
Join twins Mia and Maddie and their sidekick little sister, LuLu, as they embark on another adventure, this time in their hometown of Nashville, Tennessee! There's a bit of mystery to solve for Mia, Maddie, Lulu, and Miss Julie too, when the main item in a benefit auction goes missing"--
Where is God when you need him? After struggling to fit into a new town and school, Sadie faces questions about her faith, family, and friendships, questioning all she has come to believe. Sadie’s life is spinning out of control. Her friend moved away, her mom remains ill, and her dad wants to leave town. At least the play Sadie is helping produce appears to be going well. After all, she gets to create the sets with her art teacher’s help. But even that falls apart when a flash flood destroys her teacher’s home and art. How can she trust or even believe in a God who would allow all this? God isn’t fair. With everything crumbling and her faith on the edge, Sadie must find strength in the God she’s questioning in order to hold on in the midst of her struggles.
In this four-eBook bind-up of the Faithgirlz Sadie’s Sketchbook series by Naomi Kinsman, readers meet twelve-year-old Sadie Douglas. Sadie is a regular girl struggling with everyday things like friendships, moving, family, and faith … and relying on that faith to survive. This eBook collection includes: Shades of Truth: It’s Going to Be a Bear of a Year Sadie thought she’d have a perfect fresh start when she moved to Owl Creek, Michigan, but finding her place in her new school proves harder than she expected. In this divided town, Sadie’s father’s job mediating between bear hunters and researchers doesn’t help her social life. Sadie’s art instructor encourages her to explore her beliefs and express herself through her sketchbook, and things improve after Sadie befriends a kind girl from school and a researcher’s son---but she can’t stop worrying about the bears. As everything swirls around her, Sadie must learn what it means to have faith when you don’t have all the answers. Flickering Hope: Can You Ever Trust the Enemy? Things finally seem to be falling into place for Sadie. Bear season is over, and her relationship with her art teacher is on the mend. Her home life is going better than ever, and even her enemy, Frankie, wants to be friends. But can Frankie be trusted? Ruth and Andrew think she’s spying for her father, helping him find a way to capture Sadie’s favorite bear. But Sadie suspects something else is going on with Frankie. She must decide who to trust and find out if---and how---her growing faith can get her through. Waves of Light: Where is God when you need him? After struggling to fit into a new town and school, Sadie faces questions about her faith, family, and friendships, questioning all she has come to believe. Sadie’s life is spinning out of control. Her friend moved away, her mom remains ill, and her dad wants to leave town. At least the play Sadie is helping produce appears to be going well. After all, she gets to create the sets with her art teacher’s help. But even that falls apart when a flash flood destroys her teacher’s home and art. How can she trust or even believe in a God who would allow all this? God isn’t fair. With everything crumbling and her faith on the edge, Sadie must find strength in the God she’s questioning in order to hold on in the midst of her struggles. Brilliant Hues: Sketching A Whole New Life Won’t Be Easy Life comes full circle for Sadie as she heads back to Menlo Park, California. But Sadie finds she no longer fits in, especially when one of her dad’s cases thrusts her into the spotlight and puts her in danger. She turns to her faith, but the youth group just isn’t the same, and Sadie has a lot to think about when she hears what some kids believe. She returns to Owl Creek for a reprieve, but everything feels different. She just wants things to go back the way they used to be. Will her faith be strong enough to get her through?
Can You Ever Trust the Enemy?Things finally seem to be falling into place for Sadie. Bear season is over, and her relationship with her art teacher is on the mend. Her home life is going better than ever, and even her enemy, Frankie, wants to be friends. But can Frankie be trusted? Ruth and Andrew think she’s spying for her father, helping him find a way to capture Sadie’s favorite bear. But Sadie suspects something else is going on with Frankie. She must decide who to trust and find out if—and how—her growing faith can get her through.
