From an early age, Lennon Portier knew she was different. The daughter of a mother whose problems were too complicated to understand, she was victimized at a young age, the catalyst for a string of bad choices. After the death of her first husband, Lennon leaves her hometown, first for college and then for a new life in Colorado. However, as she soon discovers, leaving is not enough to change old patterns, and Lennon finds herself wrapped up in a dangerous relationship, this time with the dark stranger she married. Lennon must now be strong. While her happiness is something she can endure, the safety of her daughter is more important than anything else. Lennon must find the strength and perseverance to leave her husband and free herself and her child.
These 21 thematically-connected stories, told in first and third person, describe the provocative and the minutiae of small-town experiences in Wisconsin, the Rocky Mountain range, and California. The ins-and-outs of small-town life and townspeople come to life within these familiar, bittersweet, and inspiring short stories. Palmie gets to the heart of her stories through piercing detail. In Twenty-One Stories, the reader will step into a world where the common occurs, but Palmie puts her own twist on what is expected.
Matt Haldeman is still young but already wealthy when he drops out of corporate America. With his beloved dogs and his brand-new truck and trailer, he sheds most of his material possessions and begins his life anew. Matt sets out to discover all he had been missing. He travels solo through Nevada, Montana, British Columbia, and Alaska through snow-covered mountains beyond growth, struggle, and death. He had dreamed of these quiet roads and moonlit woodlands, and now the earth had become his new reality. But this strange new life is not without bitter internal conflict. After extreme highs and lows and intensive soul-searching, several life-altering events occur in rapid succession. A fortuitous meeting brings him to a ranch in British Columbia that is owned by Martha, also known as Mama Bear. It is at the ranch where Matt ultimately discovers the truth and meaning for which he had long been searching.
A small Western town is dying a slow and painful death. Key to its survival are the Ledger sheriffs and the Monroes, owners of one of the largest dude ranches in Wyoming. As the beautiful rodeo queen and equestrian goddess at the ranch, men covet Julie Monroe. But the truth is, she loves her horses more than she likes most people. In particular, Daryl Ledger, the sheriffs deputy, rubs her chaps the wrong way. Underage, Julie lies to get out of a date with him and goes to a bar with a controversial girl named Katie, whos in deep trouble with the law. That night, Julie finds herself pulled into the center of a dark and dangerous circle. That night, Julies life changes forever. Julie could have had it all, they said. Instead, to save herself from shame and discovery of her sins, she flees to save herself and her unborn child and she doesnt return for twenty years. The Ledger Law is a tale of survival and self-invention. Its a story of loss and redemption and a triumph for anyone who believes in happy endings.
Minutes after midnight on May 15, 1970, white members of the Jackson city police and the Mississippi Highway Patrol opened fire on young people in front of a women's dormitory at Jackson State College, a historically black college in Jackson, Mississippi, discharging "buckshot, rifle slugs, a submachine gun, carbines with military ammunition, and two 30.06 rifles loaded with armor-piercing bullets." Twenty-eight seconds later two young people lay dead, another 12 injured. Taking place just ten days after the killings at Kent State, the attack at Jackson State never garnered the same level of national attention and was chronically misunderstood as similar in cause. This book reclaims this story and situates it in the broader history of the struggle for African American freedom in the civil rights and black power eras. The book explores the essential role of white supremacy in causing the shootings and shaping the aftermath. By 1970, even historically conservative campuses such as Jackson State, where an all-white Board of Trustees of Institutions of Higher Learning had long exercised its power to control student behavior, were beginning to feel the impact of the movements for African American freedom. Though most of the students at Jackson State remained focused not on activism but their educations, racial consciousness was taking hold. It was this campus police attacked. Acting on racial animus and with impunity, the shootings reflected both traditional patterns of repression and the new logic and rhetoric of "law and order," with its thinly veiled racial coding. In the aftermath, the victims and their survivors struggled unsuccessfully to find justice. Despite multiple investigative commissions, two grand juries and a civil suit brought by students and the families of the dead, the law and order narrative proved too powerful. No officers were charged, no restitution was paid, and no apologies were offered. The shootings were soon largely forgotten except among the local African American community, the injured victimized once more by historical amnesia born of the unwillingness to acknowledge the essential role of race in causing the violence.
Nancy Reagan describes her life from her happy childhood to her exciting stage and film career to her experiences as the wife of a famous actor, governor, and presidential candidate and expresses hopeful views on America's future.
My Nana was an Outrageously Mischievous kid. In the 1940s and '50s, children were allowed to run free, play outside, and use their imaginations-without parents constantly hovering over them and fearing for their safety. In her own small town in North Carolina-with very little traffic, and neighbors who actually knew each other-Nana was no exception to the free-range kid phenomenon. But as an outrageously mischievous child that was left to her own devices, she sure got into some amazing and hilarious adventures. It was a glorious time to be a child! Both of Nana's parents worked, so she and her brother were often unsupervised. They wreaked havoc most of the time, thus living an exciting childhood. Nana's stories-told to her great-grandchildren-are all true. She relates how her family and neighbors survived in spite of her and is quick to let her great-grandchildren know what not to do. As she says, if she had lived as a child today, she'd probably be locked up in a juvenile home!
An illustrated novel of the real world created by the acclaimed painter Nancy Chunn. Every day of 1966 Chunn claimed as an artistic canvas the front page of the N.Y. Times. Using rubber stamps and pastels to enhance, eradicate, and alter images and text, she created a commentary -- colorful, intense, visually explosive -- on the year's events and the power of the press. Chunn's treatment of the events we all lived through -- the Presidential campaign, the crash of TWA Flight 800, the wars in Chechnya and Rwanda -- will strike an immediate chord in readers tuned in to the political world awash in images and news. Gary Indiana's interview with the artist provides intimate insights into the artistic process as a means of talking back to power and engaging with the world.
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