Students of Japanese are familiar with the term "particle," and realize that they, like English prepositions, require a special effort to master. This handbook provides all the information one would need on these tricky units of grammar. All About Particles covers more than 70 particles those that are used regularly as well as those used less frequently in more than 200 uses. The book can be approached as a guiding textbook and studied from beginning to end. It is as a reference book, however, that All About Particles shines. It is light and easy to carry, slim enough to fit into the corner of a shoulder bag, and concise enough to quickly clarify particle-related questions. It is a priceless tool for any serious student of Japanese. In its previous incarnation as a part of the Power Japanese Series, ISBN 978-0-87011-954-5, and sold more than 40,000 copies worldwide.
Students of Japanese are familiar with the term "particle," and realize that they, like English prepositions, require a special effort to master. This handbook provides all the information one would need on these tricky units of grammar. All About Particles covers more than 70 particles those that are used regularly as well as those used less frequently in more than 200 uses. The book can be approached as a guiding textbook and studied from beginning to end. It is as a reference book, however, that All About Particles shines. It is light and easy to carry, slim enough to fit into the corner of a shoulder bag, and concise enough to quickly clarify particle-related questions. It is a priceless tool for any serious student of Japanese. In its previous incarnation as a part of the Power Japanese Series, ISBN 978-0-87011-954-5, and sold more than 40,000 copies worldwide.
How do you reconstruct a tradition of religious art wiped out by another religion? Naoko Gunji takes up this challenging question in Amidaji. Amidaji was a Buddhist temple in western Japan that, from the twelfth century onwards, overlooked the strait of Dannoura and commemorated the tragic protagonists of The Tale of the Heike who perished in the strait at the end of the Genpei War (1180–1185)―the Heike or the Taira clan and the child-emperor Antoku (1178–1185). Amidaji was destroyed, however, in 1870 amid a nativist, royalist movement of persecuting Buddhism, and replaced by an imperial Shinto shrine. Its art, architecture, and rituals were lost, and have until now been understood through the lens of the current shrine and a few surviving objects. By investigating numerous historical sources and artistic, literary, religious, political, and ideological contexts, Gunji reveals a carefully coordinated program of visual art and rituals for the salvation of Antoku and the Taira.
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