Sadie is a strong, extroverted 12-year-old who sees the move from Menlo Park, CA to Eagle’s Nest, MI as a grand adventure. In this new place, she can be whoever she wants to be. She has a strong relationship with her fun-loving dad, and together they work hard to help her mom, who is emotionally fragile. They both hope that this new place will be a fresh start for Sadie’s mom. Quickly Sadie learns she is not welcome in Eagle’s Nest. Her father, a mediator called in by the DNR, is tasked with creating compromise between the hunters in the community who think the bears are a nuisance and should be shot, and the scientist who is studying the bears. Sadie has never been on the outside and isn’t sure what to do with the hostile treatment from many of the kids at school. She connects with one girl at school, which helps, and also starts to befriend the (good-looking) son of the scientist. Sadie also meets a local artist, who recognizes Sadie’s talent and offers her art lessons. As Sadie learns to draw, she starts to see her community in a new way. Her art teacher takes her to Compline (evening prayers) and Sadie is drawn in by the mystery of it all. She starts asking questions about what she believes, both in terms of faith, and in terms of the issues in her community. When her father doesn’t stand up to the hunters in the way she thinks he should, she questions his values. The focus of this first book is on Sadie stumbling into questions of faith, wrestling with them, and becoming more comfortable in the space of not knowing all the answers.
This 2001 book concerns the history of the family in eighteenth-century England. Naomi Tadmor provides an interpretation of concepts of household, family and kinship starting from her analysis of contemporary language (in the diaries of Thomas Turner; in conduct treatises by Samuel Richardson and Eliza Haywood; in three novels, Richardson's Pamela and Clarissa and Haywood's The History of Miss Betsy Thoughtless and a variety of other sources). Naomi Tadmor emphasises the importance of the household in constructing notions of the family in the eighteenth century. She uncovers a vibrant language of kinship which recasts our understanding of kinship ties in the period. She also shows how strong ties of 'friendship' formed vital social, economic and political networks among kin and non-kin. Family and Friends in Eighteenth-Century England makes a substantial contribution to eighteenth-century history, and will be of value to all historians and literary scholars of the period.
The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Naomi Weiss demonstrates that Euripides’ allusions to music-making are not just metatheatrical flourishes or gestures towards musical and religious practices external to the drama but closely interwoven with the dramatic plot. Situating Euripides’ experimentation with the dramaturgical effects of mousike within a broader cultural context, she shows how much of his novelty lies in his reinvention of traditional lyric styles and motifs for the tragic stage. If we wish to understand better the trajectories of this most important ancient art form, The Music of Tragedy argues, we must pay closer attention to the role played by both music and text.
Shakespeare's Festive Tragedy is a unique look at the social and religious foundations of the tragic genre. Naomi Liebler asks whether it is possible to regard tragic heroes such as Coriolanus and King Lear as `sacrifical victims of the prevailing social order'. A fascinating examination of Shakespearean tragedy, this extraordinary book will provoke excitment and controversy alike.
Who is She, this Sister from Below? She's certainly not about the ordinary business of life: work, shopping, making dinner. She speaks from other realms. If you'll allow, She'll whisper in your ear, lead your thoughts astray, fill you with strange yearnings, get you hot and bothered, send you off on some wild goose chase of a daydream, eat up hours of your time. She's a siren, a seductress, a shapeshifter . . . Why listen to such a troublemaker? Because She is essential to the creative process: She holds the keys to the doors of our imaginations and deeper life the evolution of Soul.
This is the first book to approach the visuality of ancient Greek drama through the lens of theater phenomenology. Gathering evidence from tragedy, comedy, satyr play, and vase painting, Naomi Weiss argues that, from its very beginnings, Greek theater in the fifth century BCE was understood as a complex interplay of actuality and virtuality. Classical drama frequently exposes and interrogates potential viewing experiences within the theatron—literally, “the place for seeing.” Weiss shows how, in so doing, it demands distinctive modes of engagement from its audiences. Examining plays and pottery with attention to the instability and ambiguity inherent in visual perception, Seeing Theater provides an entirely new model for understanding this ancient art form.
