An illustrated novel of the real world created by the acclaimed painter Nancy Chunn. Every day of 1966 Chunn claimed as an artistic canvas the front page of the N.Y. Times. Using rubber stamps and pastels to enhance, eradicate, and alter images and text, she created a commentary -- colorful, intense, visually explosive -- on the year's events and the power of the press. Chunn's treatment of the events we all lived through -- the Presidential campaign, the crash of TWA Flight 800, the wars in Chechnya and Rwanda -- will strike an immediate chord in readers tuned in to the political world awash in images and news. Gary Indiana's interview with the artist provides intimate insights into the artistic process as a means of talking back to power and engaging with the world.
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