WHERE TO GO TONIGHT The ultimate lowdown on L.A.'s rich and varied going-out scene--from the laid-back to what's hot, hot, hot, Rommelmann covers it all in over 200 listings. Bars Clubs Lounges Live Music Venues Late-Night Eating Spots From Hollywood to Glendale, Santa Monica to Silverlake, Rommelmann's Los Angeles Bar & Nightlife Guide is the fully cross-referenced and indispensable companion you need for hundreds of happy nights out. Whether you're looking for something on the down low or going for broke, Rommelmann has seen and done it all so you never have to spend another night in a wasteland. Get in the know. Know where to go with Rommelmann's Los Angeles Bar & Nightlife Guide.
In 1994, journalist Nancy Rommelmann accompanied Rick Gaez, a 26-year-old pen pal of John Wayne Gacy, on a road trip from Los Angeles to Illinois, to visit the serial killer before his execution. Along the way, she took the moral temperature of people on college campuses, in bars, in churches, asking how they felt about Gacy and his being sentenced to death, for the torture and murder of 33 young men and teenage boys. Shackled in a tiny visiting room on death row, Gacy nevertheless turned on the charm. Chatty, slick, acting the father figure, albeit one who wants to know a little too much about your sex life, Gacy offered his hand and said, “Ask anything you want—I’m not ashamed of anything I’ve ever done.”
In 1994, journalist Nancy Rommelmann accompanied Rick Gaez, a 26-year-old pen pal of John Wayne Gacy, on a road trip from Los Angeles to Illinois, to visit the serial killer before his execution. Along the way, she took the moral temperature of people on college campuses, in bars, in churches, asking how they felt about Gacy and his being sentenced to death, for the torture and murder of 33 young men and teenage boys. Shackled in a tiny visiting room on death row, Gacy nevertheless turned on the charm. Chatty, slick, acting the father figure, albeit one who wants to know a little too much about your sex life, Gacy offered his hand and said, “Ask anything you want—I’m not ashamed of anything I’ve ever done.”
has evolved into a new genre of television drama, elevating real life to soap opera. This intimate, behind-the-scenes diary goes beyond television truth to reveal all the gossipy drama that even MTV couldn't--or wouldn't--broadcast (including the pilot episode). Color photos throughout.
WHERE TO GO TONIGHT The ultimate lowdown on L.A.'s rich and varied going-out scene--from the laid-back to what's hot, hot, hot, Rommelmann covers it all in over 200 listings. Bars Clubs Lounges Live Music Venues Late-Night Eating Spots From Hollywood to Glendale, Santa Monica to Silverlake, Rommelmann's Los Angeles Bar & Nightlife Guide is the fully cross-referenced and indispensable companion you need for hundreds of happy nights out. Whether you're looking for something on the down low or going for broke, Rommelmann has seen and done it all so you never have to spend another night in a wasteland. Get in the know. Know where to go with Rommelmann's Los Angeles Bar & Nightlife Guide.
Short stories by the author of THE BAD MOTHER and THE QUEENS OF MONTAGUE STREET "Nancy Rommelmann's startling stories are as compelling as they are unsettling. The worlds she creates are recognizable but also completely and wonderfully unfamiliar. She writes close to the body, and we are made to feel each uncanny detail. Transportation is a fascinating, fierce, and original collection of stories." --Dana Spiotta, author of Stone Arabia "I inhaled this book in one sitting, thoroughly hypnotized. Rommelmann has the uncanny ability to tease out the nightmarish moments of everyday life in stories that are audacious, darkly hilarious, surprisingly tender and HDTV sharp. Fiction doesn't get any better than this." --Karen Karbo, author of How Georgia Became O'Keeffe "Somewhere between gritty and your mother's kiss on your forehead lies Transportation, Rommelmann's startling new collection. Each story crackles with violence, folding over into realms of otherworldliness, where the reader dare not look away. As the voice in the title story claims, 'There is only one escape and that is to brush away the sentimental cobwebs, get them out of your eyes quickly, ' which Rommelmann does with razor-sharp precision." --Deborah Reed, author of Carry Yourself Back to Me Author and journalist Nancy Rommelmann is known for her unflinching documentarian gaze, usually focused on subjects like serial killers and Munchausen moms, con-men and homeless teens. But the stories in Transportation have an elevated, untethered quality-they are transported, and transporting. The storytelling surges at times toward sci-fi; at others, toward an unadorned magical realism. The first story in the collection, "The White Coyote," is an intense, black-humored study of shame that takes place in a Catholic grade school gymnasium. The title story, "Transportation," documents the metaphysical journey of two grieving parents who must literally circumnavigate the globe, on separate paths, in order to heal.
Nancy Reagan describes her life from her happy childhood to her exciting stage and film career to her experiences as the wife of a famous actor, governor, and presidential candidate and expresses hopeful views on America's future.
My Nana was an Outrageously Mischievous kid. In the 1940s and '50s, children were allowed to run free, play outside, and use their imaginations-without parents constantly hovering over them and fearing for their safety. In her own small town in North Carolina-with very little traffic, and neighbors who actually knew each other-Nana was no exception to the free-range kid phenomenon. But as an outrageously mischievous child that was left to her own devices, she sure got into some amazing and hilarious adventures. It was a glorious time to be a child! Both of Nana's parents worked, so she and her brother were often unsupervised. They wreaked havoc most of the time, thus living an exciting childhood. Nana's stories-told to her great-grandchildren-are all true. She relates how her family and neighbors survived in spite of her and is quick to let her great-grandchildren know what not to do. As she says, if she had lived as a child today, she'd probably be locked up in a juvenile home!
An illustrated novel of the real world created by the acclaimed painter Nancy Chunn. Every day of 1966 Chunn claimed as an artistic canvas the front page of the N.Y. Times. Using rubber stamps and pastels to enhance, eradicate, and alter images and text, she created a commentary -- colorful, intense, visually explosive -- on the year's events and the power of the press. Chunn's treatment of the events we all lived through -- the Presidential campaign, the crash of TWA Flight 800, the wars in Chechnya and Rwanda -- will strike an immediate chord in readers tuned in to the political world awash in images and news. Gary Indiana's interview with the artist provides intimate insights into the artistic process as a means of talking back to power and engaging with the world.
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