Dreams exist in that other realm...the night-world of sleep. Th ere all things are possible. Every hope and fear has the potential of becoming the ingredients of stories that weave the prosaic with the fantastic. I have grown to feel comfortable with the freedom that dreaming provides and enjoy surrendering to whatever stories unfold when I go to sleep. Th ere I can pass through doorways into other worlds that I only hear about on the radio. Dreaming creates a space for me, where I am no longer Paul Davis, the taxi driver who has only once left his home city of Southampton.
In Hermeneutics of Holiness , Naomi Koltun-Fromm examines the ancient nexus of holiness and sexuality and explores its roots in the biblical texts as well as its manifestations throughout ancient and late-ancient Judaism and early Syriac Christianity. In the process, she tells the story of how the biblical notions of "holy person" and "holy community" came to be defined by the sexual and marriage practices of various interpretive communities in late antiquity. Koltun-Fromm seeks to explain why sexuality, especially sexual restraint, became a primary demarcation of sacred community boundaries among Jews and Christians in fourth-century Persian-Mesopotamia. She charts three primary manifestations of holiness: holiness ascribed, holiness achieved, and holiness acquired through ritual purity. Hermeneutics of Holiness traces the development of these three concepts, from their origin in the biblical texts to the Second Temple literature (both Jewish and Christian) to the Syriac Christian and rabbinic literature of the fourth century. In so doing, this book establishes the importance of biblical interpretation for late ancient Jewish and Christian practices, the centrality of holiness as a category for self-definition, and the relationship of fourth-century asceticism to biblical texts and interpretive history.
After nearly half a century; after their deaths, the lifelong saga of the relationship between MLK and his cherished brother A.D. King comes to light. They were sons, they were brothers. They were husbands. They were fathers. They were leaders. They played together, they preached together, they marched together. They dreamed together. They cried together, they prayed together. And they rejoiced together. Deep from the heartfelt memories of Mrs. Naomi Ruth Barber King comes a love story. This is a love story of a modern day Boaz and Ruth. It is a love story of brothers who lived and died for a dream. It is a legacy love story. It is a love for family and community. It is a love of a God who so loved the world that he gave His Only Begotten Son; a love that two brothers lived and died for; still daring to believe.
Bestselling author Naomi Wolf was brought up to believe that happiness is something that can be taught -- and learned. In this magical book, Naomi shares the enduring wisdom of her father, Leonard Wolf, a poet and teacher who believes that every person is an artist in their own unique way, and that personal creativity is the secret of happiness. Leonard Wolf is a true eccentric. A tall, craggy, good-looking man in his early eighties, he's the kind of person who likes to use a medieval astrolabe, dress in Basque shepherd's clothing, and convince otherwise sensible people to quit their jobs and follow their passions. A gifted teacher, he's dedicated his life to honoring individualism, creativity, and the inspirational power of art. Leonard believes, and has made many others believe, that inside everyone is an artist, and success and happiness in life depend on whether or not one values and acts upon one's creative impulse. In The Treehouse, Naomi Wolf's most personal book yet, Naomi outlines her father's lessons in creating lasting happiness and offers inspiration for the artist in all of us. The book begins when Naomi asks Leonard to help build a treehouse for his granddaughter. Inspired by his dedication to her daughter's imaginative world, Naomi asks her father to walk her through the lessons of his popular poetry class and show her how he teaches people to liberate their creative selves. Drawn from Leonard's handwritten lecture notes, the chapters of The Treehouse remind us to "Be Still and Listen," "Use Your Imagination," "Do Nothing Without Passion," and that "Your Only Wage Will Be Joy," and "Mistakes Are Part of the Draft." More than an education in poetry writing, this is a journey of self-discovery in which the creative endeavor is paramount. Naomi also offers glimpses into her father's past -- from his youth during the Depression to his bohemian years as a poet in 1950s San Francisco -- and the evolution of Leonard's highly individualistic vision of the artist's way. She reconsiders her own childhood and realizes the transformative effect Leonard's philosophy has had on her own life, as well as the lives of her students and friends. The Treehouse is ultimately a stirring personal history, a meditation on fathers and daughters, an argument for honoring the creative impulse, and unique instruction in the art of personal happiness.
This book, first published in 1994, explores the important role that insider lending played in the economic development of early nineteenth-century New England.
From the acclaimed author of Fires of the Faithful comes the tale of an impetuous young woman, freeborn in a world of slavery and magic. Twenty-year-old Lauria is the favorite aide to Kyros, a powerful military officer. On his authority, she is messenger, observer, and spy. But now she is entrusted with a mission more dangerous than any that have come before. . . . After years of relative peace, word has come to Kyros’s compound that the bandit tribe known as the Alashi is planning an offensive. It is up to Lauria to infiltrate the Alashi by posing as an escaped slave—a charge that requires she serve in the household of a neighboring officer. From there, she will stage an escape and continue on in her guise as a runaway. But posing as a slave—a virgin concubine, no less—may prove the least of her troubles. For even if she does escape and the Alashi do accept her, how can this freeborn woman convince them she is slave, not spy? And, worse, what if her own views are gradually changing, calling everything she believes about her world into question?
Stirling Prize for Best Book in Psychological Anthropology, 2018 Graburn Award for Best Book in Anthropology of Tourism, 2018 Douglass Prize for Best Book in the Anthropology of Europe, Honorable Mention, 2018 National Jewish Book Award, Finalist, 2017 Unorthodox Kin is a groundbreaking exploration of identity, relatedness, and belonging in a global era. In urban Portugal today, hundreds of individuals trace their ancestry to 15th century Jews forcibly converted to Catholicism, and many now seek to rejoin the Jewish people as a whole. For the most part, however, these self-titled Marranos (“hidden Jews”) lack any direct experience of Jews or Judaism, and Portugal’s tiny, tightly knit Jewish community offers no clear path of entry. According to Jewish law, to be recognized as a Jew one must be born to a Jewish mother or pursue religious conversion, an anathema to those who feel their ancestors’ Judaism was cruelly stolen from them. After centuries of familial Catholicism, and having been refused inclusion locally, how will these self-declared ancestral Jews find belonging among “the Jewish family,” writ large? How, that is, can people rejected as strangers face-to-face become members of a global imagined community—not only rhetorically, but experientially? Leite addresses this question through intimate portraits of the lives and experiences of a network of urban Marranos who sought contact with foreign Jewish tourists and outreach workers as a means of gaining educational and moral support in their quest. Exploring mutual imaginings and direct encounters between Marranos, Portuguese Jews, and foreign Jewish visitors, Unorthodox Kin deftly tracks how visions of self and kin evolve over time and across social spaces, ending in an unexpected path to belonging. In the process, the analysis weaves together a diverse set of current anthropological themes, from intersubjectivity to international tourism, class structures to the construction of identity, cultural logics of relatedness to transcultural communication. A compelling evocation of how ideas of ancestry shape the present, how feelings of kinship arise among far-flung strangers, and how some find mystical connection in a world said to be disenchanted, Unorthodox Kin is a model study for anthropology today. This acclaimed book will appeal to a wide audience interested in anthropology, sociology, and religious studies. Its accessible, narrative-driven style makes it especially well-suited for introductory and advanced courses in general cultural anthropology, ethnography, theories of identity and social categorization, and the study of globalization, kinship, tourism, and religion.
With Freedom’s Gate, acclaimed author Naomi Kritzer introduced a dangerous world of magic and intrigue. Now she continues the story of Lauria, a bold young woman who has turned against a way of life she once believed in. . . . Once the trusted aide to powerful military commander Kyros, freeborn Lauria hunted down his escaped slaves. But during a mission to infiltrate the bandit tribe known as the Alashi, Lauria’s loyalties shifted. When her identity was discovered, she was cast out by both sides. Now Lauria is determined to regain the trust of the Alashi, and, with the help of her blood-sister Tamar, liberate those she once returned to captivity. But they cannot accomplish the daunting task alone. Desperate for a spell-chain to free a mine slave, Lauria turns to her enemies–the Sisterhood of Weavers–and apprentices herself to a sorceress. But learning to harness magic will come at a greater price than she ever imagined.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.